Hi there. My tumblr likes may describe me more efficiently than words.
I can be contacted via any of the above services, or, if you use your imagination, you could easily figure out my gmail address.
Hi there. It has been a while. Here are a few things I made that might be interesting or useful to you.
Live 9 Mono Sequencer
Last Summer my primary focus was developing the mono sequencer device included with Live 9 Suite. Then later, I authored a series of videos describing mono sequencer's features. Here is the first video in the series.
The iPad is worth it simply as a $500 remote control for the music system I already have in place. Sounds obvious, but I'll detail my stupidity here.
Most people will load up the iPad with media and play these files locally. This is really the intended use of the Video and Music apps. These apps also happen to have the ability to connect to a remote library. They also have the ability to stream audio to an AirPort or AppleTV. With lossless encoded files, this two way real time trip is a lot to ask of a wireless network and the result is dropouts.
But, there's the Remote app which provides a rich interface to control iTunes running on a remote computer. I acquired an aversion to this app from early experience. It was slow to connect and drained the battery of my iPhone quickly.
The Remote app will allow you to connect to an iTunes client which is, in turn, connected to a media server. I guess the reason I did this was due to the set of speakers physically connected to that particular client. Why not simplify matters further, connect directly to the iTunes server client and then use Airplay to send the audio wirelessly? Duh. Anyway, that was the stupidity part.
Oh, my inability to connect to my 1st generation AppleTVs from an iOS device seems to have vanished. So, I will explore the optical out on this device with renewed interest. I've seen 1st Generation AppleTVs go for $35 on ebay. Think of it as an AirPlay hot spot. Hang whatever boutique D/A you want off the back. Or not. It still has analog outs which should be good enough for most people.
So, I'm sitting there scrolling through my entire lossless music library on the iPad, and sending the audio to any combination of AirPlay devices in the house and it hits me: this is finally the music system I've always wanted. If it cost $500 for this one thing, it'd still be worth it. Granted, you already need some music sitting on an iTunes library, which I'm guessing you already have, and an Airport Express which you may also already have or an ebay Apple TV which are cheap. Heck, a dedicated iTunes remote may be a great purpose for a first generation iPad. ($300 refurbs!)
There have been other stabs at this in the past, like the Sonos system, but not with this kind of remote (although theirs was laudable), or at this price point.
Raised on a steady diet of 80's sci-fi, I found the technical symbols of the year 2000 kind of visually underwhelming. The most significant technical achievement of that time was the rapidly expanding internet, and that didn't look remotely like a hover board. So, while I'm blase on the outside about this magic window I can hold in my hand, rest assured, the 1984 version of me is soiling himself.
I call my parents every week. Actually, I FaceTime them on their iPad, mainly so my mom can gauge the accelerating retreat of my hairline. Last week the conversation opened with the new third generation iPad, aka, 'the iPad'. "Stupid name", my dad said. "Stupid, stupid, stupid." I politely disagreed and pointed out that the numbered naming scheme wasn't very extensible without rapidly becoming ridiculous (introducing, the iPad 14!) and just calling it an iPad is consistent with other Apple products like the MacBook and iMac.
Then my father went on to complain about the iPad's lack of USB port. "Why do you want a USB port?", I asked. He wants to plug in a keyboard and memory stick. He also wants to run Microsoft Office. I suggested a laptop. His response, "but I like my iPad!"
Apple products are defined as much by what isn't there as what is there. Apple is obsessed about Quality of Experience and pretty much every controversial design decision they've made can be tied to this impulse. They're not interested in compatibility with the status quo, they see a better way of doing things. Some consumers, my Dad included, feel like Apple is being belligerent.
Consider the USB port idea. On the surface, it makes sense. People could plug their USB sticks in and move files around. It isn't as simple as providing a USB port, though. You're talking about opening up the file system and all that entails. Yes that would give users more freedom, but that doesn't necessarily translate to a better experience.
The iPad is the ideal computer for for the things most people want from a personal computer: surfing the web, checking Facebook, email, watching video, and reading books.
