Words by Mary E Adams  Photos by Sandra Ciampone 

At our London show January 19th (#89, for those of you keeping track), we were yet again wonderfully surprised by just how incredibly good these bands sound live. We traveled to a secret address in northwestern London where Giovanna kindly opened her flat to us. We anxiously set up camp in the living room, eager to finally hear what these bands could offer in real-time.

 

Ligers opened the night with beach-tinged bluesy tunes. Liz Stott easily bellowed rich alto notes, adding a jazzy twirl to the bright, childish theme in their music. Their first two songs caught everyone with catchy beats and a summery, Californian feel, ultimately ending in a jumping crescendo from the band. “I’m Telling You,” their 3^rd song, brought the music back to a mellowed tone, while still maintaining a honeyed, Jazz sound. The guys chimed in on the last song to create a folk-inspired march of a tune with “Come Away”.

 

On a completely different note, Laws of Motion changed the scene into a bit of a time-warp of shoegaze and post-rock. Matt James’s vocals sent shivers down spines: his falsetto floats and vibrato causes sentiments, both of which recall those powerful vocals of Thom Yorke. Graeme Dart’s and Chris King’s textured guitar parts offered surging emotions, either acoustic and light, or darker and complex. The 4-piece band finished with a new song, adding crowd-stomping to turn their thoroughly dreamy sound into a beat-themed rock selection.

 

We were really in the mood to mix up the stage a bit, so it came as no surprise that our 3^rd act should be Duologue, In every sense of the word, they’re an electronically robust act. But for our purposes, they let loose to perform, for the first time, a stripped down set. The band had the entire room swaying and drumming the beat in their seats; the violinist rocked out in the background as the keyboardist and guitarist dueled with their instruments. Their final song encompassed eerie Egyptian folk music, rivaling acoustic guitars, and energy close to that found in gospel churches.

 

The Brute Chorus kept the energy going till the end with their skinny-jean, rock star look, melodica usage, and eccentric yearning. They humorously kicked off with “Heaven,” followed by “Wife,” an intimate piece, which only called for guitar and melodica. Sofar vets, these guys had no qualms debuting a song they had just written last week. The finale began with simple bongo drums and clapping from the audience. They sang of trembling bone and exhaustion from the reaping, using crazed hollers and creeping whispers to turn Giovanna’s flat into a revival.

As always, each act overwhelmed us with their riveting performances. Adding to the element of surprise, Rafe wowed the room with his announcement of Sofar’s participation in Nova Festival. This summer, Sofar will set-up tent at Nova, simulating the Songs from a Room atmosphere in the middle of this festival, being the debut outing for Sofar at any UK festival.

Rafe making the big announcement - Sofar's going to Nova Festival ! 

The Brute Chorus also caught the room by surprise with another announcement – they’ve been asked to take on SXSW! But, as they are a group of nomadic musicians, they’re always happy to receive outsider random acts of kindness. Visit their IndieGoGo Site to help them on their trek through the US!

The crowd dwindled, bands packed up, and Giovanna’s flat was returned to its normal state. In true Sofar form, we had a moveable feast of a night, one that we’ll carry with us until we meet again in the next secret living room.  

All Photos by Sandra Ciampone / http://www.meorme.com/
Written by Mary Elizebeth Adams 

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 photo by Amy H. Read Photography

Sofar London and Paris performers, Indigo Earth are contemporary folk infused with rock and a splash of pop music.  There is a freshness of a spark newly ignited.

It was just over a year and a half ago that Indigo Earth was formed. Long-time friends Ben Nash and Amy Wilson met fellow band members Jess Sawers - Warren, Matt Facy and Tom Smith at the University of Westminster where they all studied Music.

Prior to forming the band, Nash and Wilson both lived in Somerset before moving to London for university. Wilson grew up there, Nash by way of Cheltenham and Holland. They met at the age of 15, going to college together.  Facy, also grew up in the South-West, in Plymouth to be exact. All three band members enjoyed a calmer pace of life prior to arriving in London where Sawers-Warren grew up. Smith, however, has lived all over the map including Manchester, Finland, the Caribbean and Edinburgh before landing in London.

As for the band’s name, Indigo Earth, its origin is all a bit “hippy” if you ask vocalist, Amy Wilson.

“We knew we wanted something that represented our sound; something organic, earthy, and a bit epic too,” Wilson said. “We're told that the color indigo is symbolic of the sixth chakra (the third eye) which is related to intuition and spiritual knowledge - we thought that was pretty cool.”

Drawing deeply from emotions and its many forms, fuel Nash and Wilson’s songwriting, their styles create a balance of mindset. Further gaining inspiration from bands such as Fleet Foxes, Arcade Fire, Midlake, Neil Young, Fleetwood Mac and Nick Cave, Wilson feels that within these influences the band’s songwriting reside.

Encouraged by the growing popularity of contemporary folk music, Wilson and bandmate Ben Nash see this as a positive sign for upcoming folk bands such as themselves.

“It's refreshing to see emotional, real songs being recognised,” Wilson said.

“The very definition of Folk music is that it tells a story, it embraces everyone, and it is, in this sense, the music of the people,” Ben enthused.

The band also uses less conventional instruments to achieve their unique sound.  Sawers - Warren recently took up the accordion and the rest of the band fell in love with the depth it adds.

“It's frustrating when we play live though because Jess (who also play keys) can't play both at the same time (as much as she tries),” notes Wilson. “If only we could mutate her in some way so she could grow another set of hands!”

The clarinet, played by Wilson, can be heard with a careful listen to any of the tracks on the band’s recently released self-titled EP. While too shy to bring it out on stage, one can only hope that changes soon. Nash plays an instrument called the 'cuatro', a Puerto Rican member of the lute family. While not often played live, experimentation with open tunings has led intriguing ideas for songs.

Perhaps not left of center instrument-wise, is the wonderful violin work of Kat Wells that is also featured on their EP. Unfortunately, Wells moved back to Australia just after the band finished recording the EP.

“We're all secretly hoping she'll come back and join the band but if not, we'll definitely be looking for a new violinist in the future,” Wilson said.

The band recently launched their first self-titled EP to a packed house at London’s Luxe in Spitalfields. 

The EP features four songs and a bonus track. Wilson and Nash were kind enough to share just some of the stories behind the songs:

Cold Light Of Day is about coping with everyday life following a difficult or upsetting event. I wrote the song having watched someone close to me grieve the loss of a family member and piece by piece, putting their life back together again.

