Author: Natalie Whipple
Genre: Alternate Universe/Parallel Timeline, Sci-Fi, YA Contemporary
Publication Date: May 21, 2013 (HarperTeen – North America)
Source: Publisher-provided ARC/Edelweiss Review Copy
Summary: Plenty of teenagers feel invisible. Fiona McClean actually is.
An invisible girl is a priceless weapon. Fiona’s own father has been forcing her to do his dirty work for years—everything from spying on people to stealing cars to breaking into bank vaults.
After sixteen years, Fiona’s had enough. She and her mother flee to a small town, and for the first time in her life, Fiona feels like a normal life is within reach. But Fiona’s father isn’t giving up that easily.
Of course, he should know better than anyone: never underestimate an invisible girl.
☆: 2/5 stars – a great premise, but just didn’t deliver.
Review: I was really excited when the blurb for this book went up late last year – I love anything with the mafia in YA and of course, superheroes/X-Men sort of stories and it sounded like “Transparent” would definitely be the book for me. Sadly, there was so much that needed to be done, and at least another two or three drafts written to smooth everything out even at the ARC stage of things that I just didn’t enjoy it as much as I’d expected to. However, it’s not without its fun bits, so I’d recommend it as a book you’d want on a rainy day, or something to read in about one sitting. It just didn’t entirely work for me.
My biggest issue with this book: the underdevelopment of nearly every technical aspect of this story. I don’t mind having unlikeable characters in my books – if anything, I welcome the challenge to see how they make their transformation by the end of the story. But there was no real significant progress here for anyone, and it felt for long periods of time the story just didn’t go anywhere. We waited and waited, but there was a lot of talking, and not a lot of action. I will give it to Whipple – she does know how to keep the pressure on the characters going with the threat of Daddy coming to bring everyone back to Vegas, but even there, I felt like the tension could have been ramped up more than just one scene with Graham flat-out abusing Fiona in front of his younger brother and mother. Which triggered me. But we won’t go into that. Just a warning: those with a domestic violence or dub-con trigger? This may not be the book for you.
The world – while interesting with the alternate universe retelling of what happened during/after the Cold War, and how it ended up in quite a few people having supernatural abilities, that too was underdeveloped. We only get a few sentences as a quick infodump at the beginning, but nothing more. I feel like Whipple could have woven more of the backstory of the world in throughout the story, and connected it a little more deeply with the characters. There is an attempt with this as to explaining how Fiona’s invisibility worked, but it’s rather poor in consistency and continuity. In David Levithan and Andrea Cremer’s “Invisibility”, we too have an MC that’s been born invisible, but at least he has a vague idea of what his face is like once he’s able to see it. Fiona doesn’t. At all. Whatsoever – and this is surprising, because there are quite a few things seem to trigger “seeing” what Fiona may look like (water on her skin, or sunscreen), yet we don’t really get to see her, and neither does she. Which was kind of ridiculous. There was so much telling over showing, I wanted to scream.
The world badly needed more development in terms of the mutation backstory, and the YA contemp world of Arizona just kind of barely passed muster. Add to the characters, which were very flimsily constructed. I feel like Bea and her brothers were really just kind of propping up Fiona with her desire to be a normal girl and to fight off the terror of being brought back to Daddy – they didn’t feel significantly developed, and they also have a one-sentence backstory as to why their family isn’t working for her father’s competition. Brady just kind of felt like an inserted love interest because he was attractive (thankfully, not exactly insta-love, but it got close). There was also a pseudo-kind-of-I-can’t-really-decide-if-I-want-to-write-it love triangle going on between Fiona, Brady, and Seth – even now I’m still pretty confused as to how that made it into the book without further clarification by an editor.
However, this book isn’t without its fun moments – the superpowers in action themselves were really fun to watch (I think my favorite was the kid who literally smelled like crap when he got scared), and the first few opening chapters with Fiona and her mother on the job were quite exciting. But it needed a lot more showing in general, as the sensory language was barely there. But those fun moments? They were worth it.
The triggers, though, were the ones that got me the most. Usually, dub-con (dubious consent) doesn’t bother me much if it makes sense as to how the character who’s giving their dubious consent actually works and functions as how they’re constructed. But instead, this is explained away again with Fiona’s father and his ability as a Charmer – basically, a male siren sans fins and stuff – convincing any woman he sees fit to do his dirty work. We’re not even really sure if this is confined to women alone as it wasn’t entirely explained. And then there’s the domestic violence trigger – yes, we know Graham is a thug, and we know that Mom is still in PTSD mode from being with Fiona’s father and being used and abused by him for years, but even Miles, who’s resistant to Charm and escapes Graham’s wrath, doesn’t seem to say a thing when Graham goes and nearly kills Fiona for a very small thing. It was incredibly hard scene for me to read – and Whipple did that scene very well. If you’re making me uncomfortable, you know the author is doing their job. But all the same, there needed to be more scenes full of tension like that one, just a little less triggery. More vividity, but less outright violence against women, please.
Final verdict? As I absolutely love the premise, I’m giving it an extra star, but the execution was poor and really needed a few more drafts and more editing to make everything make more sense. However, that’s just how I feel about it – along with the triggers, it just wasn’t for me. “Transparent” is out now in North America, so be sure to check it out when you get the chance and come to your own conclusions about this story.
Author: Saundra Mitchell
Genre: YA Contemporary, Paranormal, Coming-of-Age, Historical Fiction
Publication Date: June 4, 2013
Source: Amazon Vine-provided ARC
Summary: Kate Witherspoon has lived a bohemian life with her artist parents. In 1917, the new art form of the motion picture is changing entertainment—and Kate is determined to become a director.
Meanwhile, midwestern farm boy Julian Birch has inherited the wanderlust that fueled his parents’ adventures. A childhood bout with polio has left him crippled, but he refuses to let his disability define him.
Strangers driven by a shared vision, Kate and Julian set out separately for Los Angeles, the city of dreams. There, they each struggle to find their independence. When they finally meet, the teenage runaways realize their true magical legacy: the ability to triumph over death, and over time. But as their powerful parents before them learned, all magic comes with a price.
☆: 2.5/5 stars – …I don’t know what to say, especially concerning the ending.
