Zachary Allen
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I am having a show of new work at ACRE Exhibitions in Chicago starting with the opening reception on Sunday the 10th from 4-8pm. More info on the show can be found at http://www.facebook.com/event.php?eid=122106237865317
If you or anyone you know will be around CHI have them stop by the show. Hope to see you there.
I finished my Japanese Woodblock print from the workshop I took two weeks ago with Karl Hecksher. I made a reduction cut and printed it on several types of Japanese paper. I also added a woodgrained background to a few. I am trying to sell these prints in order to raise money to get some film developed and to purchase some more. I have some 4×5″s, a couple rolls of 35mm, and over 40 rolls of 120mm colour film to develop, which those who know, know that its damn expensive.
So here’s the deal, one editioned print will account for the cost to develop 6 rolls of film. Also, if you who buy an editioned print, I will also send you a photograph from one of the rolls of film I get developed! (That’s two prints for one!) I also have a couple of artists proofs that I am willing to sell for a cheaper price. Every roll that gets developed really helps me out!
| Editioned or AP |
Portraits from this weeks cover story in the JH Weekly– http://www.planetjh.com
In a week I will be on my way to Jo’burg South Africa for the start of the 2010 Fifa World Cup with my former professor, and native South African, Ian van Coller as well as my good friend Auggie Cary. Ian van Coller’s work primarily explores post-apartheid South Africa, and our upcoming trip will be an extension of his previous work. Our primary focus will be to photograph the soccer fans at the games, but we also intend to document the social landscape surrounding the events. Auggie and I are just along for the ride to help make Ian’s project the best it can be. I just finished the first stage of our website, so make sure to check back in a little over a week when we began uploading images from our trip.
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Lumi : Snow
by Tero Niskanen
76 pages, softcover, 15 cm * 21 cm
Black and white, perfect bound
A original inkjet print is pasted on the cover
Self published
Printed in Estonia, edition of 500
Released in April 2011
ISBN 978-952-92-8647-8
Snow was shot between 2010 and 2011 in Helsinki, Finland. It was inspired by the snowiest winter in 100 years. The book aims to approach snow as a sensitive, independent and reflecting entity.
Coney Island Malibu Beach
by Benjamin Acree, Jackson Eaton & Robert S. Johnson
Published August 2011 by Big City Press, Perth, Australia
64pgs, full colour offset, 29.7 x 21 cm
Debossed and infolded softcover
Essay by Matthew Hall & conversation with Benjamin Acree
Limited edition of 500
ISBN (Australia): 978-0-9807878-3-2
Order online: http://www.bigcitypress.com.au/coney.html
This book gathers together a series of photographs taken by Benjamin Acree, Jackson Eaton and Robert S. Johnson, as they collectively passed through the United States in 2009. What is initially striking in these images is the very absence of the cultivated, dominant images, we all, as everyday consumers of imagery and photography, have as archetypes of Malibu Beach: there are no glimmering building facades, no sun-baked, oil-glistening skin, no lines of palm trees in crepuscular light. It is this absence that defines the collection; an absence which does not attempt to signify the sanctity of the condition, but provides, determinedly, its own portrait of the Real …. The photographers never presume the unfamiliar, they reveal it, they have passed through the catastrophe, have borne witness to violence of everyday life and have amassed it before us. They have given this to us, through their experiences, through their habit of seeing, they have experienced it and have laid out their attendant figures in this book.
- Matthew Hall
Donovan Wylie One Day Taking Photographs In Belfast
by Peter Mann
Printed in an edition of 200 copies, each with a unique cover.
This is a book about watching a photographer at work.The Photographs were taken one afternoon in 2005 during a walk around north Belfast. At the time Peter Mann and Donovan Wylie were in Belfast working on a film about the Maze prison. As well as the ongoing Maze project Magnum photographer Wylie was also making a photographic record of the military architecture in the city of Belfast itself.
Peter Mann has collaborated on film and photography projects with Donovan Wylie since they met in 2000. As well as working on the documentary films Wylie made in the early 2000’s he has edited Wylie’s last three books ‘British Watchtowers’ 2007 (Consultant editor), ‘Maze 2’, 2009 and ‘Outposts’ 2011.
The book is printed digitally and every one of the 200 copies has a completely unique cover and is numbered on the reverse, something that simply cannot be done with litho.
