Profile

Freelance sub-editor, copy editor and script reader
Media Production | London, United Kingdom, GB

Summary

For more than ten years I have worked on UK consumer magazines in sub-editor and production editor roles. Currently I am freelance sub-editor and copy editor, and work part-time as a layout sub-editor for Incisive Media.
I also provide a script reading service for writers and those working in feature film, TV, theatre and radio development.
I direct and produce short films.
Specialties: Consumer journalism, sub-editing (copy editing), proofreading, screenwriting, layout, script reading, coverage, filmmaking

Experience

  • Aug 2011 - Present
    Layout sub-editor (part-time) / Incisive Media
    Responsible for proofreading, sub-editing and laying out magazine pages for Incisive Media's Alternative Assets division, and editing copy for use on unquote.com. This includes preparing and manipulating photos and creating charts in Illustrator. The work is carried out on Adobe CS4 (InDesign, Photoshop and Illustrator), and Incisive's proprietary content management system. The position was offered to me on a permanent part-time basis after my fixed-term contract ended.
  • 2011 - Present
    Owner / Camden Script Analysis
    Camden Script Analysis provides coverage of scripts and screenplays to companies working in script development, and detailed analysis reports to screenwriters.
  • Jan 2010 - Present
    Owner / Richard Cosgrove Films
    Film production, screenwriting, script reading and script editing services. FILMOGRAPHY Goodbye (2010) - producer/director Blade Runner: Done in Sixty Seconds (2011) - producer/director Magic Wand Bruises (2011) - Co-producer/director Storming Out (2011) - Producer
  • Jan 2006 - Present
    Owner / Richard Cosgrove Editorial Services
    Freelance layout sub-editor, production editor cover and proofreader. Have over 10 years of experience of copy editing, laying out pages, flatplanning, and overseeing production cycles on consumer magazines, B2B titles, and contract publications. Previous roles have included writing style guides and redesigning titles. Experience using InDesign, QuarkXpress, Photoshop, Illustrator, Final Draft, Microsoft Word and Excel, and content management systems.
  • Dec 2010 - Present
    Layout sub-editor / Incisive Media
    Responsible for proofreading, sub-editing and laying out magazine pages for Incisive Media's Alternative Assets division, and editing copy for use on unquote.com. This includes preparing and manipulating photos and creating charts in Illustrator. The work is carried out on Adobe CS4 (InDesign, Photoshop and Illustrator), and Incisive's proprietary content management system. The position is a short-term contract, providing cover due to a member of staff being on a sabbatical.
  • Oct 2007 - Present
    Production Editor / Future plc
    Production Editor on PC Zone – one of Future Publishing's dedicated PC gaming magazines. Oversaw production of the magazine and the accuracy of the content. PC Zone was closed down in August 2010.
  • May 2000 - Present
    Sub-editor / Highbury House Communications
    Sub-editor on a variety of magazines published by Highbury House Communications, prior to its break-up. Responsible for overseeing production, accuacy of content, planning issues, and writing articles. Titles included: What Plasma & LCD TV What Digital Camcorder Digital Satellite Choice What Digital Satellite Digital Photography Buyer & User

Education

  • 1997 - 1999
    University of Luton
    BA(Hons) in Media Production (minor: Journalism)
    Activities: Editor of L'Uni – the student union's monthly magazine.

Additional Information

Posts

December 15, 07:35 PM

Concept design for a new, modern Voight-Kampff replicant detector. Continue reading

December 05, 01:05 PM

I've created a simple template for writing screenplays and outlines. It's not got the bells and whistles that the likes of Final Draft, Movie Magic Screenwriter or Celtx has, but it does the job. Continue reading

December 02, 04:45 PM

Done in Sixty Seconds is a short film competition with a deceptively simple premise: remake a hit Hollywood film in under a minute. I didn’t pay it much thought. Until I left work on a rainy winter night in London. “Blade Runner should’ve been set in London. Londoners practically live in the movie,” I muttered to myself; not for the first time. Continue reading

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