Thinker by nature, wordsmith by trade.
Podcast hostess, media writer, digital strategist + lover of science. Creator of life on the weekends, but strictly single-celled. (Nobody likes a mutiny.)
You may email if you like.
A crowd pleaser for the football freaks out there. While you suffer through this weekend’s Pro Bowl – the appendix of pro sports – take a look back through the Big Game’s logo history. Every one a winner! (Btw, the cost of preferred seats at the first Super bowl? $10.)
Long way to go for a headline? Sure, but it’s what we do here. If you’re Starbucks and McDonald’s is creeping category share? YOU MOVE INTO TRAILERS! Check out a concept store for the venerable coffee brand haters love. Cue McDonald’s trailers soon enough? Prolly. (Via.)
Been a little while since we heard anything from the oil giant BP. SO LET’S GO BACK TO 1996! Get you some corporate website look and feel! (Previously as well.)
Starwood Hotels Luxury Collection produces a branded content short film called “Here”. I’m too lazy to watch the whole thing because I need all entertainment to fit into 90 second capsules - but you’ll really enjoy taking a few minutes to sit back and enjoy this long form commercial.
It is almost imperative to give props to a local Colorado bank that devotes its very first Super Bowl ad to sending people off to wizz in the second half of the game. Nicely in keeping with their “helpfulness” manifesto.
Don’t pauses feel longer when they cost $3.5 million?
Ballsy work, not just by FirstBank, but also by TDA_Boulder.
Now you can with Bâtiment, an interactive mirrored art installation by Leandro Erlich that lends the impression visitors are hanging off a building. If you’re in Paris, catch it at the In_Perceptions exhibit at 104 Le Centquatre, from now until March.
Hat-tip to Laughing Squid for the news. More photos at PSFK.
You’re all like, “Wait. ‘Barbie as an icon’ isn’t news.” Right. I guess what I meant to say was, Barbie as other icons. Above, you see her as Chanel. Below, see her as Kiki of Montparnasse posing for Man Ray. More at Barbie M’Amuse.
Via.
But don’t you kinda wanna do this with data from your own company? It tells its own little story. Plus, it helped us discover Warby Parker, WHICH HAS NANCY DREW GLASSES BY GOD.
Oh yes, their 5 pairs-5 days-100% free try-on policy is pretty nahce too, as long as we’re still living in a society where people still need to wear glass on their faces. (Who wants to do a pool on how long that’ll be the case?)
Like Auld Lang Syne, you likely don’t know all of the classic Marshall McLuhan quote. WE PROVIDE IT NOW:
“The medium is the message. This is merely to say that the personal and social consequences of any medium - that is, of any extension of ourselves - result from the new scale that is introduced into our affairs by each extension of ourselves, or by any new technology.”
When We Build is worth your time as a deconstruction of that premise, especially if you’re a UX/IA fanboy. OR EVEN IF YOU’RE NOT. If you just think for a living then, check out this deep dive into how user experience from a creation standpoint is being altered daily. Stick with it kids, because former Apple interactive designer Wilson Miner’s quiet delivery takes you places, with some twists to longstanding MM conventions, namely > The medium is now a tool by which designers affect change exponentially. (Via.)
- Skechers pet line.
- The Inflativerse.
- What’s your blues name?
- This is why you shop Walmart.
- North Carolina takes a stab at distracted driving.
- Graf goes green.
- The women of David Lynch films.
Expect to start seeing this in PowerPoint decks in the near future. Thanks, Eliza!
And even more are being uploaded as we speak. If you’ve ever wondered what that all looks like, here’s the YouTube video upload traffic, visualized. From @escalante
This may be the very best music video ever produced. And it only required MS Paint. Thanks, @alexislamster!
I love this as much as this. There’s a nice twist here - ouch - in some FINE road safety messaging for the UK’s Think! campaign. (From Lynn Fox, via.)
Don’t change the price of your coffee – change the price of your cups. (Via Thought Gadgets.)
Enjoy the Data Communication stylings of Muppet’s creator Jim Henson for The Bell System, from 1963. (Via Nerdcore.)
The American Heritage Dictionary gives us You Are Your Words, a nifty application that enables you to upload a picture, input text (400 character minimum) and see your likeness recreated with your very own words. It’s a deliciously pop and shareable way to portray a notion so intimate: that we are, in effect, the words we hold dear.
Very cool work.
How do you get young Brazilians interested in learning other languages? The CCAA language school figured it out: reward and punishment. Knowing somebody’s native tongue opens doors that weren’t there before; and not knowing, well…
Take a time lapse peek into some of the most stunningly gorgeous homes in the tri-state area that you’ll never own.
(Just kidding, you can be anything you want to, and you’ll definitely be living in one of these someday.)
We hit all the bases this week, folks -- from Twilight duvet covers to wince-worthy holiday ads to Occupy Wall Street. WE EVEN COVER TWITTER PROFILE TERRORISM! Kicking off with a quick 3 for 3, we roll into the holidays and wrap up with a long and glorious rant about bad Twitter profiles (examples included!). Sorry if you were one. (Not really. We still like you, just take a few exclamation points out of your elevator pitch.)
Play the show now. Subscribe in iTunes.
(Image.)
How do you explain the disconnect between memorable ads for "normal people" and ad folks? For example, people like my mom don't always recognize the Old Spice ads, but they’re quick to mention the Doritos ad—an ad that was slammed by most critics—in this last Superbowl.