“Ein Magazin über Orte” (a magazine about places) is published twice a year. It deals with a different location in every issue. The magazine collects works of various authors in the form of photographs, drawings and texts. Previous issues have been dedicated to themes like the kitchen, the desk, the crime scene, and the sea. Issue no.8 is about the paradise. It shows works of artists like Luc Tuymans, Raymond Pettibon, Ryan McGinley, Jeff Wall and Lidwien van de Ven and texts by authors such as Günter Kunert and Miranda July.
“Ein Magazin über Orte” was founded by Elmar Bambach, Julia Marquardt and Birgit Vogel. More information can be found on www.orte-magazin.de.
Mark Klett The Half-Life of History
Photographs by Mark Klett. Text by William L. Fox
Radius Books, Santa Fe, 2011.
Hardbound. 160 pp., 40 color and 30 duotone illustrations, 9-1/2x11-3/4”.
Publisher’s Description:
There is a twisted steel dome in Hiroshima that stands as a grim reminder of the city’s destruction by the first atomic bomb. Halfway around the globe, on the border of Utah and Nevada, stands another ruin. The site that housed the bomber that carried “Little Boy,” Wendover Army Air Base, now crumbles from neglect. The stories and relics of Wendover describe more than just the past; they point to a historic cycle, a present increasingly filled with new threats of devastating nuclear and chemical warfare. For this book, American photographer Mark Klett (born 1952) has teamed up with William L. Fox, a celebrated science and art writer whose work focuses on human cognition and memory. Together, the two have created a fascinating visual and textual portrait of Wendover Army Air Base, examining the experience of memory in relation to the great tragedy of America’s atomic age.
(via CENSURA CENSURA CENSURA)
// White Noise by António Júlio Duarte
Hardcover | 78 pages, color | 300x300 mm
Coming out in December 2011
Publisher’s Description:
António Júlio Duarte has been photographing Casino’s lobbies in Macau for the last 10 years.
Shot at night, with a medium format camera and a flash, often in jetlagged mode, the lobbies became Duarte’s personal territory.
The absurd luxury of the places combined with the strangeness of the objects, and the absence of human presence, creates a strong dreamlike feeling.
We are led through a labyrinth, as if floating. The work is, both an important document about the little seen reality of Casino’s in Macau today,
and a very personal reflection about East and West, about how to relate to the world through photography.
Exhibition on view:
Monday, November 7–Saturday, November 12, 2011
PRINTING SHOW is a recreation of Daido Moriyama’s 1974 performance of the same name. Following the format of the original performance as closely as possible, in lieu of prints mounted on the gallery walls, visitors to the gallery will find the photographer stationed at a photocopy machine duplicating his photographic prints. As was done forty years ago, these photocopied sheets will be assembled and staple-bound with a silk-screened cover printed in the gallery space during the performance.
In 1974, the ad hoc photobook that resulted from this process, Another Country—New York, featured images from a trip Moriyama had made to New York in 1971. The photobook, which was produced as ephemera for the performance, has since become a rare collector’s item. In the 2011 recreation, the work featured will include a selection of images made in Tokyo over the last fifteen years.
Visitors to the gallery will be active collaborators in the photobook-making process. In 1974, the photographer sequenced and collated the photocopied sheets, leaving the choice of silkscreen cover to the visitor. In 2011, the visitor will select, edit, and sequence the sheets of the ad hoc photobook, titled TKY. Visitors will choose from a menu of fifty-four double-sided photocopied sheets that will be on view in the gallery space. Visitors will also make a choice of cover. All copies made during the performance interval will be signed by the photographer.
PRINTING SHOW—TKY embodies and addresses fundamental issues impacting the landscape of photobook publishing, as well as the communication of ideas in a post-digital era.
(via Aperture Foundation | Aperture Gallery | PRINTING SHOW—TKY)
Hard Copy is an innovative research and publishing platform that aims to reflect on artist books and printmaking, central to emerging artistic and design practices. Initiated in 2010 by artist, curator and tutor Delphine Bedel, this three-year project is conceived for the Master of Fine Arts WORK.MASTER at the Geneva University of Art and Design.
Hard Copy explore the space of a book and formats of display, editorial concepts, extended printing techniques, graphic design and typographic researches. By publishing artist books and multiples and curating exhibitions, workshops and lectures series with keynote speakers (Seth Siegelaub, Daniel McClean, Dexter Sinister, etc), Hard Copy aims to contextualize and expand this research historically and theoretically.