Neither The Vespertine nor The Springsweet were perfect novels, but they numbed my brain for a while and I enjoyed them for the most part. The Elementals, which focuses on the children of the heroines from each of the past two books, is in an entirely different ballpark compared to the two novels that preceded it in the trilogy. It’s got an ending you won’t easily forget, but that’s not necessarily a good thing.
The Elementals is almost everything its predecessors aren’t; it’s told in third-person and moves among multiple people instead of being told in static first-person. The main characters struggle with abilities that allow them to control death and time instead of discovering powers tied to the elements like their parents’ were. Where the previous two novels had some semblance of a plot, The Elementals is sadly bereft of a focus. All they have in common is the length and Mitchell’s lovely prose. The switch to third-person seemed odd at first, but it’s easy to adjust to.
The narration moves between about five people/groups: Kate, Julian, Kate’s parents, Julian’s parents, and Caleb (if you remember who he is and his role, you are better than me because I forgot). It gives us a wider scope of their world, their gifts, their struggles, and where the characters we followed through books one and two went, but it seems to mainly serve to fluff up the book. So little is going on that this should be a novella focused solely on Kate and Julian, not a novel. There’s not enough going on to justify a novel.
Also? Kate is bisexual. Don’t you dare try to tell me otherwise even if you’re Saundra Mitchell herself! (Kidding! Maybe.) Her fascination with Mollie seems to go a little beyond a director’s fascination with her muse and there’s also one paragraph in particular I’d use as evidence. Whether this is just a case of imprecise writing or genuine, it’s difficult to ignore this passage:
“Two black-eyed twins in Cyprus witched water together: the girl leaned toward heat and steam, the boy toward cold and ice. They taught Kate to ice-skate on a white-sand beach and to kiss beneath an olive tree, which made for a lovely summer indeed (ARC p. 111).”
Considering the times and how one woman loudly complains when Kate (everyone thinks she’s a man because of how she dresses) talks about kissing boys, that there’s no solid confirmation of her bisexuality, but I follow the subtext and the subtext says yes yes yes.
It takes about 200 pages for our two leads to finally meet and once they do, there are only 90 to 100 pages left in the novel. The ending is just… Weird. You’ll remember it because it’s just that weird, but it’s not a good ending. I needed to read it twice to understand what was going on and after that, I simply stared at it. Very… anticlimactic, I want to say? It’s difficult to find the right words to describe it without spoiling it for anyone. Big fans of the series won’t want to miss this, but they might want to go in with their expectations adjusted.
Teaser Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading. Anyone can play along! Just do the following:
•Grab your current read
•Share the title & author, too, so that other TT participants can add the book to their TBR Lists if they like your teasers!
This week’s teaser comes from “The Savage Blue (Vicious Deep #2)” by Zoraida Cordova (USAGI):
Kurt takes one step closer. Whatever he’s going to say is interrupted by blue and purple blurs.
It’s the Urchin Brothers, pulling sails and tying ropes to create a bit of shade. When they stop running around, you can see their true shapes. Their almond-shaped eyes are big and black, like their gums, which freaked me out when Blue woke me up this morning. True to their name, the Urchin Brothers have spiky heads that are surprisingly soft to the touch.
Note: don’t mess with an urchin’s head of hair, either.
This week’s teaser comes from Dance of the Red Death by Bethany Griffin (ASHLEIGH):
“I’m not complaining,” he says. “It’s nice, sitting here with you. Much warmer.” I shift to see if his expression is as sincere as his voice sounds, and our faces are so close. I should turn away, but I don’t.
I kiss him.
An owl hoots somewhere in the trees above us. Elliott twists so that we’re lying on the ground. For a brief moment, all I can think is that it’s different than it’s been with him before. He raises my chin with his hand, and he’s frustratingly gentle, as if he wants this moment to go on and on. And it does. It’s a very long time before I pull back to take a ragged breath.
“We have to find a way to get some privacy,” he whispers. “Soon.”
Author: Mats Strandberg & Sara Bergmark Elfgren
Genre: YA contemporary, UF, paranormal, Horror
Publication Date: May 7, 2013 (Overlook – North America)
Source: Publisher-provided ARC
Summary: On a night after the apparent suicide of high school student Elias Malmgren, a blood-red moon fills the night sky. Minoo wakes up outside her house, still in her pajamas, and is drawn by an invisible force to an abandoned theme park on the outskirts of town. Soon five of her classmates–Vanessa, Linnea, Anna-Karin, Rebecka and Ida–arrive, compelled the same force. A mystical being takes over Ida’s body and tells them they are fated to fight an ancient evil that is hunting them. The park is a safe haven; the school, a place of danger. The six are wildly different and definitely not friends…but they are the Chosen Ones.
As the weeks pass, each girl discovers she has a unique magical ability. They begin exploring their powers, but they are not all firmly committed to their mission–to discover the truth about Elias’s death. Then a horrible tragedy strikes within the circle. Newly determined to fight the evil forces, they begin to learn magic from The Book of Patterns, an ancient work with a will of its own that reveals different things to different witches.
☆: 3.5/5 stars – “The Craft” meets “The Secret Circle”, Swedish-style.
Review: So, “The Circle”. An interesting mix of “The Craft” and “The Secret Circle”, that’s not afraid to make fun of itself. I can see why John Ajvide Lindqvist blurbed this book – it’s got a certain mystery to it that also inhabits his books, but at the same time, I think there was a bit lost in translation. At least, at the ARC stage of things (which is what I got from the US publisher). But this book really isn’t just about teenage witches – it’s as Lindqvist says in his blurb – people learning how to deal with other people, and that is perhaps the best part of this book. While I feel like a lot could have been cut from this book with affecting nothing, it is what it is. “The Circle” is a taste of life in a small Swedish town, with teenagers against teenagers, learning how to deal with each other and their new-found abilities all at the same time.
My biggest problem with this book: the translation. As a translator myself, I can say regardless of what language I’m trying to work with, all translators deal with the same issue – trying not to make text read as “translatese”, and instead as fluid, coherent English. Unfortunately, this version of “The Circle” (I haven’t checked the final UK version so I don’t have anything really solid to compare it to) was full of translatese, and I know that this is because there were probably a lot of Swedish pieces of text that just couldn’t be worked into English any easier than what we got. That, or the editor just let it slip – and both of these two scenarios are totally possible. The result? It made good chunks of this book a little hard to read and to proceed smoothly along to the next part. That, and the fact that there were long parts of this book that could have been cut in the Swedish edition with the content not suffering one bit for those missing bits. There’s just too many scenes where not a lot (or anything at all) happened, and those could have been cut.