I got my first iPad on Friday. I finally have some specific interests that would be served by the device and it was the right time to get in on the product's lifecycle. It seems that some consumers really don't have any idea why they want an iPad.
I'm heavily invested in the Apple ecosystem. This is the result of a conscious decision and years of curation. Before the iPod and iTunes, I spent a few minutes each morning determining what CDs I was going to bring to work with me. I started using SoundJam to encode music that would stay put on my work computer so I wouldn't have to go through the daily selection process. After iTunes came about, I quickly got used to having a large library of music to shuffle though and installed a dedicated iTunes machine in my home that served various clients on our local area network. I encoded all my CDs and stuffed the originals in a corner in my basement. As storage costs dropped, my media server expanded to include video, banishing DVDs to the basement as well. Apple TVs replaced DVD players. Deciding to encode for an Apple format, instead of something more open and generic seemed risky, but (right now) I'm glad I did. It wasn't a decision I undertook lightly due to the labor involved. (I had similar blind faith when I decided to go Apple Lossless for all my audio).
So, before this iPad arrived, I could already play any media in my library on any TV, computer or iPhone in the house. The iPhones and computers can also forward content to a target device via AirPlay. For example, I can use my iPhone to wirelessly stream music to my Genelecs, or multiple simultaneous sets of speakers around the house. I can't overstate how useful Airplay is. A friend of mine just sent me a dropbox link to an audio file. I was able to click on the link, send the audio to my monitors and then move back to mail. No drama, it just works. I'm not saying this feature is something exclusive to apple, but it's so easy to use and the interface is consistent across multiple targets (computer, iOS, AppleTV)
Speaking of which, I realized (cheap) first generation AppleTVs have a digital audio out. I haven't tried this, but you may be able to hang a nice D/A convertor off an AppleTV, and use it as a dedicated high quality AirPlay device. This would sound far better than an Airport Express. One strangeness I ran into was I can send audio from my Mac to any Airport Express or 1st gen AppleTV, but the iOS devices only see my Airport Express.
I was pleased that after entering my home sharing information, I had access to my entire media library on the network. The lack of video genre browsing or search is annoying and slows down the loading of thumbnails as it attempts to deal with hundreds of videos. I suppose I'm an edge case.
I already have devices that cover what I'd use the iPad for. My MacBook Pro covers most of it. I have an iPhone for mobility. I have a kindle for reading. I was very curious how the iPad would affect how I feel about the kindle. The iPad is sexier and more flexible, but for plain old reading, I still prefer the kindle. The iPad is uncomfortably heavy. I found myself wanting to prop the iPad against something because it is fatiguing to hold. I ordered one of those magic iPad covers that can be used to prop it up on something flat. This will help, but it isn't a solution. When I read a book, I hold the book and shift in various positions. One major reason why I prefer the kindle to a book is because it is less fatiguing to hold.
Size is another issue. I can stuff the kindle in a pocket. It weighs virtually nothing so I carry it with me everywhere and read more as a result. The iPad is a great internet appliance, but it isn't going to replace my kindle (yet). The kindle will travel with me and my iPhone. The iPad is going to stay at home.
I could see this as a valid market factor for a 7" iPad. The iPhone is too small (IMO) for book reading. I know people do it, but this isn't for me. A 7" iPad may be the proper size for this application. I envision a 7" form factor to be useful for scheduling and delivery applications. Look at those dedicated devices UPS drivers carry to track packages and collect signatures. A normal sized iPad is too big for this application, whereas a 7" device would be just right. Wouldn't it be useful to increase the granularity of delivery resolution and track the progress of a delivery route. "Out for delivery" could include an estimated arrival time. Imagine the ability to intercept a missed delivery at another point on the route. The UPS driver could take your signature and a photo of your ID.
