David Holmes
Internet Music, Open Content and the Social Web.
Blogger, Content Creator, Digital Curator, Photographer, Researcher, Social Media Facilitator, Sound Engineer.
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Since October 2011, myself and four other artists have been taking part in a London based collaborative art project called 'Collective Exchange'. Working with University of the Arts London and national homeless charity Crisis Skylight, we have been given an opportunity to develop our critical thinking and artistic practice through the process of researching and developing new artwork.
The results of this collaboration form the Collective Exchange Exhibition which goes on view in the entrance gallery at Central Saint Martins Back Hill Site from Friday 10-17 February, 2012 during normal daytime opening hours.
The Preview and Artists’ Talks will be held on Thursday 9 February 6-8pm and admission is free on all days.
The full address is: Central Saint Martins College of Art and Design, University of the Arts London, 10 Back Hill, London EC1R 5LQ.
Visualizing Ambiguity in Architecture
My contribution is photographic and explores themes of ambiguity in architecture. Most of the digital images combine long exposure times with compound camera movements to generate new forms, colours, and textures. Here are 10 of the 26 images I have on display as prints and digital media. There's further information about the images on my Behance Project Page
Special thanks to the following people for their expertise, enthusiasm and continued support.
Project Tutors: Caroline Stevenson, Shiraz Bayjoo
Crisis Creative Arts Manager: Paula Lonergan
Exhibiting Artists
‘Collective Exchange’ refers to the conversations between the artists and tutors over the past few months that have inspired new ideas and helped their work to evolve. The artists are:
Stewart Ewin
Tom Hair
David Holmes
Conleth Moran
David Stark
An informative snapshot of the Internet music business, comprised of data taken from several research sources in recent times. Via Grovo.com
Grovo’s Online Music Guide offers a way for viewers to learn how to discover, listen to, buy and share music online.
Last week I was invited to Ogilvy's music and brands event ‘Lab Day Live’. I outlined the event in my previous post and here I'd like to mention a little about the success of the day and my observations.
Taking place in Ogilvy's Canary Wharf offices in the heart of London's banking and media district, the scene was set in an area symbolic of regeneration and financial strength. Private music festivals are rare in this part of town.
Subjectively the experience was slightly surreal and possibly what a lucid dream episode of Mad Men might feel like. Imagine 15 bands turning up to play loud sets of music on stages in open plan offices, full of Ogilvy employees, perched merrily if not bemusedly in front of their large Mac monitors.
Add to this hundreds of guests wandering from office to office, audio visual crews and equipment, food, drink, live Internet streaming, a cast of 30 music business exhibitors scattered at various locations, and you get the big picture. This took some planning and from my point of view as a guest it all appeared to run pretty smoothly. Although I hear neighbours Barclays bank complained about the noise.That’s impressive!
No doubt the uniqueness of the experience was carefully factored into Ogilvy's planning. The flair of the team to initiate such an occasion shows serious commitment to their vision of connecting brands with music. As the David Ogilvy quote high on one of the lobby walls states boldly:
"Look for people who aim for the remarkable, who will not settle for the routine"
The Morning Talks
The first half of the day was devoted to a series of talks from a range of music industry figures. The 9th floor conference room with it's lofty views over the East End, carpeted in the agency's signature colour red, soon became full and there was a buzz of anticipation in the air.
Here are some of the key issues that were expanded upon with links to further information. I've grouped the 'messages' under general headings and the order in which they are listed flows chronologically to give some sense of timing. A complete list of speakers is available at the Lab Day LIVE website.
You can also view an online version of Julian Treasure’s opening address on: The 4 ways sound affects us
- Marketing agencies are desperate for engagement and the music industry is desperate for revenue (sales have dropped)
- Generally music is a universal resource
- There is huge growth in the semi-pro content creation market
- It’s important to create communities that allow consumers to participate and connect with the brand
- Advertisers can look to collaborations to drive consumer behaviour
- Songs can be used as ‘media channels’ to capture consumer engagement
- Record companies can look to break bands via advertisers
- A desired shift to “Stepping back from celebrity and into the song”
- Digital content curation is producing valuable collections that can engage fans
Live Events
- Brands need to create more ‘experience’ in order for consumers to remember the brand association to particular events and products
- brands should make innovative use of technology systems for live events (text messaging, geolocation, etc.)
- Brands can control engagement by creating their own events
Content Creation & Marketing Campaigns
- Brands need to enter the space in a credible way to win the respect of the music audience
- Create content such as webisodes that feature musicians and musical collaborations
- Content can be distributed via popular social networks such as Facebook, Twitter, and YouTube
- Commitment is required from brands and bands to build momentum
- Brands can stage on-location events in unique, meaningful, sometimes secret locations
- Generating brand content creates a ‘hook’ to help book more established artists
- Brands can make genuine unconditional offers of products to help a band’s career
Music Industry State of Play
- UK music industry revenues fell by 4.8 percent to £3.8bn in 2010, down £189m.