Otherwise, I really enjoyed “The Circle”, if just for the fact it puts together six girls who really do NOT get along, and makes them have to work together in the common goal of preventing a huge evil from making its way into our world. Not an easy task – especially when they’re all along the social spectrum. There are some that have bullied the others in the past, and there’s a very “The Craft” sense about some of the characters’ actions in order to get back at those who hurt them with their new power. That being said, there’s a LOT of characters to keep track of – our six protags, along with the Principal, the caretaker, parents, other friends, and so forth spinning a huge world within this tiny backwater Swedish town, which I found very impressive. With each girl comes her own demons and her own struggles, and I thought that the authors did a really good job of interweaving their stories, and showing us where they all intersected, and how they learn to deal with the fact that they’re all Chosen Ones, and they all need to work together, otherwise demons will come to this world and wreak havoc. But hey, no pressure, right?
I think one of my favorite parts was the world, and how the setting of the town of Engelfors became an antagonist. Even though it’s just one little sleepy town, the characters help really build it (the authors rely on the relationship-web school of worldbuilding, connecting everyone to create the world further than what’s just fixed as the basic setting) into this place where the past (witch burnings, really needed to give us more information on that but because this is a trilogy, I’m going to let it slide) haunts now, and helps create this thin membrane between humanity and demons, witches and regular teenagers that works both against the demons, and against the witches, along with the regular teenagers just trying to get along in this town until they come of age, get out of school, and become eligible to get the hell out of there to somewhere larger.
I think everyone can relate to that. Another thing I like about this book is the relatability – I think everyone can relate to so many moments in this book, because it’s the stuff of being a teenager, trying to figure out how to interact with others in this world along with discovering who you yourself really are all at the same time. That’s why I think it’s so beloved in its home country – because it’s something you can relate to, regardless of your age as a reader/the audience. You can say you’ve been there, even if your own situation hasn’t exactly been the same.
Final verdict? I think I’ll be sticking around for book two, but I’m really hoping Overlook gets the translatese problem solved for it. It’s a long, long book, but the ending (while semi-anticlimactic) is very well worth the wait. “The Circle” is now out in North America, so be sure to check it out when you get the chance.
So, I’ve seen this feature on a few book blogs out there, and decided to make this feature my own. After suggestions from friends, Manga Mondays comes to Birth of a New Witch! I’ll try to give equal billing to manga being released both in the US and in Japan, since US licensing takes awhile and I read manga in both languages. I want to cater to other fans out there who do the same.
Confused by some of the terms I use in this feature? See Week 1 for clarification on my most commonly used terms.
And now, to this week’s US and Japanese choices!
Week 34 (US Release): “D. Gray-Man: Volume 1″ by Hoshino Katsura
Title: “D. Gray-Man: Volume 1″
Author/Artist: Hoshino Katsura
US Publisher: Viz
Genre: Shounen, Paranormal, Steampunk, Alternate Universes/Parallel Timelines
Publication Date: May 2, 2006 (North America)
Summary: Set in a fictional end of the 19th century England, it’s the story of Allen Walker, a 15-year-old boy who roams the Earth in search of Innocence. Washed away to unknown parts of the world after The Great Flood, Innocence is the mysterious substance used to create weapons that obliterate demons known as akuma.
A born exorcist, Walker’s primary anti-akuma weapon is the cross that’s embossed on his red and disfigured left hand, which contains Innocence. But not only does Walker destroy akuma, he sees the akuma hiding inside a person’s soul! Together with his fellow exorcists fighting under the command of the Black Order, Walker leads the battle against the Millennium Earl, the evil being out to destroy mankind.
Usagi’s Take: An oldie but goody, “D.Gray-Man” is one of my go-to series when I can’t find anything new to read. While it’s not entirely one of my absolute favorites, I really really like this series. There’s a little something for everyone in this series – magic, romance, an alternate universe for the 19th century. This is a very fun series, and it hasn’t yet worn out its welcome in the manga world in either country, which is refreshing from a Jump magazine title. I would love another season of anime, though! Highly recommended!
Week 34 (Japanese Release) – “Amanchu!: Volume 1″ by Amano Kozue
Author/Artist: Amano Kozue
Publisher: Mag Garden
Genre: Comedy, Slice of Life, Seinen
Publication Date: 2008
Summary: Hikari Kohinata is a cheerful 15 year-old girl who lives near the ocean and she spends much of her time diving as a result. On her first day of high school, she meets a teacher who also likes scuba diving. There’s also a 16 year-old classmate, Futaba, who gets dragged along in Hikari’s maelstrom as soon as they meet at school. Most of the manga so far details the relationship between the two girls, which quickly seems to move into romantic two girl friendship-territory. (via myanimelist)
Usagi’s Take: From one of my favorite seinen manga artists, who created “Aqua” and its sequel, “Aria”, which is one of my all-time favorite series comes this really fun, carefree series that reminded me why I love this mangaka so much in the first place. With absolutely gorgeous art and snappy dialogue that will immediately make you love all of the characters in this series, while it’s not “Aria”, is still damned good. I’m quite behind on it, but I love Hikari and her crew (if Yotsuba from “Yotsubato!” grew up, she’d be Hikari – that’s my headcanon), and it’s one of those “comfort food” sort of manga that one can read when you’re feeling bad and feel better immediately. Here’s hoping someone picks this up for NA license and distro soon – it definitely deserves it!
What about you? Do you read manga? If so, feel free to participate with your own manga monday segment and link up in the comments section!
Author: Anne Applegate
Genre: YA contemporary, thriller, mystery, paranormal, urban fantasy
Publication Date: April 30, 2013 (Scholastic – North America)
Source: NetGalley Review Copy
Summary: What is this prep school preparing them for?
Camden Fisher arrives at boarding school haunted by a falling-out with her best friend back home. But the manicured grounds of Lethe Academy are like nothing Cam has ever known. There are gorgeous, preppy boys wielding tennis rackets, and circles of girls with secrets to spare. Only . . . something is not quite right. One of Cam’s new friends mysteriously disappears, but the teachers don’t seem too concerned. Cam wakes up to strangers in her room, who then melt into the night. She is suddenly plagued by odd memories, and senses there might be something dark and terrible brewing. But what?