Wise Man is essentially about following your passion, whatever it may be, and not comprising what makes you happy, even when it's tempting to do so. (Hear Below)

Makes Me Wonder was the first proper musical collaboration between Ben & I. It's about someone becoming lost in a dream-like state, exploring dark places in their mind, experiencing an alternative reality.  (Hear Below)

 
Feel Enlightened is about having a strong connection with someone. It's a celebration of love, I guess, and the moments you have spent with that person.

 

The EP is a great source of accomplishment for the band.

“It feels good to finally have something to show for all our hard work over the last year or so, something to put us on the map, something that's out there for people to own,” Wilson said.

The Indigo Earth EP is available on iTunes, or a physical copy can be ordered on Bandcamp. Of course, you can also come enjoy one of the band’s shows and grab one in person.

That’s not all Indigo Earth has in store, recently a video was shot for their song Cold Light Of Day, which should be available for viewing in upcoming weeks. The video was filmed partially in Brick Lane with the bulk of footage being filmed in Epping Forest.

“The video has a sort of 'Alice in Wonderland' feel at times; it combines childlike imagery with an eerie, dream-like setting,” Wilson explains.

The Indigo Earth family also includes other projects that music lovers should definitely check out.

 

“Facy plays in two bands - One is an eccentric modern swing five piece called 'The Chuck Pinkett Quintett' and a melodic, sample-based dance band 'Beneath The Beach',” Wilson explained.  “Jess plays in an amazing gypsy punk band, 'Gypsies' and I'm one sixth of ambient, minimalist pop outfit, 'Aurelia'. Oh, and Ben does instrument design, he invented the Feedback Organ don't you know?”

Always striving, Indigo Earth plans to do more shows, write more music, rehearse and get prepared for the festival season. Not to mention finding time for writing dissertations along the way.

 “In terms of our future, I'd like to think that in a year's time, we will have toured across the UK and released a few singles and another EP, reaching as many people as possible in the process,” explains Wilson. “Oh, and we'd like to have been confirmed for Glastonbury Festival 2013 (even if it's in the tiniest of tea tents - we're not fussy Mr. Eavis)!”

In the meantime, Indigo Earth play with fellow SofarSounds veterans The Joker & The Thief at the Boogaloo. The band is scheduling more live events all the time, including upcoming festivals such as Lubstock and ToneFest. 

“The live folk scene allows the audience to witness music on a very intimate level with the musician(s) - whether it be on a huge stage in front of 1000's or in someone's living room - the relationship is always a close one,” Ben said.

Indeed, the relationship is. Check out their official website for information on Indigo Earth’s music, videos, pictures, live dates and more from this stirring heartfelt band.

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(Photo by Brandon Ross) 

There’s something to be said about a room full of 40+ people who squeeze together, Indian-style and cramped, and sit silently at the foot of musicians, waiting to breathe in a symposium of song. To music lovers, this is one of those life-affirming moments.

 

A select few in Toronto experienced exactly that this past Tuesday night. Diego Silva opened his home to music enthusiasts from around the area for yet another enchanting Sofar show, the 86^th to be exact. After small talk and mingling, the guests settled in and let the music begin.

(Photo by Brandon Ross) 

 

Danielle Duval (Facebook, Twitter) set the night in motion with her eclectic voice, pulling in the audience members with vocals that soar and slide in a fusion of grungy-folk. She started off with the more poppy beat of “Day Becomes Night” and segued into that raspy drawl with “We Got it Made.” In the meantime, she killed us ever-so-softly and sweetly not with song, but story between breaks, recalling through detailed words intimate moments from her life. Next, she pulled out a piece a bit on the bluesy side, “Imposter,” followed by a rowdy rendition of “Control,” an adamant and triumphant piece to finish her set.

 

Graydon James and the Young Novelists (Photo by Brandon Ross) 

Graydon Jamesand the Young Novelists, superhumans that they are, joined us next after their sound check for a gig later that night. The trio (although usually a six-piecer) blew the audience away with their ridiculously complex harmonies. They even threw in the ole’ glockenspiel and harpsichord to amplify the folklore ambiance. “What Kind of Man” was first up, with a gorgeous collective of ‘ooh’-ing that eventually climaxed at the end into a sort of calling out to the heavens. “For the Record” came next, a short tune with a quick, foot-stomping beat. The group followed with “Standing Still” and closed with “Long Long Long,” a lush melody, slowed by heavy guitar and yearning. (Click Here for their Facebook)

 

Alphabot! (Photo by Brandon Ross) 

Alphabot! (Photo by Brandon Ross) 

Alphabot!, our 3^rd act for the night, transformed the scene into an enthused set of dreamy electronica. Feeling right at home, Jake Roels, aka Alphabot!, mesmerized the crowd with fierce beats and raucous vocals while dancing in wool socks. He began his set with “Drivers Drive Cars,” an electronically-fueled twinkle of a tune that showcased Roels’ more breezy style and got the crowd dancing in their floor-seats. Next up was “Kingdom Come,” an eerie track made of dark guitar chords and a crazed edge in Roels’ voice. During breaks between looping, singing, and guitar-strumming, Roels artfully explained the story behind the music – a wildly entertaining series of comics (which can be viewed here) that seem to be the side-stories to his soundtrack. “Life and Love” followed and “Deloris,” a beat-heavy and deranged tune, was the final song in the alluringly quirky set. (Here's his Facebook)

 

Hands and Teeth (Photo by Brandon Ross) 

Hands and Teeth shifted the show yet again into a cheerful array of pop color. All five members, amazingly enough, took turns sharing lead vocals. It was the epitome of a musical experience, watching them improvise melodies and tonal changes, using each other’s cues to take the next lead into another part of the song. They began with “Missing,” a beat-rich and multi-harmony piece. “Hunting Season” came next, followed by “Le Petit Voleur,” a sweetly textured ballad of whimsical poppiness and delight. Their easy-to-learn choruses proved to be quite a treat for the audience; the entire room of listeners was eventually belting all the “ooh’s” and “aah’s” of choruses to songs they were simultaneously hearing for the first time. Adam, H&T drummer, completely utilized the “songs from a room” concept by tapping out the songs’ rhythms on anything he could find in the room, like guitar cases and beer bottles. The group wrapped up with “Shine On,” a joyous rock anthem to get us in the mood for the holidays. (This is their Bandcamp)

 

The Coppertone brought closure to our night of song through smoky rock. Amanda has this uncanny ability to send shivers down your spine with her massively sultry voice. She and Morgan began with “Stranger Things,” a slow melody, but jam-packed with a brooding, electric guitar tone that amplified the thick and heavy soul theme. After the 2^nd song, “Backdown,” the duo played an elegant, bluesy piece, “Quicksand.” Quite the perfect amount of delicacy in a soulful tune to gently heavy the eyelids and seal the night’s bubble of magic. (A Quickie to their Facebook)   

 

Christmas lights still aglow, audience members and musicians stayed long into the night to discuss the magnitude of what they had just experienced. People relished on their new findings and the miraculous ability to whole-heartedly absorb these mind-blowing melodies in such a special environment. Well done, Sofar Toronto. And many thanks to Diego and James Brown. 