This hadn't really occurred to me, but the iPad sports a 4:3 aspect ratio, while the iPhone is a 3:2 aspect ratio. Widescreen media fills the iPhone a bit more efficiently than the iPad. Despite the lovely resolution, a 16:9 movie isn't really satisfying on the iPad. (not that watching movies on the iPhone is my thing, either)
The power adapter
The power supply for the iPad is a bit larger than the iPhone power to USB adapter. Sorry if this isn't news to current iPad owners. This is the first time I've seen this. Anyway, at first I thought it was a beefier adapter but then I realized it is compatible with the wall plug Apple provides with their laptops. The idea is you leave the power cord at your desk. Take the power adapter itself and slap on the travel prongs. The design of the iPad USB power adapter allows general compatibility with this cable.
iPad supply (with included blade adapter detached) the others are an apple laptop cable, which can plug into the iPad adapter, a MacBook Pro power supply and an iPhone power supply for comparison
VNC
The first thing I did was set up VNC and a terminal. The terminal software I was using on my iPhone isn't iPad savvy so, it isn't worth mentioning. On the other hand, I was pleasantly surprised by Mocha VNC. I've been using Mocha VNC for many years now. I find it useful if I'm pinned under a cat and need to reach around the house. However, VNC on an iPhone screen is pretty cramped. Mocha VNC has improved a great deal since it was introduced and I was pleasantly surprised to find it works even better on the iPad.
Speaking of cats, I can say with authority that an iPad is the ideal device for anyone who often finds themselves with one arm trapped under a feline. If you're catless, you could say the iPad is a great 'couch' computer. Flipboard and Facebook are perfect examples of casual couch computing. The tumblr and G+ apps are iPhone apps that don't translate well to the iPad. You're better off using Safari, although I haven't learned the gesture (if it exists) to force links to a new tab. Favoring tumblr posts often results in tapping the wrong thing, but Safari is pretty forgiving about returning.
Game Graphics
I'm not much of a gamer, as I don't have much time to devote to the pastime, but I was curious enough about what the iPad could offer technically to drop $10 on Infinity Blade II and Real Racing 2 HD. They're both quite beautiful. The game play on Infinity Blade feels like an updated version of Dragon's Lair. Still impressive though. The iPad has the same problem as the Mac had for gaming. I'm a bit old-school I guess, but I want to mash buttons when I play a game. It is possible to design successful touch screen/accelerometer games which is why things like Angry Birds HD and Fruit Ninja HD are appealing, but arcade-type games suffer.
Photography
I bought iPhoto because it looked like something I'd find useful, and for personal stuff, I use iPhoto on my Mac. I also bought camera+ due to the rave reviews. I'm not sure why I have both. I was thinking it was a better alternative to the built in camera, offering more control, and it does have some features like stabilization and timer that could be useful, but much of the software is post processing features that is better done in iPhoto. I was expecting more in camera control, like exposure controls and Iso. Worse, it is a iPhone app that you have to run at 2x. Don't do what I did, just buy iPhoto.
Comics
I'd like to read some graphic novels again, and this is clearly an area where the iPad is a better device than the kindle. Stanza has PDF capabilities, but it seems to be EOL, so I'm using CloudReaders.
iOS Wish: Multiple accounts
The iPad isn't my first iOS device. I've owned a touch, an iPhone 3G, and an iPhone 4S. Those devices stayed in my pocket, they were 'mine' I don't feel the same way about the iPad, It is a general device that my entire family will use. Suddenly I want multiple accounts. I want my notes, to do lists, email, and work stuff to stay locked down.
iOS Wish: notification contexts
I would like to be able to tell (or schedule) notification contexts for my iOS devices A Sleep context would, for example, disable all notifications and send most phone calls to voicemail. I don't want my iPhone vibrating on my nightstand when someone on Facebook invites me to an event. A Work context would open certain notifications and mute others, and so on.
A tour of beat factory
beat factory can be downloaded here
Some information on how pattr can be used to morph sets of parameters.
I get far better engagement on google plus, and much of my effort that would have been posted here is going in that direction. The only thing this blog allows me to do is interleave content and widgets with text. So, if I absolutely HAVE to tell something in that format, I'll do it here, but if you haven't done so already, I suggest you follow me at google+.