☆: 1/5 stars – just…go back into the oven until you’ve cooked into a better book.
Review: I don’t think I’ve had much look with Point books yet. But, okay, let’s get on with this. At first glance, “The Last Academy” and its blurb sucked me in. Boarding schools? YEAH! Middle school protags? Okay, cool. Weird stuff happening? Yes please. But the blurb is probably the best part of this book, which is the saddest part of all. I wish I could recommend “The Last Academy”, but I just can’t.
Where to start? Even at the ARC point of things, this book really needed at least two more drafts to get really readable. All of the technical areas BADLY needed work – even the dialogue, which is something rare that I find a flaw in. Usually if there’s even just one other technical area that’s somewhat stronger, I can let the dialogue slide just a bit. But here, it just stuck out more – from the first sentence, which should ideally hook the audience, it was awkward and stilted, and just felt like the author was trying to write what a young teenager would say.
Second: the MC. She’s said to be 14, but she sounds at most like a very young 13. The character building for all of the characters up until I DNFd this was nearly non-existent, and they all felt so very 1D it nearly physically hurt. Also, we have her boyfriend talking down to her, and the author actual dumbs down the MC for the audience – which really just broke the camel’s back for me since everything else (non-existent sensory language, shoddy worldbuilding) just wasn’t there.
One of my huge pet peeves within writing is dumbing down characters or ideas for the audience to digest. Seriously, guys, even kids aren’t as simple as you think they are. There’s also writing down to the audience, which occurs here.
While I did like the idea of this plot of vague supernatural mystery, it needed to start getting clearer the further we went through the book. It didn’t. It stayed vague, and thus, really didn’t develop, or help the characters develop in every way.
So, as I said before – needed at least two more drafts before getting to the ARC point of things because this felt more like first draft material. So disappointing, and I had high hopes for this one.
But that’s just how I feel about it. “The Last Academy” is out now from Scholastic in North America, so be sure to check it out when you get the chance. Hopefully it’ll work better for you than it did for me.
Author: Jessi Kirby
Genre: YA Contemporary, Grief, Road Trip,
Publication Date: May 8, 2012
Source: Bought
Synopsis: Honor receives her brother’s last letter from Iraq three days after learning that he died, and opens it the day his fellow Marines lay the flag over his casket. Its contents are a complete shock: concert tickets to see Kyra Kelly, her favorite pop star and Finn’s celebrity crush. In his letter, he jokingly charged Honor with the task of telling Kyra Kelly that he was in love with her.
Grief-stricken and determined to grant Finn’s last request, she rushes to leave immediately. But she only gets as far as the driveway before running into Rusty, Finn’s best friend since third grade and his polar opposite. She hasn’t seen him in ages, thanks to a falling out between the two guys, but Rusty is much the same as Honor remembers him: arrogant, stubborn . . . and ruggedly good-looking. Neither one is what the other would ever look for in a road trip partner, but the two of them set off together, on a voyage that makes sense only because it doesn’t. Along the way, they find small and sometimes surprising ways to ease their shared loss and honor Finn–but when shocking truths are revealed at the end of the road, will either of them be able to cope with the consequences?
☆: 4/5 stars – Just as good as I expected it to be!
After the amazeballs, sobworthy novel named Golden, I knew I needed Kirby’s two other novels. This was the easier one to get between it and Moonglass, so I bought it recently. I was also in the mood for something short, so I started reading this when I really should have been staying on my reading schedule (which has suddenly happened due to book explosion). This falls just short of matching Golden‘s majesty and emotional touch, but it’s a fun novel nonetheless. Not just fun, really. Great!
It’s the kind of book that makes you alternately laugh and cry. The first chapter’s funeral scene made me genuinely cry and captured the sadness of being a slain soldier’s little sister when she’s forced to take the flag at his funeral. While they’re on the road, there are plenty of mournful moments when they talk about Finn and what he meant to each of them. The scene toward the end with the paper lanterns going out to sea? Borderline sob material.
It’s not a sad book, though. There are plenty of laughs too! Like the story of how Finn and Rusty figured out Honor’s prom date was the same dress size as her (the guy being a size two in women’s is a bit of a stretch, but I’ll go with it) and made her try on the dress Honor eventually wore to prom. It even tapped into my nostalgic love of the Suwannee River with the scene at the creek. There’s no counting how many people swung on a rope and jumped into the Suwannee the way Rusty and Honor did the same for their creek. In runs the whole gamut of emotions, really.
Honor is a bit difficult to connect to at first because she’s so obsessed with her strange little quest to get to California and see Kyra Kelley, but once she and Rusty are out on the road and hashing out their differences, it’s easier to see the girl beneath the obsessive quest and the grief. It took me a while to get to liking Rusty too, but once it was explained why he snapped at her the way he did sometimes, it all made sense.
What stops this from being a five-star novel is Honor herself, sadly. Her moment of slut-shaming in particular. When talking about a girl Rusty hooked up with in the back of a car on homecoming night, she calls her slutty. Really? REALLY? No. Not cool. The only time I deal with that kind of stuff is when it’s in a book that deals with sex (due to our culture, it’s going to happen; I want to see it challenged, though) or the issue of slut-shaming itself. Come on, it was so CLOSE. This is why slut-shaming ain’t cool: it might be all that keeps you from a glowing five-star review from a woman who rarely gives them.
I bought Kirby’s debut novel Moonglass on a bookstore trip earlier today and I’m going to try my best to fit it into reading schedule between ARCs. Then I’ll be caught up on her backlist! Fans of contemporary YA who aren’t already reading her books should start doing so right now.
Author: Jenna Black
Genre: YA, LGBT, Dystopian, Mystery, Crime, Biopunk
Publication Date: July 16, 2013 (Tor Teen – North America)
Source: Publisher-provided ARC
Summary: Sixteen-year-old Nadia Lake comes from a high-class Executive family in the Corporate States. Her marriage has been arranged with the most powerful family in her state, which means she lives a life of privilege but also of public scrutiny, followed everywhere by photographers, every detail of her private life tabloid fodder. But her future is assured, as long as she can maintain her flawless public image — no easy feat when your betrothed is a notorious playboy.