(Photo by Brandon Ross) 

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Thursday 10th November saw the recent London installment of SofarSounds in Sharon’s Belsize Park home. Four scheduled acts and two surprises made our 77th gig nothing short of inspirational (albeit a bit cramped!). Here's a bit about them:

First up was Eyes for Gertrude, a folk / pop duo experimenting with a range of sounds through voice, guitar, accordion and keys. Back in their native England after time in Toronto writing a musical (watch them play Sofar Toronto here: ), their music is pure and simple. Chantelle’s strong bellows and Hannah’s soft, gentle voice make for timeless sounds. On the web - Facebook

Next was the ever-endearing Steve Smyth. The bearded Australian played Sofar this summer, and we've been dying for him to come back since. A born wanderer, his distinctive voice and demeanor are really something special. He played a new song exclusively for Sofar so telling of the human condition. We're calling it Ramblin' Man. Timeless, sometimes sad and always honest, Steve's music is mystifying. His first album comes out on 5 December. On the web - Facebook - Twitter

First surprise of the night was poetic storyteller James Kenward, who spoke about love, kids and society. James' lyrical stories are soulful. His poignant words are stirring - they have a way of sticking with you, making you think.

Sofar newcomer Anoushka Lucas has a soulful voice that lends beautifully to her jazz influenced pop sound. She has a lift to her voice that adds to her funny and touching songs. She sings in both English and French.   On the web - Facebook

Sofar veterans Peter and Kerry were in the audience. They graced (and surprised!) us with music. Both successful in their own right, their collaboration has produced beautiful and sad songs about love. On the web - Facebook - Twitter

Bastille, a solo project turned band, ended the night with an acoustic version of their experimental pop. Normally with synths and beats, they stripped down to guitar, drums, knee slapping and Dan's powerful voice. Energetic and engaging, their songs appeal both to the discerning music lovers that make up Sofar and the mainstream. Their version of pop isn't what we're used to these days - although sometimes cheesy, the lyrics are clever and the sounds reminiscent of the 1980s. We loved their cover of "City High".  On the web - Facebook - Twitter

Thanks to Sharon for hosting, the artists for playing and you music lovers for making Sofar so special. While we've been behind on blog posts, we can assure you more recaps are coming soon! Until next time, happy listening :)

 

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The second Sofar in Berlin took us to one of those well known old building flat shares in Kreuzberg. Herve, Frederick and Anja welcomed us into their lovely flat, which slowly but surely filled up until it was finally packed out with eager music lovers.

The night kicked off with WellBad, a band consisting of five guys from Hamburg, who played the Blues, but not the sad kind, as lead singer Daniel Welbat explained, because there is more to Blues than just that. It is more than just sad, old men who drink a lot and sing about their hard lives. The guys did their thing true to their motto “the Blues is the roots, everything else is the fruits”, just like their inspiration and blues musician Willie Dixon once said. Strong sounds and a powerful voice provoked the occasional howling as well as whistling from the crowd, a very good sign. [caption id="attachment_536" align="alignnone" width="300" caption="WellBad by Kassandra Carelos"] [/caption]

Find out more about Wellbad on their website.

They were followed by Celina Bostic and band. This singer/songwriter, a native of Berlin, has played with several renowned artists of the German music scene, such as Udo Lindenberg and Farin Urlaub. She had the crowd singing along, which became a bit of a contest between the guys and gals in the audience during her song “Ausser Papa” (“Except for dad”), where she sings about how the men she’s been with had nothing on her dad. Her accordionist had his very own premiere, as he was still learning to play the accordion but more importantly had never played it in front of an audience before. [caption id="attachment_537" align="alignnone" width="300" caption="Celina Bostic by Kassandra Carelos"] [/caption]

Find out more about Celina on her MySpace.

The third act of the night was Rob Longstaff. Originally from Australia, he’s now living in Berlin where he’s playing the streets as well as parks. Even though he himself claims he hasn’t managed to learn how to play jazz, he still was more than convincing, not only with his first song of the night, “It’s Jazz, Baby”, but also with his other songs, where he had the audience chuckling. While trying to tune his guitar he explained to us that this very guitar had survived a car crash and a fire and was thus difficult to tame in terms of tuning, which did not lessen the effects of his guitar playing or his memorable voice, quite the opposite. Find out more about Rob on his website. Last but not least, Johannes Oerding, whom probably most of the present crowd had heard of before, wrapped up the night. Just with his guitar and some keyboard backing we got to enjoy acoustic versions of his otherwise with a full band recorded songs. At the sight of quite strong rain he gave Reggae a shot where he laughingly sang about sunshine and beautiful weather and when the camera needed a battery change he sang about that until the camera was ready to go again. With his song “Zurück” (“Back”) he concluded the night, singing about missing a loved one whilst travelling, hoping to be missed just the same, and his voice matched the sentiment. [caption id="attachment_539" align="alignnone" width="300" caption="Johannes Oerding by Kassandra Carelos"] [/caption] Find out more about Johannes on his website. Sofar #2 in Berlin, and already #59 worldwide!, came to an end but before all acts of the night left I grabbed them one by one (or five, in the case of WellBad) and interviewed them for Sofar Sounds! Thank you Abby for hosting! Thank you Herve, Frederick and Anja for opening your doors to a big bunch of music lovers! Rafe, Rocky and Dave - we missed you! By Kassandra Carelos

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[caption id="attachment_620" align="aligncenter" width="600" caption="Green Man"]