- The music industry needs more supply
- Festivals are driving live music more than any other venue type (up by 20%), with increasing capacity and ticket prices
- UK is outperforming USA in music exports by a factor of 3
- Sync income has grown by 10% since 2008
- Consumers now spend more money on games than music
- Albums can be used as a promotional tool to sell games
- Bands may be developed primarily to promote brands and exist only because of the brand
- Tourism is a big potential area of revenue (Air flights, package deals, events)
- Music can be treated as a service and used to sell products
- Last.fm has ‘scrobbled’ 57 billion pieces of musical data
- Data is the currency and the audience expect their data to come back to them
- Think about the audience needs
- Super-fans and artists create an identity together
- Use crowdsourcing to build engagement
- Let the fans and bands take control
- Find an artist/community and see what their metrics reveal, in terms of marketing products
- Immersive soundscaping can be used to change crowd behaviour
- SoundCloud becoming more engaged with artist enterprise
- Art concepts can be used on products
- Artists still need support like record labels used to
- Music Industry asks brands: Embrace us
- Music industry has changed beyond all recognition
- WMG are focused on developing serious artists careers, long term
- Synchronisation is growing, labels and publishers have put in a lot of energy
- WMG want to integrate brands into the music industry, looking for partners
- Music rights difficult to navigate, previous price points were incorrect
- Creative process can be supplied by labels working directly with agencies at the creative level
- Spotify says you need two things a)The Content (millions of songs) b) Good user experience (i.e. Apple)
- Brands/music needs to be everywhere in order to be relevant to consumers (portable devices, appliances, cars, etc)
- You have to be better than piracy, hence freemium model
- You can only make music social if you have a free tier
- Pinpoint music for campaigns based on demographics
- Analyze from top down; Social engagement to personal engagement
- 3 methods: Crowdsourcing individual reviews, surveying social interactions, identifying and testing top genres
- Track highest volume of conversation
- Socialization more important in Germany, hence digital landscape important to understand
- Electronic music interaction is high in Germany
- Search engines required to find and license music
- Use systems to find out what resonates most
- Consensual contracts: Brands beware of jumping ship from one creator to another, the music business can track you
- Minimum cost of copyright infringement £50,000 (cost of license)
- You need a consistent branding strategy that enables consumer understanding when you bend the rules
- Understand the context and how music is used in different ways from say, apps to live events
- The brevity of a sonic signature is crucial e.g. at the top of an ad before people decide to skip
- Brand and sound ‘fit’ is vital
- When music ‘fits’, brand propensity to buy goes up by around 25%
- Music in ads can change people’s purchasing behaviour e.g. from French wine to German Wine
- It takes about 2 years for the brand sound to be understood by the consumer
- In 5 years time sound will be recognised as a major part of the marketing investment
- Total business-to-business licensing revenues from PRS for Music, PPL and activities such as sync licensing and artist endorsement grew 2.2%
- Advertising and sponsorship (including live music sponsorship, event creation, artist endorsement, digital, TV and advertising support) grew 4.2% on 2009 to £94m
The Music
There are some live audio recordings over at Felt Music on Awdio from acts Digitonal, Kidda, and Wolf Gang. You can also check out the video wall to see what some of the artists had to say about Lab Day. During performances the live stream received 15,000 hits from 86 countries. Live video footage of artists taken from all three stages is available to stream via the Lab Day website (link at top of post).
- Advertising, YouTube and 12 videos to prove the experience - 12 YouTube videos, showing how different brands chose to approach their audience.
- NYT - With Studio Space, Musicians Get Sneakers - Article about Converse supplying musicians with free studio time in Brooklyn.
- Putting the Metrics into Music - Examines how to ensure that music becomes a brand asset not a liability.
- Sound Advice at Ogilvy’s Lab Music Day Live - A blog post about the event from Alex Ririe - Coley Porter Bell.
- What Every CMO Should Know About Music - On defining and implementing the ‘sound’ of a brand
International advertising and marketing agency Ogilvy Group UK are staging a one-day event called Lab Day LIVE designed to engage both the advertising and music communities. On the 9th September Ogilvy's offices in London's Canary Wharf will play host to a music industry conference and live music festival.
It promises to be an informative and entertaining occasion focusing on the latest digital media opportunities mutually available to brands and the music business. The morning conference panels and talks will feature key figures from Last.fm. Spotify, PRS and other leading music organizations (List of speakers). During the afternoon live music performances from name and up-coming acts will take place across three stages (see below).