Nathan Hayes is the heir of Paxco — controller of the former state of New York, and creator of human replication technology, science that every state and every country in the world would kill to have. Though Nadia and Nate aren’t in love, they’ve grown up close, and they (and the world) are happy enough with their match.
Until Nate turns up dead, and as far as everyone knows, Nadia was the last person to see him alive.
When the new Nate wakes up in the replication tanks, he knows he must have died, but with a memory that only reaches to his last memory backup, he doesn’t know what killed him. Together, Nadia and Nate must discover what really happened without revealing the secrets that those who run their world would kill to protect.
☆: 0.5/5 stars – a fabulous premise, but a serious bait and switch that made me rage so hard I melted the floor.
Review: Oh, “Replica”. How I wanted to like you. Really, I did. You had a fabulous premise – one I couldn’t resist. But what I got was a serious case of blurb seduction and bait and switch – to the point where I just couldn’t finish you. I’m not easy to offend, but I was pretty upset by this book. Why? We’ll get into that in a bit. But if you want a more progressive, kinder LGBT mystery biopunk story, I suggest you look elsewhere. “Replica” just didn’t deliver, and on top of things, really goes into a sensitive topic that it shouldn’t have. I wish I could recommend “Replica”, but I just can’t.
Why this book bothered me so much (spoilers ahead): the “love interest” and MC’s best friend is gay. His boyfriend Kurt is from “the Basement” aka the slums, whom he made his personal butler/valet in order to keep their relationship going as it’s not okay for those in positions of power (or about to inherit positions of power) to be gay. Nope. MC is asked to be a lookout whilst love interest and his man get a little alone time, and she gets mad, mostly because even though they’re bffs, she’s also in love with him and also knows that he’ll never be faithful once they DO get married because uh, she’s not quite his cup of tea in terms of gender.
And then he’s murdered. Boyfriend is suspected, and hunted down, while love interest is resurrected as a Replica – a very rare clone, supposedly so expensive to create that there’s only been 4 ever made since its inception. But he doesn’t have his latest backup of memories (kind of like “Dollhouse” there) so he and MC have to figure out who murdered his original. MC hopes that the Replica will be straight, but it’s not to be – he still loves Kurt, even if he IS a Replica.
Murder mystery investigation ensues, and Kurt is looking guiltier and guiltier with each page.
Anyone else see a problem here? I do. I hate it when gay characters are killed off, I hate it when their lovers are suspects, and I doubly hate it in this circumstance in terms of “curing gays” in the guise of using cloning/Replicas. Because, let’s be real here, that’s exactly what our MC wants – for her bff to be cured so they can marry and pop out kids – out of love and not out of duty.
And at that point, I was just 500% done. I don’t get this incensed very easily, but Black managed to hit nearly all of my triggers with this one. While the murder mystery was interesting, it wasn’t enough to keep me going. The worldbuilding was shoddy (we’re not given a point in time in terms of how far we are in the future, or how the Corporate States really came to be instead of just a one-sentence explanation), and the character construction just wasn’t up to snuff (no pun intended). The sensory imagery wasn’t really there – way more telling over showing and that was pretty surprising, as it should have been a little more than it was at the ARC point of things.
Basically, it came down to this: I just couldn’t keep going in good conscience, and it dismays me that this is being put out in the YA world – especially when we’re making such good progress in terms of gender identity and sexual identity. This book is a roadblock in that progress, and it just pains me to no end. As I identify as pansexual/genderfluid, this book was painful to read, and I want the time I was reading it back.
So basically, if you want a pretty backward-thinking scifi biopunk book, “Replica” may be for you. But this is just how I feel about it – “Replica” is out July 16th 2013 from Tor Teen in North America, so check it out and see how you feel about it. I just wish it hadn’t gone in the direction that it had – because if it hadn’t, I probably really would have liked this book.
Sit down and prepare for a story, everyone. It’s a somewhat lengthy story of Twitter, an author and his wife behaving inappropriately, one of the saddest emails I’ve ever read, an iceberg ready to sink a book’s ship when it’s only just set sail, and more links to tweets and images than you can shake a stick at. They’re all necessary evils so I can tell the story in its entirety.
In late April, I read Firecracker by David Iserson, It sounded like it would be a really fun book when I received an email about it and I ran to NetGalley in a hurry to request it. I didn’t have any fun reading it. This is the same review you’ll find on Amazon and Goodreads, plus or minus some formatting and maybe some cursing. Amazon is strict about that, so I’ve either got to write curse-free reviews or edit them out.
While venting on Twitter as reviewers on Twitter sometimes do, I was surprised to see David Iserson himself tweet me. That surprise turned to discomfort in about a second and a half because of what he said. Unless a book is written by a company, a computer, a cat, or something other than a human, I’m aware it’s human beings that write books. He didn’t need to take it as an insult because authors are not their books. An insult on the latter isn’t automatically an insult on the former. I didn’t have the patience to explain this to him, so this is how I responded. He deleted his tweet shortly thereafter.
Also shortly thereafter, a woman named Allis Markham followed me on Twitter. Having no idea who she was and a little suspicious, I did a Google search on her name. Oh, she’s Iserson’s wife. Feeling even more uncomfortable, I blocked them both on Twitter and that was the end of it. Shortly thereafter, I gave up on Firecracker. Whether or not he’d tweeted me, I would have given up on the novel at the same point and given it an almost identical review. This needs to be made clear.
Until May 16, Firecracker‘s release date.
As a good publisher does, the Penguin Teen Twitter account pimped out his book a lot that day. Being the ridiculous woman I am and too lazy to unfollow them for a bit, I made a few tweets in jest, like this one and this one (yes, the second is gibberish. I meant it when I said I’m ridiculous). With all that marketing from Penguin Teen going on, I remembered to post my review for the book on Amazon on its release date the way I often forget to for other books.
According to timestamps, my review of Firecracker went live on Amazon at 1:53 PM after approval. At 3:55 PM, I received this email and knew from the moment a notification popped up on my screen that this was going nowhere good because I recognized the sender’s name: Allis Markham.
—
Hello Ashleigh,
You listed your email address on Birth of a New Witch (mentioned at the top if your review) so I hope you don’t mind me writing to you.