[/caption] Last weekend I was lucky enough to attend Green Man Festival and boy was it worth the trip to Wales! The relaxed atmosphere and audiences there primarily for the music reminded me of the chilled-out ethos our very own Songs From A Room has going on. But want to know the most exciting thing about the festival? The number of artists there that have graced SoFar with past performances. It was great seeing them adapt from living room, intimate gigs to an outdoor festival stage with an often transient but nonetheless engaged audience. Dry the River rocked the main stage mid-afternoon on Saturday with both hard-core fans and intrigued newcomers there to witness the set. The folky five-piece played SoFar back in July of last year and have proved they can rock a living room or a huge stage fit for bands such as Noah and the Whale and the almighty Fleet Foxes. [caption id="attachment_621" align="aligncenter" width="600" caption="Marcus Foster on the Green Man Pub Stage"] [/caption] Later that day, the Green Man Pub stage saw Marcus Foster belt out tunes from his album ‘Nameless Path’, due for release September 26^th. Marcus looked very comfortable on stage with his band and drew in a crowd which he claimed to be the biggest he has played to over his festival tour this summer. With a record label now to his name and plays on Radio 1, we can expect to hear a lot more from Marcus. The final day of the festival saw Matthew and the Atlas prove they can do just as well at pulling in the crowds on the main stage, playing a 45-minute set to a field full of laid back folksters. As the can’t-help-but-sing-along ‘I Will Remain’, a personal favourite of mine, drifted from the main stage amps across the Welsh countryside, I couldn’t help but be reminded of how lucky the SoFar audience is to be able to experience such talent as that all contained within four walls. [Check out my Matthew and the Atlas SoFar interview from July here... http://sofarextendedplay.wordpress.com/2011/07/11/%E2%80%98we-got-a-great-vibe-from-everyone-there-%E2%80%99-%E2%80%93-matthew-and-the-atlas/ ] Songs From A Room is all about giving artists the chance to share their music with people. Green Man Festival served as a perfect reminder that SoFar is the perfect way to experience music in the rawest way, whether the artist is already well-known or whether they are on the verge of their ‘big break’. It was great to see these former SoFar artists rocking the big outdoor stages, and it was even greater to know that they were able to share their music with the thousands there to see them in the crowds. [caption id="attachment_622" align="aligncenter" width="576" caption="The Green Man"] [/caption]

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'Hustlers of the world beware, there is one mark you cannot beat: The Mark Inside' - William S. Burroughs, Naked Lunch The Mark Inside are, as their bio states, “the band who have lived for nearly a decade in small clubs, drunken nights and rock and roll revelations.” Indeed. Punk and modern rock combine and mix with lyrical precision, tight guitar riffs and pounding rhythms. This blend forms the Mark Inside. It was a friend that works for the NXNE festival, Gillian Zulauf, who happened to have a friend from the UK wanting to bring Sofar to Toronto. Therein, a connection was made. The band said yes immediately, noting the cool concept and waited to hear more. The Mark Inside are rockers. “Can’t Take Her With You (When It’s Over)” is up tempo, driving and melodic. “Questions” on the other hand shows off the Mark Inside’s aggressive side while not losing its musicality. It is a song of defiant declaration. “Shots from a Broken Bottle” sets a moody trippy atmosphere that is electric leaving nothing on the table.  “Typically our band is quite a bit louder in terms of our usual approach to a stage and writing. Full-tilt rock and roll basically, but we do have some quieter songs which we don't often get a chance to play,” band member Chris Levoir said. Sofar afforded them that opportunity. Enjoying music that “pulls at the heartstrings,” the band chose 4 songs to strip down to basics.

“People could actually hear the words and there is a lot that goes into them for us,” Levoir commented. Sofar Toronto was a great time to share not only their music, but enjoy other Toronto performers such as Lindy Vopnfjörð and Eyes for Gertrude . The intimate setting of someone’s living room, guests that were there to just listen to the songs, are all things that Levoir noted. The Mark Inside has a lot in store for fans. The band is preparing to release a full-length album in November called “Nothing to Admit.” Also, a new video for the song “Shots from a Broken Bottle” filmed in Memphis, Tennessee. “Only one of us has ever been (to Memphis) and we're hugely looking forward to it. Going to Graceland and being in a city that has that much musical history,” Levoir enthused prior to filming. After the release of their album, there’s heavy touring on tap. In the meantime, Toronto fans can check the band out on September 1 at The Silver Dollar. It is the only Toronto show the Mark Inside has planned until their album release party. “It’s actually a pretty exciting time for us right now, we're very much looking forward to the future,” Levoir said. Hustlers beware, the Mark Inside are making their presence known. Twitter|Facebook|Web|YouTube

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It’s been busy few weeks for Songs From a Room (Sofar Sounds), with three gigs in London and one a piece in New York, Washington DC and Berlin. Wednesday, 27 July saw the 56^th Sofar in the home base of London. Hosted in a sophisticated yet unpretentious Hampstead home, this house on The Heath was not only large enough to fit a group of over 70 Sofar veterans, newcomers, bands and the sound crew, but had the perfect ambiance for a Sofar gig.

Sitting on sofas, the floor and standing outside the big bay window in front of which the bands were set up, everyone encircled the artists and seemed to connect, both with each other and the music. Needless to say, it felt very magical.