Here is an RSS feed of my google+
feed://plusfeed.appspot.com/101287835307087762724
mcvs is a 12 output cv source for use with DC coupled audio interfaces. You can define up to eight snapshots per output. Then, with a single MIDI controller (or using the on screen control) you can recall the snapshots or interpolate between them. I made this to give my Cwejman Res-4 the brains to perform a similar function as the Buchla 291e Triple Morphing Filter.
download the patch
Cycling 74 debuts a new video series in which I demonstrate some practical uses of Max and share the patches I make. In this first episode, I'm exploring what can be done with some inexpensive piezo mic elements and Tristan Jehan's analyzer~ external. But really, I'm just having an embarrassing amount of fun.
The patch and more information can be found here.
People seem to spend a lot of time making one synthesizer sound like another synthesizer. While I believe there is some value to be had from comparison videos such as these, I feel the conclusions that are implied overreach. You're supposed to come away thinking that if a virtual instrument can replicate the sound of an expensive vintage piece of gear, then that piece of gear is unnecessary.
It being 2011 and all, I'd kind of expect that we'd be able to emulate a fairly simple subtractive synthesis architecture with a reasonable degree of accuracy. In fact, given enough time and effort, a reasonable emulation of [x] using any number of modern tools could be achieved. That's the point of a dedicated emulation, to make your life easier, to save you time and effort.
While the success on sound accuracy is debatable (and a waste of effort, IMO), the argument places all its emphasis on the end point.
There are two debates conflated into one, and that is the problem. On the surface, they ask, can you hear the difference between a simulation and the actual. A valid question, but this is only one of many aspects of that tool in use, and doesn't tell the whole story of utility, yet many people believe it is the only one that matters.
Thankfully, the modular synth won't challenge/response my ass every time I want to move it to a new room ;)
I'm looking at all these demos of the monome, but I'm yet to see it do something I can't already do. Why bother getting one? I don't get it.
#conclusion You monome people are really weird.
I've been slowly building my modular over the last 10 years or so. It started with a 6U Doepfer Basic System I bought used from Germany, with the details of the transaction hashed out via bablefish. Back then, the euro format was supported by three small companies and their presence in the United States was minimal at best. But interest in analog hardware was growing, driven by a new generation of synthesizer enthusiasts, who were rediscovering the lost joy of manipulating sound with physical controls.
At the time, only vintage hardware featured knobs that directly manipulated the sound. All modern instruments were programmed via an LCD menu system. The market for vintage instruments exploded and analog synthesizers became scarce. People discovered these primitive instruments offered a fairly limiting palette of sounds and, for those who sought a combination of hands on control and open ended signal and control path flexibility, modular synthesizers were where it was at. However, modular synthesizers in working condition were scarcest of all, with systems fetching many thousands of dollars. It was under these conditions that a market arose for a new generation of modular synthesizer.
Over the years, my collection of external synthesizer synthesizer hardware like the Roland JV-1080 dwindled and my resources were redirected into my fledgling euro modular. I expanded out of my rack mount chassis to a Doepfer monster case, which I liked tremendously because it consolidated my system into one space. I added a monster base, which gave me more room, but somehow took something away from the integration. Eventually, I outgrew that too. A module at a time over many years will do that. It isn't as though I never sold any modules, either. I'm not sure how much of my original basic system remains.
Today, my modular contains modules from Doepfer, TipTop, The Harvestman, WMD, Make Noise, Analogue Systems, Cwejman, Plan B, Malekko, Elby, Livewire. 4MS, Intellijel, and Analogue Solutions.
I've loved synthesizers since I was very young, but no single synthesizer has held my interest for this long. This is because the synthesizer itself evolves, and I can direct the upgrades and the addition of new functions. A new module doesn't simply add a single function, it changes what I can do with the modules I already have; the interaction is new, refreshing the possibilities of the entire system.
