Public relations professional, social media junkie, foodie fan and (local) caffeine addict. Looking for an excuse to relocate.
Proven marketing and communications professional entrusted with increasing responsibilities and project management, providing enterprising solutions and dedication to a dynamic workplace in a challenging economy.
Look at this Instagram (Nickelback Parody)
The pictures you want to remember. A song you want to forget. (Thanks, EA, for sharing)
Longest word in English language (pronounced)
This captivating distorted video of two people dancing was created two years ago by French art studio Adrien M / Claire B with a slit-scan photographic process.
Argentinean sculptor Adrian Villar Rojas That Creates enormous sculptural works seem like remnants of a science fiction movie set, or bizarre moments from a surreal dream.
The awesome piece you see here is Entitled My Family Dead (2009). Here a life-size blue whale, created by the artist, lies beached in the woods outside Ushuaia, Argentina. The stranded cetacean is pockmarked with tree stumps, leaves the viewer wondering Which if it’s being slowly CLAIMED by the forest or Perhaps it’s a native resident. Beautiful and utterly awesome.
This would be spectacular to come across in the woods.
First look: Gabriel Dawe’s stunning new thread art in Italy.
Gabriel Dawe created Plexis no. 19, a stunning thread installation thats beautifully spread across two balconies in the atrium of a historic villa. The early 19th century neoclassic house, called Villa Olmo, was acquired in 1924 by the municipality of Como and is now open to the public only during cultural events and art exhibitions like this.
Plexus no. 19 consists of two thread structures streamed across an upper and lower balcony that is meant to be experienced from different angles or at different times of the day. As Dawe tells us, “When the sun comes in during the morning, it is fantastic. Having those window-shaped light beams add a dimension to the installation. I always like when I get direct sunshine on them because it emphasizes the layering of the thread in very interesting ways.”
With two assistants, he constructed this installation in about a week. His greatest challenge was working to the confines of the space. “Because of the historic nature of the building, I wasn’t able to touch ceiling, walls or floors to screw in my structures,” he says. “So I resorted to fixing them to the railings, which in great measure restricted what I was able to do. In the end, it worked out pretty well; it really exceeded my expectations how well the installation inhabits the space.”
Via My Modern Met.
Love.