[caption id="attachment_502" align="alignnone" width="300" caption="Alex Mills by Sandra Ciampone www.meorme.com"] [/caption] The first performance was by Alex Mills, who brought along her guitarist Alex Patten. Alex is a soulful singer whose voice completely fills up a room. Almost a soulful pop with hints of the blues and supremely clever lyrics, Alex’s songs are full of raw emotion and have a contemporary cross-genre sound. Only Human has a very Caribbean vibe, whereas Colours reminded me of country music of old – a sort of Appalachian meets Alicia Keys sound. She also performed 9 to 5, a motto for all creatives, and a modern rendition of Aretha Franklin’s Deeper Love. Find out more about Alex on her website and follow her on Twitter @AlexMillsMusic [caption id="attachment_504" align="alignnone" width="300" caption="Photo by Sandra Ciampone www.meorme.com"] [/caption] Next to take the floor were Sofar Paris and London veterans We Were Evergreen. French trio Fabienne, Michael and William’s enthusiasm is infectious, particularly in such an intimate space. It’s difficult not to feel their joy when they are playing. They are playful, quirky musicians with some serious song-writing skills. The lyrics are poetic, shifting between past and present. In tow with a toy piano, fruit-shaped shakers, a banjo, xylophone, ukulele, guitar and their brilliant harmonies the mixture of sound is uplifting and energetic, making for a great Sofar. Their set included: Eighteen, Second Hand, Thieves like Us with a surprise ending of a hauntingly beautiful cover of Amy Winehouse’s Back to Black and the playful Penguins and Moonboots. WWE is playing the Wilderness and Green Man festivals in the UK, and The Lexington in London this October. Find out more online and via Twitter @WeWereEvergreen [caption id="attachment_507" align="alignnone" width="300" caption="Photo by Sandra Ciampone www.meorme.com"] [/caption] After a quick break, guests (and twins!) Amy and Claire led an impromptu sing-a-long for the crowd. A Sofar first! [caption id="attachment_508" align="alignnone" width="300" caption="Sara by Sandra Ciampone www.meorme.com"] [/caption] SALA, another veteran, was the third act of the night. Frontman Sala was originally signed, but decided to go independent to maintain his artistic integrity – something we love and support. Madrid-based Sala (vocals and guitar) and drummer Kjetil represented the band. SALA are really fun to listen to – like WWE, they instantly move the crowd to join in on the fun. Their sound is upbeat and playful, clearly influenced by Beatles-era pop with a sound reminiscent of The Kooks. In fact, their first song Let me Down reminded me of The Kooks, with a bit of Simon & Garfunkel mixed in. Playful jams Oh Vivianne and the vampire-themed Creature Creature got the crowd clapping, while the final song Margot was catchy as hell with its oh oh ohs and ah ah ahs – by the end we were all singing along. Currently touring the US, find SALA on Twitter or their website [caption id="attachment_509" align="alignnone" width="300" caption="Photo by Sandra Ciampone www.meorme.com"] [/caption] Rounding out the evening was London-based three-piece band Real Fur. Also known for their gigs in usual locations, namely launderettes across the UK and soon to be found at a farm near you, members Matt, George and Leo combine funk, indie pop and ghostly harmonies to create their unique sound. Playing a stripped down set with only a small amp, Real Fur’s music made me both want to join in the singing and get up and dance. Their first song, Pride, sucked the crowed in. Birds and Animal had a Talking Heads meets Vampire Weekend vibe to them, and since the intensity of final song The Fool was not enough for the Sofar crowd, an encore of the funny She’s Late was played on a whim. Find these guys at Hackney City Farm in September, and in the meantime online or via Twitter @RealFurBand Playful and energetic was the theme of the night at the 27 July Sofar at Joe’s. Like always, the musicians and the crowd made it very hard to leave for the night, but the thought of hearing something new very soon kept me going. ‘Til next time, catch the video and audio recordings on the Sofar website, and check out some great photography on FlickR with the sofarsounds tag. Thank you to Joe, Rafe, Rocky, Mike, Sam, Matt, Sandra and the entire crew for an exceptional evening. By Abby Nocon

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The first Sofarsounds event in Spain was held in Madrid last June. Enrico and Beatriz lend us their unique apartment in the center of the Spanish capital. An original decoration and a packed place welcomed Songs From a Room on this June evening.

The night started with the amazing band Eladio Y Los Seres Queridos and an acoustic set with two musicians set off the intimiate mood of the rest of the evening. Eladio Y Los Seres Queridos have been touring around Spain for a while, but that didn’t stop them from showing us how talented they are. They are a natural, the kind of band that lets flow their magic and it turns out to be a set of beautiful melodies and meaningful lyrics that catch you from the very first note.

Next were Dead Capo, a band with a double bass and a saxophone that lead to a mix of sounds hard to describe. At first, jazz is the first style that comes to your mind, but there are also bits of swing and even rockabilly. They've been around for more than a decade, and are regulars to all types of music festivals. For more about Dead Capo, click here.

The following band after a little break was Ginferno, the most eclectic and crazy one for sure. Loud music with rhythms that made you wanto to stand up and start dancing all night. The band has been together for 14 years and are regulars in Madrid's independent music scene. Their energy and charisma are evident, an authentic riot.

The evening came to an end with Sala, band that has played three Sofar nights in three different cities: París, Madrid and London. We finished as we started, with a two piece acoustic set. Sala’s songs have that funny touch that leaves you in a great mood, singing both in Spanish and English. That was necessary, after a Little incident with some angry neighbors and a short visit from the police. Here's a video of their performance of their song "Oh Vivianne".

 [youtube=http://www.youtube.com/watch?v=JfDUcl4kPDY]

It was, without a doubt, a very eventful evening. The first of many, I hope.

by silargu

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Sofar New York City performers Linfinity are a celebration of style diversity. There’s something incredibly freeing when listening to their music. One never knows which direction it’ll take next—rock, folk, classic, dance. Linfinity is wide-open. One of a kind, Linfinity pulls you in. This band is a celebration of what music can be without restraint.  They move where the music takes them, bringing the listener along for an amazing ride. Front man Dylan Von Wagner answered a few questions for Sofar Extended Play. Here’s what he had to say about Sofar, the band’s name and more: How did you hear about Sofar? I heard from Chris Vinyard from our label American Myth. What was your experience like playing Sofar gigs? Quite interesting, the first one we did, we had to redo four songs acoustic, which kind of gives the song a new face. I enjoyed performing without amps or mics, I'm used to that climate when I'm writing at home, so it was a welcome change. Second time we did new songs, but it was only Megan (Berson) on viola and her husband Steve on cello. Again we worked the songs up from scratch, a good exercise of arrangement. Lastly, the concept, I love the idea of doing an unplugged show in someone’s apartment-was a curve ball, kind of a mini festival of bands. I hope it turns into a TV series-all the people that turned out hadn't seen anything like it. Where did the band name come from? The band name comes from a World War I vet I met working at the Saratoga race track (horse track.) When I was 15, he told me a story of a general walking through the trenches telling the shell shocked soldiers to say Linfinity over and over to calm them, a mantra of sorts. How would you describe the band’s style? Who knows, from our first record we ended up doing any style. The next record seems to be a dance record. We’re knee-deep in it now! I tend to think it’s a happy accident we ended up all over the map. Your site says you are working on new material, how’s the song writing coming along? We've been working on it all summer; have some new people in the line-up, so things will be different. Trying to make the album more focused on song selection, hopefully it'll come out in spring 2012. There should be an EP before, a single perhaps. Do you have any live shows planned? Probably CMJ will be our first shows this year, then Coachella or bust! [youtube=http://www.youtube.com/watch?v=wj3QpaZ305k] Learn more about Linfinity here: Web | Facebook | Twitter

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[caption id="attachment_472" align="aligncenter" width="500" caption="Born Blonde members at our July 6th secret show Copyright © 2011 Sandra Ciampone"]

