Nuruddeen

What I love about the creative process, and this may sound naive, but it is this idea that one day there is no idea, and no solution, but then the next day there is an idea. I find that incredibly exciting and conceptually actually remarkable.

The nature of having ideas and creativity is incredibly inspiring. There is an idea which is solitary, fragile and tentative and doesn’t have form.

What we’ve found here is that it then becomes a conversation, although remains very fragile.

When you see the most dramatic shift is when you transition from an abstract idea to a slightly more material conversation. But when you made a 3D model, however crude, you bring form to a nebulous idea, and everything changes - the entire process shifts. It galvanises and brings focus from a broad group of people. It’s a remarkable process.

From Self-Knowledge and Self-Discipline, 1916
By Basil William Maturin

We do not endure [self-discipline] merely for its own sake, but for what lies beyond it. And we bear those acts of self-denial and self-restraint because we feel and know full well that through such acts alone can we regain the mastery over all our misused powers and learn to use them with a vigour and a joy such as we have never known before…

It is as though one who had a great talent for music but had no technical training, and consequently could never produce the best results of his art, were to put himself under a great master. The first lessons he will have to learn will be, for the most part, to correct his mistakes, not to do this and not to do that; it will seem to him that he has lost all his former freedom of expression, that he is held back by all sorts of technical rules, that whenever he seeks to let himself go he is checked and hampered. And it is no doubt true. But he will soon begin to realise that as he learns more and suffers in the learning, possibilities of utterance reveal themselves which he has never dreamed of. He knows, he feels, that he is on the right path, and as the channels are prepared and the barriers against the old bad methods more firmly fixed, he feels the mighty tide of his genius rise and swell, he hears the shout of the gathering waters as they sweep before them every obstacle and pour forth in a mad torrent of glorious sound. All those days of restraint and suffering are crowned with the joy of the full and perfect expression of his art. The restraint and discipline he knew full well in those seemingly unfruitful days were but the means to an end. The end is always before him, and the end is positive expression. The dying to his old untrained and bad methods is but the birth throes of a larger and richer action…

Without such an inspiring motive [discipline] is meaningless, it is cruel self-torture. We need—who does not know it—to fill our life, not to empty it. Life is too strong a thing, our nature is too positive, to be content with mere restraint and repression. Many a soul who has given up one thing after another and emptied its life of interest after interest, learns to its dismay that its energies finding no means of expression turn inward and revenge themselves in morbid self-analysis and sickly scruples. They need an outlet; they need interests. You may check the flow of a stream while you are preparing to divert its channel, but you cannot stop it. If you try, it will only gather force behind the barriers that hold it back, beat them down and rush through with a strength and volume all the greater for the restraint. And the stream of life cannot be merely held back. Many a man trying thus to repress himself finds after a time that temptations have only grown stronger and passions more violent, and that he seems to have become worse rather than better through the temporary resistance. What he needed, what might have protected him from failure and despair, was to be taught that all the restraint was but temporary, and in order to turn the stream into its true channel.

MADE: I have a burning desire inside the deepest corners of my heart to make something; to actually create something. I want to dedicate my time and effort to create something that the world has never seen, but was eagerly awaiting. I want to make my contribution to mankind, and push the limits of our current knowledge and understanding, and offer the world something they've never had. Let's do it together.

Sahih International

And there is none of you except he will come to it. This is upon your Lord an inevitability decreed.

19:72

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Sahih International

Then We will save those who feared Allah and leave the wrongdoers within it, on their knees.

The answer is that in his Saheeh, al-Bukhaari did not narrate anything directly from the Prophet (peace and blessings of Allaah be upon him), rather he narrated from trustworthy shaykhs, who attained the highest degree of memorization, precision and trustworthiness, who in turn had narrated from equally reliable shaykhs, all the way back to the Sahaabah who narrated from the Messenger of Allaah (peace and blessings of Allaah be upon him). The smallest number of narrators between al-Bukhaari and the Prophet (peace and blessings of Allaah be upon him) is three. So we rely upon Saheeh al-Bukhaari because he chose the narrators from whom he transmitted hadeeth with the utmost care, and they are the most trustworthy. Moreover, he would not write down any hadeeth in his Saheeh until he had done ghusl, then prayed two rak’ahs and prayed istikhaarah, asking Allaah to guide him with regard to writing down this hadeeth; then he would write it down. It took him sixteen years to write this book, which the ummah accepted and unanimously agreed that what is narrated in it is saheeh; and Allaah has protected this ummah from agreeing upon misguidance.