Last year, unsatisfied with the ergonomics of my off-the-shelf enclosures, I asked my brother to design and build a custom case for my modular. My work is entirely in the studio, so portability wasn't a concern, and, I can barely lift a monster case anyway. After many months of painstaking work under very tight tolerances, this is the result.
The basic criteria was to widen the six row monster base/monster case combination another rack width, creating a triple-wide configuration that is easy to reach across. The width of such a configuration is about the same a standard piano keyboard. The curved design brings the top row dow to a more reachable height. The foot print of the system isn't much wider than my previous configuration.
I'm going to translate this recent press release from monster.
Monster announced the Gratitude In-Ear Headphones
...created in alliance with legendary band Earth, Wind & Fire...
specifically engineered and tuned to faithfully reproduce the true harmonics of live music and the sonic details of each musical instrument, resulting in a more natural and vibrant audio experience.
They boast a specially engineered noise isolation architecture
that results in superior audiophile sound with the ability to reproduce detailed harmonic soundscapes.
Key Monster innovations that contribute to their natural sound
and help listeners truly get "inside the music,"
include a new Monster design that allows the earpiece to rest more comfortably and deeper within the wearer's ear canal
enabling a perfect fit, superior isolation and ultimate performance.
With 'Gratitude,' we aimed to capture the unique passion, feel and experience of the band with headphones that will reproduce the sounds of real music, not synthesized sample or tracks created purely in the studio. These headphones are specifically tuned to produce the signature tones and harmonics of brass, the staccato punch of the percussion, the cleanest possible bass and the most natural vocals.
Here is the polyphonic MIDI version of the plane sequencer for the monome grid and arc. Also works great for drum sequencing.
Download here.
This is a video capture of the recording session for 'combine the charms', which appears on 'could have the skies'
Yesterday I planned to see if I could get plane -p into shape for release, but I had an idea for a tuner adapted to the monome using the analyzer~ external. Semitones are displayed on the grid, and you can shift the window side to side to display a different range of notes. The arc is displaying a strobe tuner simulation. I'm not sure how useful it is as a tuner in practice, but I'm still glad I did it.
Download the patch here.
vcvi is a suite of maxforlive devices to control your modular synth with a dc coupled audio interface.
You might be able to tell I'm clearing the decks a bit. My new modular case is arriving soon and I need to finish a few projects that were 90% done, such as 'could have the skies', for example.
One thing I'd like to release is plane. Everything in this collection of maxforlive devices is derived form stuff already inside plane. Since plane could easily be disassembled into the functionality in this suite, I simply decided it was something I should do myself and treated it as a pre-requisite to plane's release.
Not to mention, I'd find it useful. Which brings me back to my modular. I'd promised myself I'd shift my discretionary time to a follow up to 'a funneled stone' once the case arrives. I hope that sounds interesting to someone.
I recorded this tutorial because I can't be bothered to write documentation right now. It should get you started at least, or give you an idea of how the software is supposed to behave.
Included functions
Calibrated Step Sequencer
CV Source
CV Trigger Sequencer
MIDI Continuous Controller to CV
MIDI Note to Calibrated CV
MIDI Note to Gate
MIDI Note to Trigger
MIDI Note Velocity to CV
Synced LFO
Saw Cloud
download vcvi v1.0
Could Have the Skies is the third set of solo piano improvs under the Escape Philosophy moniker. The same rules apply as the previous Escape Philosophy releases; I don't have a preconceived idea what I'm going to play when I sit down to record, but I try to visualize something or express a feeling or memory.
I have a short period in the morning when the house is empty. The emphasis is on capturing a moment, including the hesitations and mistakes which I feel are more interesteing than pristine sound quality or the perfect take. You'll hear the familiar birds from the previous albums, body movements, dampers rising of the strings, etc.
Some of the piano music from Escape Philosophy was once described as pointillistic which I thought was pretty, and apt. There is guitar and orff chime bars on one track but otherwise, it is all piano, often manipulated by the monome grid and arc.