[/caption] After the release of their single, ‘Solar’ on 7” vinyl and a successful release party at their very own secret venue, Born Blonde was kind enough to answer a few questions for us. Front man Arthur Delaney talks below about the band, what it’s like performing at a Sofar show, and what to expect on Born Blonde’s highly anticipated album. [caption id="attachment_467" align="alignright" width="300" caption="'Solar' Vinyl"] [/caption] Arthur Delaney: I met Rafe [one of the three founders of the Sofar movement] through my friend, Andy, who suggested I come down to play a gig at his flat in North London for a new type of night they were pioneering. That turned out to be one of the first Sofar events. Can you tell us the details of Born Blonde’s origins? We formed in 2009. My songs had started to develop from the type of song I was doing for my solo stuff and I thought it would be a good opportunity to bring in some new ideas and opinions; we grew from there. What were your initial thoughts about performing a living room gig? What do you think of the concept now that you’ve done it? I think an amazing thing about music is that it can be performed or passed on pretty much anywhere. The concept of having to go to a venue or space to hear music is a very new one; in many ways, playing in a living room is more true to where music has come from. Sometimes it’s really important to return to that and remind people that they don't need to even leave the house to find that connection. [caption id="attachment_460" align="aligncenter" width="500" caption="Copyright © 2011 Sandra Ciampone"] [/caption] How does a Sofar show differ from one in a larger, public venue? A Sofar show is all about the songs in their truest form. Where a show in a larger public venue will be all about the volume and the space, a Sofar show is much more about trying to connect with people on a very basic level. When we are preparing for an acoustic show like that, we are always thinking about how well we are delivering the song, not about all the frills that surround it. How did the past show (on July 6th in London) compare to the previous Sofar shows you did in 2009 & 2010? Each Sofar show is obviously very different due to the location changing every time. Each person who hosts it has a different crowd that they bring along, so there were lots of new faces. It seemed that the whole thing had grown as an operation, as well. I know that the show on the 9th was being broadcast live on the net, which was new. So yeah, the concept is the same, but each one has its distinct personality. 'Sounds of Fear' Live from July 6th show[soundcloud url="http://api.soundcloud.com/tracks/19737574"] So your single “Solar” was released on July 11th. What are you hoping listeners will get out of it? Whatever they want to get out of it! Hopefully an enjoyable listening experience and, with a bit of luck, somewhere they can get away. And your album is expected for release later this year. What’s the motivation or inspiration behind the music on it? Is there any sort of theme that can be heard throughout the album? It’s a very psychedelic record. We looked at the way we were feeling and the public consciousness, and all agreed that reality was a little difficult for most of us at the moment. So it’s a place you can retreat into away from that. We have put a lot of care and attention into the songwriting, but then given each song its own, unique environment or space. We wanted people to feel good about life, so it's a euphoric listen. Do you think you’ll be making it back to a private gig anytime soon? If the chance came calling, I don't think that we would pass... Video - 'Solar'(Electrolysis)[vimeo http://www.vimeo.com/25153687 w=400&h=225] Born Blonde - Solar (Electrolysis) from born blonde on Vimeo. Keep up with Born Blonde through their Facebook and Myspace pages. Be sure to keep an eye out for their upcoming album and maybe you'll be able to catch these guys at one of our secret shows!

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[caption id="attachment_412" align="aligncenter" width="500" caption="Photo by Stephanie Halmos"]

[/caption] French-American Sofar performer Sydney Wayser melds ethereal vocals with romantic and sometimes playful instrumentation. Growing up in Los Angeles and spending summers in Paris left its mark on Wayser. Her father, a songwriter, helped educate her on French culture, shaping her musical influences. These influences include Edith Piaf, Charlotte Gainsbourg and Jacques Brel. This multi-talented vocalist and musician creates songs that transport you. “La di da” is a march of exploration. Sound makes way to unique, melodic vocals. It’s modern yet otherworldly.  “Oh the Places You’ll Go” a dream, up in the clouds, swaying in the breeze.  “Bells” is a flower petal of a song slowly floating to the ground. Whistling and playful “Banjo Bayou” feels like a departure-a light, skipping journey. “Drive-in Not Drive-Through” reminds one of pure summer, windows rolled down in the car, mellow. “Lullaby” is a slow miracle of a night’s destination. Based in New York with albums such as The Silent Parade and The Colorful, songs that seem bright even at darkest of times. Music that uses everything from piano to children’s toys shaping a journey the listener goes on. Bright gives way to dark. Day bows to night. Earth, moon and sky. Sydney takes you there with her music. Check it out here: Twitter|Web|MySpace

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[caption id="attachment_372" align="aligncenter" width="500" caption="Copyright © 2011 Sandra Ciampone"]

[/caption] Sofar London (and New York City) performer Will Knox applies intricate details to his folk rock infused songs. He is a gem, possessing all that's needed to be successful for years to come. Knox is a musician on the verge of a breakthrough. Recently, Will answered a few questions for Sofar Extended Play: How did you hear about Sofar? I was in New York hanging out with another Sofar artist Bo Bruce - she wanted to do an acoustic gig for Sofar over there, and asked me to play guitar. That was my introduction to Sofar! It's been just as fun on both sides of the ocean.

Copyright © 2011 Sandra Ciampone What was it like to play a Sofar event? Different in the best way. There's no P.A. or microphones so there's absolutely nothing to hide behind - so it's a very honest way of performing. You can see everyone's face, and the place is dead silent, so you also have an opportunity to interact with the audience in ways that venues don't allow sometimes. If there’s one thing you try to convey with your music, what would it be? I'm not sure if this is answering the question, but I like to get the lyrics across. I put more effort in writing the lyrics than any other part of the song, which is why Sofar is so great - people listen!! How long have you been playing music? I've played the clarinet since I was seven - does that count? I haven't picked it up in a while though. I started playing guitar about 12 years ago; and writing songs about 7 years ago. But since I was a toddler music has been around me, whether I was playing it or not. Can you tell me about the tour? Yes! And as you can tell by that exclamation point I'm very excited about it. For

5 weeks I'll be touring the entire United States with my good friend Ari Herstand. We start in LA on August 1st and loop around the country until we finish in Texas. We've dubbed it 'Tour America', using modified American tourism posters for the artwork - while Ari's seen most of the States before I'm not sure if he's ready for me ooh-ing and ah-ing at everything along the way. I also only have about 10 hours of driving experience under my belt, so I'm not sure if he knows he'll be playing the role of driving instructor either! You mentioned a project that you are recording a cover song for on Twitter, have you decided on anything yet? It's between an Elliott Smith song (probably Clementine) or a Bruce Springsteen song (probably Atlantic City) - I might have to put it up to a Facebook vote as I'm torn. Suggestions welcome on Twitter too-- @willknoxmusic! Copyright © 2011 Sandra Ciampone You seem to have a love of art, outside of your music, can you tell me about it?