11.5 in. x 13.25 in. / 68 pages / 27 full color plates / Casebound in Japanese saifu cloth with French fold dustjacket / Edition of 500 / ISBN 978-0-9818770-3-7 Publisher’s Description: While Ian van Coller was growing up in the 1970s, the black women working in his parents’ upper class home in a whites-only suburb of Johannesburg were valued as members of the family. Nannies and maids who helped raise the children and run the household, they were ever-present confidants and friends. And yet they were conspicuously absent from family vacations and photo albums. Apartheid, though it has been officially consigned to history, continues to live on in nearly a million South African homes where blacks still serve the needs of the white minority. Ian van Coller’s first monograph, Interior Relations, deftly probes this enduring racial fault line with a simple yet elegant premise: he has asked black housekeepers, nannies and maids to wear their finest clothes, and to sit for formal portraits in the homes they care for. Though the subjects’ white employers are never shown, evidence of their privilege crowds around the women, forever out of reach: every portrait a cameo of apartheid in redux. For Sindiwe Magona, one of South Africa’s most celebrated black writers, working as a domestic in her youth provided a desperately needed but meager income that she was forced to supplement by selling sheep heads on the street. Serving white families represented a constriction of the soul that was broken only by the force of her will to become a writer. Magona’s introduction channels the voices of van Coller’s subjects through her own years as a domestic worker. Ian van Coller’s delicate and reverential portraits, coupled with Sindiwe Magona’s searing essay, offer a starkly original view of the intersection of race and class in post-apartheid South Africa.Interior Relations
Photographs by Ian van Coller
Essay by Sindiwe Magona
Taryn Simon
A Living Man Declared Dead and Other Chapters
With numerous gatefolds, 3 different paper stocks and over 1000 full colour images Texts by Homi K. Bhabha and Geoffrey Batchen 864 pages, 25 cm x 34 cm, Hardcover Publication date: May 2011 ISBN 978-1-907946-05-9 Publisher’s Description: “Men make their own history, but they do not make it as they please; they do not make it under self-selected circumstances, but under circumstances existing already, given and transmitted from the past. The tradition of all dead generations weighs like a nightmare on the brains of the living.” A Living Man Declared Dead and Other Chapters is a significant and extensive book of a major new body of work by the American artist Taryn Simon with texts by Homi K. Bhabha and Geoffrey Batchen, to accompany an exhibition at Tate Modern, London in May 2011 and Neue Nationalgalerie, Berlin in September 2011. Over a four-year period, Simon traveled around the world recording bloodlines and their related stories. In each chapter, the external forces of territory, power, circumstance or religion collide with the internal forces of psychological and physical inheritance. The subjects Simon documents include feuding families in Brazil, victims of genocide in Bosnia, the body double of Saddam Hussein’s son, Uday, and the living dead in India. Her collection is at once cohesive and arbitrary, mapping the relationships among chance, blood and other components of fate. A Living Man Declared Dead and Other Chapters is divided into eighteen chapters. Each chapter is comprised of three segments: an annotation, a large portrait series depicting bloodline members and a second series containing photographic evidence. 817 portraits are systematically arranged within their chapters. Simon includes empty portraits, representing living members of a bloodline who could not be photographed. The reasons for these absences are provided in the captions and include imprisonment, military service, dengue fever and women not granted permission to be photographed. Simon’s presentation explores the struggle to determine codes and patterns embedded in the narratives she documents. These narratives are recognisable as variants (versions, renderings, adaptations) of historical or future episodes. In contrast to the systematic ordering of a bloodline, the seductive elements of these stories - violence, resilience, corruption and survival - disorient the work’s highly structured appearance.
Karl Marx, The Eighteenth Brumaire of Louis Bonaparte (1852)
(via MACK BOOKS)
“In quiet rooms young girls are writing poetry”
David Rathman
12.75” x 17.25”
case bound archival pigment ink prints
20 pages
Publisher’s Description:
“In quiet rooms young girls are writing poetry” is an artist’s book that reproduces David Rathman’s recent war-themed watercolors. The paintings depict tanks, planes, warships and helicopters. As with Rathman’s cowboy and car pieces, the imagery is paired with hand-written texts and legends.