My husband is the author, David Iserson. Obviously I’m very proud that he wrote his first book, a passion project of his and today we’re celebrating it’s release.
As there aren’t many reviews in Amazon, yours was hard to miss. Especially since we were already taken a bit aback by your strong reaction throughout social media already. Yes, people do take the time to search reviews, tweets, blog mentions, etc about themselves. Im sure that’s part of why you take the time to write them.
And, as you probably remember, he tweeted back to you. Honestly, it was the hostility in your tweets plus sheer number of your tweets caused him try to let you know there’s a person behind those pages. I’m sorry you took his reaching out as an affront, but again, these are public forums and he maybe thought that was typical to do.
So, you might see how your review on amazon today feels a bit spiteful. Especially because you did not finish the book. I just wanted you to know maybe a little something from the authors’ side of things. I don’t expect you to take things down or apologize or anything like that. (In fact, you might be offended that I wrote to you and then tweet/blog/etc about me writing to you and then post this email. Which is of course, you’re right to do.)
At the end of the day, its a comedy book, a character piece and maybe a bit dark. I like that Astrid isn’t your typical female protagonist. She’s a bit of an ‘anti’ and that’s interesting to me. But, It’s not your taste and I can respect that. No problem. You have a right to your opinion –and to express it online. But, I do want you to know that there is a person behind this book and its not some big company just churning out books. That person is my husband, David.
So, I’m wishing you the best. I’m assuming you’re a writer and i hope that you might think about how you’d like people to treat your writing. Yes, bad reviews will happen, but perhaps not being pursued by the same one is reasonable.
I hope you read this message in the thoughtful and kind tone in which it was intended. You are more than welcomed to write me back as well. I do hope to hear from you.
Best Wishes,
-Allis Markham
—
There are so many problems with her line of thinking that I could dissect this email line-by-line. There are only a few key points I want to respond to, though.
1. My status updates, reviews, tweets, etc. are not written for the publishers and authors in any part even when I receive a book for review from them. All the above are made to entertain consumers, inform consumers, and give me an outlet. If it’s a book I received for review, sending it to the publisher or letting the author know I loved their book (this is the only case in which I directly bring my review of a book to the author’s attention) is just another step.
2. If he’s really going to Google himself all the time and she’ll let him do it, they both need to learn to let the negative stuff slide. Most authors know how to do this and that’s why situations like this are still an anomaly. Sure, they seem really common, but compare the number of authors who start/get involved in drama to the number of authors who publish a book in the same year and it becomes a small percentage.
3. Here are all the tweets from the duration of my reading experience that reference the author’s name, his book’s title, or are close enough to either of the previous that it’s obvious what I’m talking about: GR autotweet 1 GR autotweet 2 GR autotweet 3 GR autotweet 4 Vent tweet 1 Vent tweet 2 Vent tweet 3 Iserson’s tweet my response GR autotweet 5/convo with friend GR autotweet 6 Review autotweet
You can judge for yourself if they’re hostile. Cut out the autotweets Goodreads does for me and there aren’t that many. If they’re also counting the ones where I obliquely reference the book but don’t mention it by name, they’re paying a terrifying and unnecessary amount of attention to my Twitter feed.
4. Spiteful? Er, no. I make a small reference to the author making me uncomfortable and mention it in a status update, true. My review would have been almost identical had he not tweeted me and it still would have been a one-star review due to flat characters, Astrid’s over-the-top antics, and poor pacing and plotting.
5. It’s my right to not finish a book if I hate it and it’s stressing me out. It seems reviewers can’t win on this point because we’ve got people whining at us that we should just stop reading a book if we hate it so much and then other people whining at us because we didn’t finish the book and should have. I do what best for me in that situation, whether it’s finishing an awful book so I can make sure everyone has the full story or not finishing it because I can’t take it anymore and my desire to keep going is killed by my stress levels.
6. Her feeling that I’d blog, tweet, etc. about this email sounds like her common sense telling her this was a bad idea. My common sense said something similar to me when the temptation to respond to her email arose. I listened. She didn’t.
When I got this, I was angry. Really, really fucking angry. After seeing a few key words and phrases, I got too angry to read the email fully until I sat outside and read a book for an hour or two. Now I’m just sad. Iserson and Markham both need an education in how to interact with reviewers on social media platforms, how to handle reviews, and how publishing works in general. I want to respect that she understands I have the right to my opinion, but emailing me at all cancels that out. Defending her husband’s book, saying my review seems a little spiteful, and saying my tweets came off as hostile because there were so many and they were so angry isn’t how someone says I have the right to my opinion.
As much as I hated Firecracker, I hope Markham’s actions aren’t the iceberg to Iserson’s Titanic and sink his book when it only just came out yesterday. From the look of the email, she acted of her own volition when she emailed me. If it turns out her husband egged her on, I’ll be angry at him again, but I still don’t want his book to fail because of this fiasco. I wish them the best in learning how to handle negative reviews and comments on Firecracker with grace.
Author: C.J. Daugherty
Genre: YA Contemporary, Gothic, Thriller, Mystery
Publication Date: January 1, 2012 (UK); May 21, 2013 (US)
Source: Borrowed
Synopsis: Allie Sheridan’s world is falling apart. Her brother’s run away from home. Her parents ignore her. And she’s just been arrested.
Again.
This time her parents have had enough. They cut her off from her friends and send her away to boarding school, far from her London friends.
But at Cimmeria Academy, Allie is soon caught up in the strange activities of a secret group of elite students.
When she’s attacked late one night the incident sets off a chain of increasingly violent events. As the school begins to seem like a very dangerous place, she finds out that nothing at Cimmeria is what it seems to be.
And that she is not who she thought she was.
☆: 1.5/5 stars – The Gothic elements are all right sorts of chilling, but the content itself is all the WRONG sorts of chilling.
“Carter must think I’m a complete slapper (UK version, 53% on my Nook).”
Think about this. “Slapper” is generally British slang for “slut” now. This line is thought after Allie and Carter talk about how Sylvain (Allie’s other love interest) tried to rape her, Allie says it was her fault she nearly got raped, and Carter was content to let her blame herself. After all, he tried to tell her not to trust Sylvain but never gave her any hint as to why. All this and Allie’s worry is that Carter will think she’s a slut because a guy got her drunk and tried to rape her.