I think artwork is becoming more and more lost with the MP3 revolution. We used to have 12"x12" covers to fill up with artwork - something musicians used to take a lot of pride in. Now we only have 120x120 pixels on our iPods and I think artwork's been neglected. I also figured if we were going stop people just stealing MP3s we needed fun, tangible artwork that people wanted to touch, hold and look at. That was the inspiration behind my last EP 'Lexicon', a comic book (with a digital download code inside) that uses all the lyrics as the storyline. We're also developing an iPad app for it, which again will hopefully inspire someone to buy the record as opposed to just steal the MP3s on Limewire. Of all your songs, what song is nearest to your heart? Why? That's a bit like asking a parent who their favourite child is, but I suppose there's always one. I like playing the two songs I played at Sofar - Belly of the Beast and Ice Capades. I can still sing them and get the same feeling I felt when I first sang them. As a performer a lot of songs start to lose their intensity as time goes on, but not with these two.

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[caption id="attachment_356" align="aligncenter" width="500" caption="Copyright © 2011 Sandra Ciampone"]

[/caption] After touring the U.S. with Mumford & Sons this June, and with several appearances set to be made at the UK festivals this summer, Matthew And The Atlas are definitely ones to watch. The English folksters treated the Songs From A Room audience to an acoustic set in London last Wednesday, including the song ‘The Waves’ from the band’s four track EP ‘Kingdom Of Your Own’, out now. Singer Matthew Hegarty was kind enough to answer some questions about their intimate SoFar performance. [soundcloud url="http://api.soundcloud.com/playlists/939324" params="show_comments=true&auto_play=false&show_playcount=true&show_artwork=true&color=484715" width="100%" height="225" ] Matthew and the Atlas recorded live at Songs from a Room London July 2011 How did you first hear about Songs From A Room?  We were playing a gig at the Mercury Lounge in New York and someone told us about it after the show. What do you think about the Sofar movement?  I think it’s great, it allows the bands to play in a really nice and different environment than they are used too, and gives the audience a different listening experience as well. Hopefully because you don't know which bands will be playing you get exposed to genres of music you wouldn't normally listen to as well. How does performing at Sofar compare with playing other gigs? It’s always lovely to play to a quiet audience, the space was really nice and we got a great vibe from everyone there, so we thoroughly enjoyed ourselves. It’s also unusual for us to play on a more eclectic line up, as they don't normally work, but because the show was acoustic for all the bands there was a nice thread which ran through the whole night of music and it worked really well. [caption id="attachment_357" align="aligncenter" width="500" caption="Copyright © 2011 Sandra Ciampone"] [/caption] Where can we see you next? Friday 22nd July - Wickerman Festival, Dundrennan, Scotland Saturday 23rd July -  The Deer Shed Festival, Yorkshire, UK Fri 12th Aug -  Haldern Pop Festival, Haldern, Germany Sunday 21st August - Green Man Festival, Breacon Beacons, Wales [caption id="" align="aligncenter" width="119" caption="Kingdom of Your Own EP"] [/caption] The band’s music is available to buy at  http://www.musicglue.net/matthewandtheatlas/store/. There are also three highly recommended free downloads at the same site. Of course, you can also buy the music digitally from iTunes, and check out their Daytrotter Session here  http://www.daytrotter.com/dt/matthew-and-the-atlas-concert/20054859-37382477.html. Also, for Scottish fans, keep your eyes peeled for a tour of the highlands in August!

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[caption id="attachment_281" align="aligncenter" width="500" caption="Stanford performing at Jammin Java"]

[/caption] George Stanford has some very different ranges in his looks: some days, his head is shaved and he’s pulling off a more prim and proper look, while other pictures indicate that he’s definitely going for the bohemian trend with his long, curly locks. His music, more importantly, is transforming in a similar regard. [caption id="attachment_285" align="aligncenter" width="500" caption="Performing in another living room setting"] [/caption] After realizing his love for music in the brass section of the band, George has since honed his passions for all things music into his debut album, Big Drop, and his follow-up EP, Roll Away. He has a light simplicity on both these records that reminds listeners of carefree, uninhibited moments. [caption id="attachment_283" align="alignleft" width="150" caption="Big Drop album"] [/caption]Big Drop has more of a focus on pop chords with its extra backgrounds. Some tracks, like “Nikole,” incorporate jazz and soft, toned-down rock, while other tracks, like “Downriver,” have much darker chords and lyrics permeating the entire song. Roll Away takes a much different, more mature approach to the music. Stanford moves away from all the background noise and focuses on his voice and guitar. He adds a bit of twang to that California feel and is more acoustically-driven in all the tracks. At random times, he even manages to sneak in a Randy Newman sort-of drawl. [caption id="attachment_284" align="alignright" width="150" caption="Roll Away EP"] [/caption] What’s unwavering in all his music is the relaxed theme. Whether he’s talking about love-lost, facing fears, or everyday life, Stanford puts you in a feel-good mood. Listening to his tracks at work may not be such a good idea, though – they’ll whisk you away to your favorite time beside the fire on the seaside, barefoot and tapping your feet in the sand with friends. Instead, try your darndest to hear the man at one of our Sofar shows. He’ll be joining us…very soon. a preview for your pleasure: [youtube=http://www.youtube.com/watch?v=4eboHRRz4DI]

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Saint Motel checks in to Sofar Los Angeles this week, bringing with them rock beats and smooth treats. Their song “Puzzle Pieces” is an up-tempo rocker. Its unique piano parts, stylized vocals and driving rhythm, set the tone for the band’s 'Summer Sweat Tour', which is currently under way.  Not afraid of a remix or two, their music is meant to make you move, a release.  Saint Motel puts showmanship up alongside the songs and in short, they are the complete package. Their bio says they are blistering with tireless devotion with songs like “Butch,” “To My Enemies,” and “Dear Dictator,” to provide testimony to that fact. Not afraid to push buttons with their melodious brand of rock, Saint Motel is a band to move to and groove to. Listen, watch and love this unique and highly entertaining band. Web | Twitter | Facebook

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[caption id="attachment_220" align="aligncenter" width="500" caption="The Dirty Urchins play Sofar NYC event June 16, 2011"]