Using “language in a paradoxical way to confront the imagery,” Rathman avoids a head-on collision with the “heaviness” of his subject. According to the artist, “There’s a lot of indirection and evasion going on; to see these aggressive menacing subjects twisting with uncertainty struck me as humorous and—in a sideways, minor way—profound.”
Like a series of memento mori greeting cards, Rathman’s book is sometimes morose, sometimes playful, with the artist addressing “serious and ordinary issues: death, fracture, joy, compulsion, testosterone and deliverance.”
signed edition of 200
(via Location Books In quiet rooms young girls are writing poetry)
Currently in transit from the printer to my house: The first book of what is going to be a series, Conversations with Photographers. Each book is based on interviews/conversations that were published on Conscientious before. But there is more: There are exclusive follow-up interviews, which will only appear in the book.
This first book features the 2006 conversation with Brian Ulrich, plus an extended, new interview with him, talking about the upcoming release of his book. Hellen van Meene has a brand-new body of work coming out, a deviation from the portraits of adolescents she is well known for. The (new) interview in the book delves into all the details. Lastly, in addition to the 2009 interview with Chris Anderson you also get a new, follow-up one.
The book is a small paperback, printed locally (Massachusetts). You can fit it into your pocket and take it anywhere.
Conversations with Photographers will be sold online, with sales starting around August 15th (I’ll be busy teaching at the MFA program I’m part of until then). I’ll announce all the details on Conscientious - so stay tuned.
Pontiac by Gerry Johansson
Clothbound hardcover with tipped-in photo
17.5 x 24.5 cm portrait
160 pages, 111 plates
ISBN 978-1-907946-09-7
Publishers Description:
Sensitive and subtle, Johansson hints at town life through the occasional car or lone figure but for the most part draws the reader’s eye to the simplistic architecture of a small American town. In singling out Pontiac, Johansson offers comment on more than the landscape, photographing a microcosm of the effects of the decline in the auto industry in Michigan. His images offer us the opportunity to analyze the landscape with a characteristic Swedish melancholy, echoing the new topographical photographers of the 1970s.
Pontiac marks the end of an eighteen year project by Gerry Johansson. In 1993 Johansson visited America, taking photographs on his travels from one small town to the next. He traveled through the states again in 1994 and 1996, repeating this photographic process. This work was compiled in Amerika, published in 1998. It was followed by a collection of photographs from his homeland, Sverige in 2005. Critical response led Johansson to narrow his camera’s eye to a single town, Kvidinge, a portrait of a Swedish town, published in 2007. Johansson revisited America in 2010, traveling to Pontiac, Michigan, and this became the basis for his final piece in this series.
(via MACK BOOKS)
Sun Feels Honest Todae
Terence Koh (New York, USA)
40 Pages, Soft Cover, 22.5 x 30.5 cm, b/w Offset, First Edition, 2011
Issue #8 of THE international with Terence Koh features deep monochrome prints of his haunting photography layered with drawings that form collages evoking avant-garde Japanese underground scenes from the ’70s.
co-published with Radical Silence Production
see also THE international #7
www.asianpunkboy.com
(via Terence Koh)
Hardcover, 20.3 x 23 cm portrait, 416 pp, 212 platesAdam Broomberg & Oliver Chanarin
People In Trouble Laughing Pushed To The Ground
Publisher’s Description:
People in trouble laughing pushed to the ground. Soldiers leaning, pointing, reaching. Woman sweeping. Balloons escaping. Coffin descending. Boys standing. Grieving. Chair balancing. Children smoking. Embracing. Creatures barking. Cars burning. Helicopters hovering. Faces. Human figures. Shapes. Birds. Structures left standing and falling… The Belfast Exposed Archive occupies a small room on the first floor at 23 Donegal Street and contains over 14,000 black-and-white contact sheets, documenting the Troubles in Northern Ireland. These are photographs taken by professional photo-journalists and ‘civilian’ photographers, chronicling protests, funerals and acts of terrorism as well as the more ordinary stuff of life: drinking tea; kissing girls; watching trains. Belfast Exposed was founded in 1983 as a response to concern over the careful control of images depicting British military activity during the Troubles. Whenever an image in this archive was chosen, approved or selected, a blue, red or yellow dot was placed on the surface of the contact sheet as a marker. The position of the dots provided us with a code; a set of instructions for how to frame the photographs in this book. Each of the circular photographs shown on the previous pages reveals the area beneath these circular stickers; the part of each image that has been obscured from view the moment it was selected. Each of these fragments – composed by the random gesture of the archivist - offers up a self-contained universe all of its own; a small moment of desire or frustration or thwarted communication that is re-animated here after many years in darkness. The marks on the surface of the contact strips – across the image itself – allude to the presence of many visitors. These include successive archivists, who have ordered, catalogued and re-catalogued this jumble of images. For many years the archive was also made available to members of the public, and sometimes they would deface their own image with a marker pen, ink or scissors. So, in addition to the marks made by generations of archivists, photo editors, legal aides and activists, the traces of these very personal obliterations are also visible. They are the gestures of those who wished to remain anonymous.Adam Broomberg & Oliver Chanarin
People In Trouble Laughing Pushed To The Ground
(via MACK BOOKS)
Visible Library by Sam Falls 32 pages, saddle stitched, softcover 9.5 x 7.75 in. / 24.13 x 19.69 cm. ISBN 978-0-9842973-3-7 Published June 2011 Edition of 750
Individually spray painted by the artist with hand-written poem. Limited to 20, signed and numbered.