Two books of outrageously offensive bull in a row is bad for me and believe it or not, it gets worse from there. Night School is an overlong book that promotes rape culture and has no idea how not to fall into petty mean girl drama, general girl-hate, cliches, and boarding school shenanigans other books have done so much better.
The Gothic atmosphere Daugherty develops with her words and story is convincing and enchanting. Though spoilers told me ahead of time if it’s paranormal or not, there were still moments that made me wonder if it really might be what I thought it was. That “is it or isn’t it?” question is the most important thing for any Gothic novel of this type and in that respect, it succeeds. This is all that made reading Night School worth it, sadly.
The characters themselves are flat like cardboard, some so much so that they were literally nothing but names to me. They have no appearances in my mind’s eye, they have little use in the novel itself other than to tell Allie stuff or turn against her or die, and Allie is more interested in the idea that a guy is in love with her than people plotting to frame her for someone’s murder. Really? Also, for someone as used to being in trouble as Allie is, she adjusts to a new school with very strict rules too quickly for it to work. Her love interests are flat too, but they get their own section once I get to the disgusting stuff because they’re both gross beyond belief.
Night School is a bloated novel someone forgot to take the editing scissors to. If this novel were a little better or more original, that might be a problem, but it’s not and it’s not. Stories about boarding school shenanigans are more than familiar to me; over the years, many of them have crossed my computer screen and done the same cliches Daugherty relies on much better by playing with them, subverting them, and/or challenging them. Using them as unironically as this novel does creates anything but an entertaining experience.
It gets even less entertaining when I remember the stories that did it better were free and some of the authors who wrote them were teenagers.
The novel is also rife with internalized misogyny. Sylvain says Allie is unlike “other girls” and that, my friends, is one of the most commonplace examples of internalized misogyny in our society. Have this gif I found on Tumblr to explain why:
Courtesy of lesleypowers.tumblr.com via zeroissues.tumblr.com
Katie is the requisite mean girl with acolytes (that exact word is used!), a way of being cartoonishly mean, and the ability to turn one of Allie’s friends against her and spread nasty rumors. The three female friends Allie has at the start are disposed of by death or near-death and the one and a half (a friendship with one girl lacks development and counts as half) are once again flat and there to serve specific purposes: one to give us other students’ backgrounds, the other to… I can’t remember, honestly. She might not have a purpose after all.
The next part is one I’ve often seen people put in spoilers or not talked about altogether, but it’s not a spoiler about anything important and it needs to be talked about openly for a conversation to start about it, just as the larger problems they’re part of need to be openly talked about in society if we’re supposed to do anything about them.
Sylvain is his own category of awful. At a dance, he gets Allie drunk and tries to rape her. We don’t see him for a while after that, but then he turns turns up to apologize–but he calls what he did to her being rough with her, not trying to rape her. That alone proves to me he isn’t sorry, but he also admits he did similar things to girls before Allie came along. Regardless, Allie forgives him, he gets back into her good graces, and at the end, we’re supposed to feel sorry for him because his feelings for Allie. THIS IS RAPE CULTURE AND IT’S BAD FOR WOMEN. STOP IT. JUST STOP IT.
Carter is only slightly better. Slightly. He’s one of those love interests who acts like he hates the lead but is actually crushing on her hardcore or passionately in love with her. Not my favorite trope unless it’s done right. What puts him on my bad side is how he tells Allie not to trust Sylvain, gives her no reason why when he’s showing no signs of being his true self (next paragraph), and then allows Allie to blame herself after Sylvain tries to rape her. He himself blames her for what happened to her! It’s one thing if what you’re telling a person not to do without a reason why is touching the stove. It’s another when you’re trying to stop them from going on a date with a guy you know will try to rape them.
I can’t even work up outrage over all this because there’s none left right now. This book and the offensive novel that came before it completely drained me. I register offensive content still, but I can’t Hulk Smash Night School when it deserves it. Boy, does this novel deserve it.
This book comes out in the US May 21 and thanks to a friend reading that version, I know there have been a few elements changed already. Let’s hope the rape culture got toned down and made fifty times less offensive. Best of all would be for it to be removed entirely, but there’s not much hope for that. Books like this leave me hopeless.
there s a wolf in my heart for you. - a game of thrones s3 mix
“I couldn’t believe it when the bartender told me who you were.”
“And who am I, Captain Pike?”
“Your father’s son.”
Don’t forget - no one else sees the world the way you do, so no one else can tell the stories that you have to tell.
we learn to swim
before we learn to walk
we had tails
before they split in two
we lived in the sea
before we came screaming out for air
so how could we be any different
than the myths we make up?
and underwater now
28 years after my own tail split
and I screamed into the world
I can swear I can feel the
ghost of webbing between my fingers
and toes
green scales creeping up my fingers
and glass for nails
when I look under chlorinated lights
my lungs expanding until they hurt
and flex myself as one thing
I can remember
the time before
we walked on two legs
like Florence sings
“louder than sirens,
louder than bells”
my nerves in all of their delicate
blooming branches
never stop humming
I am a perpetual motion machine
defying physics
tardive dyskenisia
makes my fingers jerk
the body electric
what so many seek
is mine
but what they don’t know
is
how hard it is to handle,
and how hard it is to hold.
just as my ribs
clamp shut in sorrow
or panic
they fly open like
birds launching off rooftops
or cupboard doors
in rage
I see it
red flames in my gut
turning to bile
how can she forgive him
after everything?
co-dependency is all they know
my brain whispers
I tried to have
compassion
but I’m not that big a person
and in my rage, at least
I can finally
breathe.
tonight you’re gone
little white-gold-yellow-red
cradle moon
and somehow
without you
it’s all the darker
inside and out
so return soon
cradle moon
and make me full once more.
the field must lie fallow
this much i know
but i never knew that letting go
would scare me or
hurt so much.
i know we will return one day
but i fear that you will not
and that i will be left custodian to
soldiers demons wolves angels faeries
with no one to help me shepherd them
in the way only you can.
neurosis lie still
be quiet
let me think
and release your grip on my ribcage
for tarot warned
i might fall prey to being
in love with love
lust for power
the injustice of an idea
we’ve gone through enough
i have no wish to bring that upon us
we’re both growing outward
and it’s hard to let go of what we held so tightly to
and though i know that everything will be okay
it’s hard to shut my brain off
to stop pre-empting
but i’m trying
really, i am
patience is always needed around me, it seems
for i am still a child in so many ways.
i just wish the growing pains
weren’t so painful.
someone treat me kindly
someone tell me
“i need you”
before i stop caring
and give up entirely
for what is the outside world
if there’s no one out there waiting for me?
i throw again and again
to quiet the racing mind
to quiet the head that won’t stop screaming
or the heart that won’t stop pounding
i ask of you three times
and three times you answer
ace of cups
justice upright
queen of wands upright
all three of you enter those readings thrice
but often in conflicting patterns
so who do i trust?
the queen?
the ace?
justice?
