un jour des pinceaux.
McQueen created his own ‘museum of woman-monsters’ in his second couture collection fro Givenchy, Eclect Dissect, shown in July 1997. In the period leading up to to the show, his art director SImon Costin combined the late Victorian costumes McQueen was then looking at with with a series of animated skeletons and muscle men from the sixteenth-century anatomical plates of Andreas Vesalius in a series of collages.
Caroline Evans, Fashion at the Edge (2007)
Dmitri Baltermants, “Pluie”, 60’s.Colour print Collection Multimedia Art Museum, Moscow.
From “Primerose, Russian Colour Photography” exhibition, Amsterdam.
RAD by Rad Hourani #3 BACKSTAGE / PHOTOS BY Timothy Baga / facebook.com/radhourani.official
Edward Burne-Jones, ‘The Heart of the Rose’, an illustration of Chaucer’s The Romaunt of the Rose, 1881