Description
In a departure from the colorful still life photographs he is known for, artist Sam Falls brings together a series of black and white images for the first time in his limited-edition artist book Visible Library. With a large format camera and a few boxes of expired film, Falls spent a day making these beautiful and haunting pictures in the stacks above the American Wing at the Metropolitan Museum of Art in New York. Like “walking alone in the woods,” as he refers to it, Falls created what can easily be considered his most intimate body of work, a personal meditation on art, history, preservation and the photographic medium.
Artist Bio
Sam Falls (b. 1984, San Diego, CA) spent his formative years in Vermont and now resides in Brooklyn, NY. He received his BA from Reed College in 2007 and his MFA from ICP-Bard in 2010. He has self-published over ten books in addition to titles Color Dying Light (Hassla, 2009), Dans la Chambre Verte (JSBJ, 2010), Light Work (Gottlund Verlag, 2010) and Visible Library (Lay Flat, 2011). Falls’ work has been included in group shows at the International Center of Photography, OHWOW, Blackston Gallery, Bodega, Center for Photography at Woodstock, as well as solo exhibitions at Fotografiska, Capricious Space and Higher Pictures.
Published by: Lay Flat Filed under: Artist Books, Special Editions © 2011 Lay Flat.
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Thank you @tumblr for making life on the internet so easy
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I think every girl in Boston has knee high leather boots... Bad steez
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As always opt out of the body scanners (@ Boston Logan International Airport (BOS) w/ 35 others) http://t.co/90i0lUpm
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I just unlocked the "Explorer" badge on @foursquare! http://t.co/KhUGSAs7
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I just unlocked the Level 2 "JetSetter" badge on @foursquare! In it to win it! http://t.co/0R1fcFTt
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Loving the benefits of united mishaps :$ (@ Manchester-Boston Regional Airport (MHT) w/ 2 others) http://t.co/d5qXzE5P
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Photo: Mark Klett The Half-Life of History Photographs by Mark Klett. Text by William L. Fox Radius Books,... http://t.co/TGDuukr7
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Dear fellow printers never use decision one as technicians on your machine, it's one of the worst companies I've ever dealt with.
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Photo: CENSURA Julián Barón In his photobook CENSURA Julián Barón presents a work based on the style of... http://t.co/8s6XOjX2
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Photo: // White Noise by António Júlio Duarte Hardcover | 78 pages, color | 300x300 mm Coming out in... http://t.co/I7g041rc
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Conscientious | Review: Interior Relations by Ian van Coller http://t.co/os1FMj5D
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Photo: Exhibition on view: Monday, November 7–Saturday, November 12, 2011 PRINTING SHOW is a recreation of... http://t.co/vb3pmxFj
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hard copy - Hard Copy is an innovative research and publishing platform that aims to reflect on artist... http://t.co/tSIGWBrt
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@camdenhardy did you try mopping the floor?
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I'm at Blue Sky Gallery (122 Northwest 8th Avenue, Portland) http://t.co/nJUUW8wD
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I'm at Newspace Center for Photography (1632 SE 10th Ave, Portland) http://t.co/eu6AenEq
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913 @dreamhost
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We need money in research and education not bridges and roads… long term investments versus temp jobs #retardnation
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Visual Artist and Teacher living in the last of the old west -or space-