[/caption] These Sofar New York City performers are-as their song goes-plastic bottles of mixed music. Such a mixture of styles it’s hard to point to just one. Jazz. Blues. Country. Rock. Folk. Take your pick. Or all of the above.  There lies the beauty of the band’s music.  A blended style all the Dirty Urchins’ own. The band was born one winter’s night back in early 2009. Freddie Stevenson and David Luther decided the answer to their economic woes was music. Busking around New York City, they were joined by Bennett Miller. Upon leaving a subway station one day, Stevenson commented, "My god, we're like a bunch of dirty urchins!" The band had its name. Time passed, and in the summer of 2010 Luther had the privilege of touring with the legendary rocker Meat Loaf. In Luther’s absence, Julia Haltigan, stepped in. The Dirty Urchins were now four members. Tinged with humor and never one to take things too seriously, the Dirty Urchins speak to all music sensibilities. Grabs you, and captivates you. The harmonies. The saxophone. The acoustics. Their music has a little bit for everyone. It’s wide-open, fluid and ever-changing. The true synthesis of music. Set to take on many shapes. The Dirty Urchins. Rock n’ folk n’ country n’ blues n’ jazz n’ … roll! [bandcamp track=3809028232  bgcol=FFFFFF linkcol=4285BB size=grande] Check them out on Twitter and Facebook

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[caption id="attachment_179" align="aligncenter" width="500" caption="Born Blonde performing at Sofar in April 2010"]

[/caption] Returning Sofar fans might recognize Born Blonde from their previous shows in 2009 and 2010. Others, though, will be pleasantly surprised by this London-based band that's comprised of George Day, Arthur Delaney, Josh Lloyd-Watson, Fraser MacColl, and Tom McFarland. They continue to impress listeners with their Verve-like sound; it has evolved over the past 2 years into a cosmic spacey-ness that encapsulates its listeners, so we’re especially thrilled to hear what kind of show they’ll be putting on for us in London later this week. [caption id="attachment_182" align="alignleft" width="300" caption="Band members 'warming up' at a Sofar show"] [/caption]

Front man Arthur Delaney (who performed a solo Sofar show in June 2009) likes to think of the band’s music as a pure escape from the recessed world around us. And their new single ‘Solar’ provides just that. The track’s title, the sound, even the official video are rooted in an intangible, vaporous sort of psychedelic rock that seems like an other-world music. The blended vocals are ethereal and the fuzzy guitar takes precedence over all else in this tripped-out track.

Their acoustic version of ‘Signs of Fear’ better reflects the perfectly-tuned harmonies in their voices. I’d even go so far as to say Delaney’s voice has a Dylan-esque quality to it in this video, one that wails just enough to captivate the listener, but maintains that important aspect of haziness so central to the band’s melodies.[caption id="attachment_192" align="aligncenter" width="500" caption="Born Blonde members"]

[/caption]

Not only are these guys old-timers at Sofar gigs, but they keep hashing out sensational tunes show after show. And others are picking up on their notable performances; NME just listed Born Blonde as one of the top 50 best new bands of 2011 in this article. So before they hit the big-time and start touring the world, make sure you’re lucky enough to secure a spot at a Sofar gig where you can see them in an intimate and magical setting. And guys, we’ll be proud to say ‘we knew you when…’

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We had a plan. My friend and I were lucky enough to attend the London secret Sofar gig in June. Having travelled from Basingstoke, we had decided to leave as soon as the last act finished to ensure we wouldn’t miss the last train home from Waterloo. But we hadn’t anticipated the simply amazing set from The Joker & The Thief which concluded what had already been a wonderful evening of entertainment. As the final song came to an end, we found ourselves unable to leave immediately. We needed some time to take in the evening before rushing home. The plan had failed. Of course, it was all worth it. It is the new discoveries like that of The Joker & The Thief that make Sofar what it is. I cannot think of a better way to discover new music.  ‘Worm in the Soul’ was a personal highlight and has been on repeat in my house ever since. This is how it feels to be in the audience at a Sofar gig, but I found myself eager to find out what it feels like from the point of view of the artists. Dan Grabiner, lead singer of The Joker & The Thief was kind enough to help answer my questions. How did you first hear about Songs From A Room?  I have some vague memory of hearing about strange, live happenings in people’s living rooms ages ago. I had imagined it to be like the old Libertines shows in Camden, drugged-up house parties with indie bands, but as we found out when we played Songs From A Room it is not that at all. What do you think about the Sofar movement?  We have always been focused on our live show and we take a lot of pride in being able to perform without fancy effects or technology. We want to be so stripped-back that we are not just avoiding pedals and samples but literally using no electricity at all. When we played Songs From A Room the audience was one step away from us and the music and passion is right there, filling the room without any interference. It’s a very cool way to discover new music – you get to hear it properly, watch it performed right in front of you and there’s no pretence, just music in its rawest form. How does performing at Sofar compare with playing other gigs? Rocking the house down at a big venue with a huge P.A. and thousands in the audience is an amazing feeling, but stripping-back to an intimate space is very special in a totally different way. The Songs From A Room Audience is a very attentive one - silent during the set - and it puts the focus back onto songwriting, the power of your melodies and lyrics. At the bigger gigs you sometimes just hope that you sound good in general, but in this sort of performance the real details of your tunes are on show, every subtle change or twist in the story. We think that it’s a very good test of your songs. Where can we see you next? We are touring our debut record “Secret Ballroom” which is being released on July 25^th with a soon-to-be-announced surprise show. We are just back from Glastonbury and will be playing St. Pancras Station on July 4^th, the Larmer Tree Festival July 13^th-17^th and hopefully another Songs From A Room soon enough.

I cannot recommend The Joker & The Thief highly enough and owe a lot to Songs From A Room for introducing me to such incredible talent and yet more excuses to spend my money on trips to London. And in case you’re wondering, we never did make that train… By Katherine McKenzie.

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This June saw London host its monthly sofar gig in a wonderfully unique and quirky room in Kim's apartment. Musicians, fans and friends met to see what exciting and varied talent sofar had lined up for them this time. [caption id="attachment_183" align="alignnone" width="200" caption="Photographed by Kassandra Carelos"]

[/caption] Australian singer-songwriter Steve Smyth was first to take to the floor and he proceeded to blow the audience away with his soulful tunes. His voice alone is enough to move any room to a peaceful silence. You can catch Steve at Hop Farm and Great Escape festivals this summer. http://www.myspace.com/stevesmythmusic/music And don't forget to follow him on twitter, too! @SteveSmythMusic [caption id="attachment_185" align="alignnone" width="200" caption="Photographed by Kassandra Carelos"] [/caption] Rosie May was equally entertaining, playing sofar as a solo artist for the first time, after having supported Passion Ate Dave at a recent gig at Hoxton Bar and Kitchen. Rosie even treated us to a cover of a French song in her set, joking that it makes her feel 'cultured'. It was even more impressive when she was able to explain the meaning behind it. http://www.myspace.com/rosiemayuk  

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