The term grey goo was coined by nanotechnology pioneer Eric Drexler in his 1986 book Engines of Creation, stating that "we cannot afford certain types of accidents." In 2004 he stated "I wish I had never used the term 'grey goo'. Le sigh.*"It's okay, Eric, I don't mind "grey goo." It sparks curiosity and curiosity sparks Google searches, which can lead to wondrous learning experiences followed by a love of science and speculative technology. (And as probably only five people in the world watched The Stuff, you don't even have to worry about inviting the comparison.)
In the case of soap, he found that bathing was a ritual that afforded rare moments of personal indulgence, particularly before a romantic date (“You never can tell,” explained one woman). He discerned an erotic element to bathing, observing that “one of the few occasions when the puritanical American [is] allowed to caress himself or herself [is] while applying soap.” As for why customers picked a particular brand, Dichter concluded that it wasn’t exactly the smell or price or look or feel of the soap, but all that and something else besides—that is, the gestalt or “personality” of the soap.
This was a big idea. Dichter understood that every product has an image, even a “soul”, and is bought not merely for the purpose it serves but for the values it seems to embody. Our possessions are extensions of our own personalities, which serve as a “kind of mirror which reflects our own image”.
Light pumps in the earpieces send and refract light down the lens. This moves the electronics away from the eyes, offering a lighter, more streamlined experience. The lenses are transparent and display an apparent 87-inch screen about ten feet away. Because each eye display works independently, you can also view 3D video."But wait!" you say. "Why not contact lenses? Aren't those sexier and infinitely more discreet?"
Photo: TechCrunch EU
Karl Lagerfeld opened Le Web yesterday morning, in part to announce the launch of a new online fashion brand, Karl, which he's producing in partnership with founder Natalie Massenet of Net-A-Porter. It goes live in January.
According to Massenet, the collection will be about "accessibility". I gathered this referred to it being online (free of geographical limitations) and more cost-feasible for shoppers. (I wouldn't expect Isaac Mizrahi for Target prices though.) This is a nice manifestation of something Lagerfeld said about social networks just prior: being over-connected doesn't make you well-connected.
This is easy to forget when you consider how "accessible" everyone is today. But Lagerfeld is playing with the ways in which technology can draw global crowds, ignite creativity and facilitate work.
While paper remains his favourite creative tool, many of his designs are now produced on drawing apps for iPad. He demonstrated by using his iPad to sketch a portrait of Steve Jobs onstage:
The conversation didn't go into much detail about the impact of design on usability, or how today's simple and elegant interface aesthetics speak to how function informs timelessness. Some even wondered why Lagerfeld was there at all.
"He's the #1 design expert in the world right now," observed venture capitalist Michael Jackson at a cocktail party later that night. "Entrepreneurs should be soaking in everything he says. What Karl Lagerfeld understands is that fashion is the ultimate user experience."
Nimble's produced this thought-worthy video on how augmented reality can be used to help people better navigate their way around libraries. It posits hypothetical solutions for finding books (even -- or ideally -- when the book you want is on a table somewhere), digitally interacting with what you're reading on paper, and sharing knowledge via social networks.
Sures Kumar, who built the concept and experience prototype, explains it thus:
Nimble shows what a mixed touch, digital, projection, and book-based library might look like. This is relevant because people still like the tactile feel of books and other printed media and they also like to browse.
It isn't immediately obvious to me how digital technology will be able to recognise and readily communicate with non-connected objects like books and newspapers, but I like the vision behind it: there will always be room for tactile objects, and we'll move between those and our digital "objects" with fluency. This also does a nice job of illustrating how important augmented spaces will be in the near future, as everyday and digital experiences build intimacy with one another.
Take the example of the new touchscreen-saturated Sephora store in New York. This screams "we're investing in experience", but I still think the integration is clumsy, simply because the screens themselves are so obvious.
What's cool about the Nimble video is its vision that interactive screens won't be obvious. In the next five years we will just expect banal everyday things to be able to engage us on an animate level, much like how, today, we increasingly expect to walk into a public space and have wifi.
(Via.)
Love this article on how theatre venues, including the Cincinnati Symphony Orchestra, Raleigh's Carolina Ballet and Ohio's Dayton Opera, are beginning to incorporate seating for people dead-set on "livetweeting" highbrow cultural events. As PSFK mentions, this is a great way to introduce young, spendy techies to classical music, the opera and ballet. The only caveat: why stack them all in the back?
I'd pack these guys into boxed seats or give them front-row space, maybe at a relative distance from the audience, to ensure they get a stellar experience. That's how you properly earn your earned media.
Flash photography is a problem at these events, which is one reason why sites like Carnegie Hall or the Kennedy Center demand that patrons switch phones off (in addition to accidental ringing). Solution: make like the tech conferences and avail high-quality photos to people who have registered to the events as tweeters or bloggers.
I guess the fact that you ask questions so we’ll feel better about nobody asking questions, TumblrBot.
Today I “Karlified” myself to celebrate the launch of Karl Lagerfeld’s new clothing line, in exclusivity with Net-a-Porter. (In case you don’t remember, or just don’t follow this kind of thing, he mentioned it very briefly at Le Web ‘11.) There was a big fancyface launch today in St. Germain des Près, which isn’t that far from me, but I didn’t go. He went, though, and evidently his hair was amazing.
I don’t think it really suits me. (His hair.) I kind of look like I’m wearing a cossack hat.
Since the Tumblr experiment is faring so well for AdVerveBlog.com, I’ve started thinking it might be kinda cool to use this space. I don’t know. Thoughts? No? Yes? We’ll see, I guess.
Thanks, Klout, for keeping me abreast of all the previously-unimagined ways I can expand my sphere of Influence™.