Taken in various locations around Maniwa and Okayama Prefecture in Japan between 2008-2011 this brilliant series of photographs captures the wild frenzy of gold fireflies as they mate after thunderstorms during the June to July rainy season. Shot using a slow shutter speed, the neon green and yellow contrails seem almost digitally imposed on the scenic landscapes, but I assure you these are real.
I don’t know, to be honest, since I’ve never purchased GG points. Try it again, and if that doesn’t work, contact the support people if you can.
As of right now, unfortunately, no. I hope GG changes this in the future!
You have to add them to your party. :)
You can only get them from the QB boxes. And it’s just random luck. :(
Yes - but unfortunately, the megucas you can add can only be on your same server/World. Like, say you’re playing on Rose and you want to add someone from Dark or Silver? Nope. You can add only other Rose players. I hope they fix this soon.
Go to your “gifts” tab and take the gifts from there. After that you should be fine with having enough room. :)
Well, it’s the luck of the draw concerning clothes and the QB box. Right now QB Boxes (and campaigns) are the only way to get clothes.
So, last night, I had my party hard cherry popped in the Witch Rooms and found, much to my pleasant surprise, that you no longer have to invite friends in order to make a party and go after witches. If other users appear in that room and decide to “consent” to go ahead and party with you, off you go. However, let it be noted that you need AT LEAST THREE PEOPLE TOTAL (so two others aside from yourself) in order to party hard.
As for the actual playing experience, well, they still need to work on it. The dice-based system is a bit kludgy and hard to work with, especially considering timing. To get to the witch herself, you have to be able to get over to one of the areas where you jump on one of the moon (witch access) or sun (restricted witch access) buttons, which will open the doors.
Fighting the witch herself? You do it alone with your bunch of megucas. And if you die, you get respawned, but you do get to continue fighting her from where you left off. And whoever beats the witch first out of the party gets ranked first, gets more XP and moneys. As for the extras, you have to roll for them, and that’s purely luck.
Though I do have to say, one of my favorite rolling-based prizes I did manage to get was my S-rank wine bottle (it counts as a sword you guys omg), which you might have seen as R-rank in the QB boxes. It’s just so classy, I can’t wait to equip Sayaka with it once I level it up a bit more.
All in all, though? It’s pretty fun. They just need to work on the GUI a little bit more and then they’ll be solid.
You also get the choice of Easy, Normal, Medium, and Hard - Easy was pretty quick to beat, but Normal was a little harder - and took a lot more time/respawns for it to complete. And for now, the witch you’ll be fighting is Izabel and her familiars.
If you have any tips or tricks or general experiences, don’t hesitate to put them in the ask box! I’d love to hear from others regarding their initial party hard experiences.
PS: http://wiki.puella-magi.net/Madoka_Magica_Online_Cooperative_Play <— Excellent guide from Madoka Online Wiki on the party hard feature of the game.
So it looks like the IP block is gone for now - I really hope they got a lot of complaints and stuff about this and fully reconsidered, instead of this just being a test. Thanks to everyone who wrote in to tell me about it!
NOTE: Rose is currently under maintenance but all other three Servers/Worlds are open, as is the Nico client.
Happy playing!
Good to know. Thanks for writing in! Just be prepared with a proxy just in case a total blocking for everything outside of Japan is imminent.
Good to know. I’m glad you guys can still play without a proxy! But I have the feeling that the US might just be a test, or the first on the list.
No clue. But a TON of shit is region-locked in Japan in terms of the web - including sites with info about games. Those seem to get the lock the most, but most of those are eroge, not all-ages like Madoka Online.
TL;DR - no idea. Wish they’d stop that shit, though.
btw here’s the proxy list I used for playing Madoka Online (main site)
http://www.xroxy.com/proxy-country-JP.htm
Use the HTTP ones
I had been using an HTTPS one for a while from Hide My Ass! but it still blocked me, but when using an HTTP proxy I wasn’t.
this is just extra proxies and options
overall use an HTTP proxy
Yes, this includes the Nico client. I tried it myself without a proxy and it didn’t work. Nico itself works, but it has to access the regular GG client through the i-window within your regular browser window or tab, so…either way, you’re fucked if you don’t use a proxy. :(
PS: Yes, it does have to be a Japanese proxy you use. That’s why the region lock is working - it’s looking at IPs and if they let them in to play, they’re marked as originating within JP.
Which means if you’re living anywhere else, you’ll get a 403 page. So, this means you now MUST use a proxy if you want to play the game.
I don’t know why they did this, I just know they did. :/
[edit] For those who want to learn how to use a proxy (and get a list of handy proxies in JP), go here: http://www.hidemyass.com/proxy-list/search-225413
Hey guys!
I’m going up to LA proper to see the Madoka movies tonight (if you’ll be there, don’t be afraid to say hi!), so I won’t be updating until tomorrow night. Everything will have to wait until then. :)
Hm. Okay. That’s what it looks like the case is, so, until I get evidence otherwise, I’ll have to agree.
As I haven’t gotten that card yet, I can’t say. Can you send me a screenshot in the ask box so I can read what the properties are? :)
So, the witch rooms are FINALLY open for business. Which means we get a new campaign! YAY! So here are the deets:
CAMPAIGN DURATION: 10/19/12 21:00 - 10/21/12 24:00 JPN time
CAMPAIGN PRIZE: 20000 coins for once a day play in the witch rooms.
If you play on the 19th at least once, you’ll get 20,000 coins.
If you play on the 19th and 20th at least once each, 40,000 coins.
If you play on the 19th, 20th, and 21st at least once a day each you’ll get 60,000 coins.
AWARD DATE: 10/24/12