Listen for free online at soundcloud
Download album in MP3 format in exchange for a tweet
Download album in any format at a price you set
Arguably, If you drink wine everyday for 20 years, You'd begin to become an expert on wine, or at least, what you like in wine. I drink sencha every single day.
There are a number of parameters you can adjust to get the most out of a tea. The timing of the infusions. Water temperature. Amount of tea. Teas have various qualities like intensity or duration of experience. Also, the quality of the tea varies over multiple infusions. The second infusion is sometimes the sweetest, or brews instantly. Some third infusions flower over a long sustained brewing. Others become undrinkable. Or give up completely. How you brew the first infusion affects the quality of the subsequent infusions.
And as grow older, you become aware of the scarcity or abundance of good tea. Some years are better than others. Often you can tell by the sweetness of the Spring harvest.
Just finished a slog through a 200g bag of old bulk sencha. Let me put it this way, I've never found a sencha in a 200g bag that wasn't like taking one for the team. Decent tea is still cheaper than coffee, but these are thrifty times. [brief daydream about a tea for music payment system]
But by choosing a life in the arts you’ve set yourselves apart from all that and from a nation that has become such a hostage to distraction that it can’t absorb a single complex thought without having it reduced to a sound byte.
A life in the arts means a life of sacrifice and tens of thousands of hours of devotion and discipline with scant remuneration and sometimes even scant recognition. A life in the arts means loving complexity and ambiguity, of enjoying the fact that there are no single, absolute solutions.
In order to achieve that element of surprise you have to set up expectation. The quality of the surprise—what Melville called the “shock of recognition”—depends on how carefully, how knowingly these expectations have been set up.
Jeeze. Do I have do do everything around here?
Recorded this morning, ostensibly for the could have the skies project. Part of the project philosophy is to keep things raw and unedited as possible, working with the sounds of the environment and whatever happy accidents occur along the way. At around 2:30 you should be able to hear my wife come home from taking the kids to school.
Recorded entirely in MaxMSP using a monome grid and arc.
Download won't be enabled until entire project is complete.
I recorded this video with me talking over it, explaining things, but I liked it better without the voiceover, so I left it out.
I've always loved step sequencers and I see the monome as an opportunity to address some of the grey area between the one-knob-per-function analog step sequencer and step sequencers with memory. The idea is to increase the available note range without sacrificing precision and increase the available sequence length range, without sacrificing direct manipulation and feedback. So, when the arc came around it seemed like a useful navigational tool to manipulate a large plane of data.
I've been referring to plane as a platform because there are a number of variations I want to implement using the underlying development. This version is optimized to serve as a control voltage source. As such, it produces a lot of outputs. The top row is step enable/disable which is typically used to fire off envelopes. Plane is generating control voltages directly. There are no intermediate bits of software or virtual instruments in-between plane and the end of the patch cords controlling the modular.
The row underneath it the playback loop ruler. Pressing anywhere in the ruler area moves the playback loop to that location. A chorded gesture changes the loop size. One section of the sequence can be edited while playback is occurring elsewhere.When the loop ruler goes off the visible edge of the grid, it lets you know in which direction the active stuff is happening.
Included is a very nice saw cloud simulation of multiple detuned oscillators with adjustable fatness which you can plug directly into your modular.
Also included is direct, accurate CV control of an oscillator via a closed-loop calibration procedure. Of course, MIDI output is also available.
This version of plane uses scale degrees and passes though my modal scale quantizer, so you can switch scales on the fly. You can also use a MIDI keyboard to transpose.
Or, it can also follow a programmed chord progression score, allowing you to improvise with a step sequencer within the harmonic framework of a lead sheet.
The bottom two encoders on the arc are serving as looping automated CV sources.
You don't have to use an arc with plane, you can navigate with the mouse or keyboard or powermate. Also, you don't need a 512 monome. All monome sizes are directly supported and can be hot swapped.
Here are a couple plane diaries I recorded during development.
I haven't released plane yet, so it isn't downloadable.