Entitled: Making music matter as much to brands as it does to consumers
The event is part of Ogilvy’s on-going drive to help clients and their brands navigate the rapidly changing landscape of the music industry in the digital age.
In this video clip Lab Day organizer Tara Austin talks about her role in making music a more central part of the creative process at Ogilvy. To see what other members of the team are saying take a look at the Video Wall.
The Rules of Engagement
Ogilvy are looking to the music industry for innovative ideas on how brands can use music to to build engagement with their audience. Earlier in the year, at MIDEM 2011, they made a stirring appeal for music publishers to "‘look beyond the cheque' and contribute more than just a piece of audio to an advertising campaign" emphasising Ogilvy's vision to "create added value: value for our brands and, ultimately, value for the artist whose music our campaigns promote".
I'll be attending the event and listening closely to what's being said about sonic branding and new ideas for using music to create a 'brand sound'. I'm also looking forward to learning more about the power of sound and music when applied to areas such as 'retail soundscapes' and how we can be informed by hard data.
As a long-time advocate of Open Media licensing tools, when and where appropriate, I'll be hoping to see more open and collaborative business frameworks designed to minimize the friction permeating traditional licensing models. Many Internet audio and video platforms have already successfully integrated Creative Commons licensing making it easy for people to share, remix and reuse media legally, notably SoundCloud and YouTube (list of corporate support).
Creative Commons has always been about promoting creativity and the power of openness to build communities based on shared ideas. Unfortunately the established licensing system, especially with regards to CC licenses in Europe, makes widespread media sharing difficult, thereby blocking the most valuable thing which is attention. Hopefully the wider debate around open and closed systems will eventually lead to innovation that fosters audience attention, participation, and better user experiences in the digital music space.
Event Info & Live Stream
Website
Full details and live streaming of acts from the 3 music stages on the day can be found at http://www.labdaylive.co.uk/
You can follow updates using the hashtag #labdaylive plus there's further tweet analysis, tracking and visualization via my channel at The Archivist
Acts
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Alexis Ffrench |
Aloe Blacc |
Boy Mandeville |
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Charlie Simpson |
Delays |
Digitonal |
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Kidda |
Kinura |
Laki Mera |
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Newton Faulkner |
Pete and The Pirates |
Sophie Ellis-Bextor |
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To Kill a King |
Tribes |
Wolf Gang |
Media
Some of the performers appearing on the day
Digitonal
The Beating of Her Heart by digitonal
About Ogilvy
Wikipedia
Ogilvy & Mather are an International advertising, marketing and public relations agency founded in 1948.
YouTube
Visit the Ogilvy Museum on YouTube to watch some of their classic ads, dating back to the 1950s. For more recent developments there's the Ogilvyvids Channel
Ogilvy Group Comms @OgilvyLondon for news and observations from the comms team at Ogilvy Group UK.
OGILVY @OGILVY their global staff blog aggregator.
Clem Leek is a musician, composer and sound artist based in the UK. He creates modern classical ambient music which has been released on several independent labels.
Clem's works are subtle and dreamlike, using pianos, guitars, ethereal pads, field recordings, and other solo instruments. His SoundCloud stream features beautifully balanced compositions that perfectly compliment those special moments of solitude and creative isolation. These tracks will take you to a calm place and leave you floating in suspended animation.
You can discover more about Clem and his music via MySpace and Twitter
A haunting composition played to perfection by Italian artist Sergio Altamura, guitar and loop machine. From his first solo album "Blu" produced by William Ackerman in 2004, available at http://www.candyrat.com
More info can be found via his website: http://www.sergioaltamura.com/ and his Facebook community page at http://www.facebook.com/pages/Sergio-Altamura/47899619071
Fans of solo guitar music can listen to more gems like this via the CandyRat YouTube Channel and there's a selection of favourite Solo Acoustic Instrumental Videos on this PLAYLIST
"Passenger" is a 28 minute audiovisual work created by musician Julien Mier and VJ Daan Kars. Featuring vocals by Zefora, with violin and contrabass recordings by Myrthe van de Weetering (see website for links to all artists).
Passenger tells the story of the liquid matter transforming into the physical in which humanity is able to manifest itself. As time passes by the physical is bound to disintegrate. We are all passengers in time.
The piece glides seamlessly through nine compositions starting gently and progressing rhythmically as scenes shift between organic natural environments and man-made ones. The effect is to transport you as a passenger through discreet moments of natural calm and bursts of urban motion. Shimmering windows of fragmented worldly images slide across the surface of a constantly reconstructing musical undercurrent. The fluid themes, punctuated by electronic pulses and pauses, form into recognisable patterns and momentary pools of clarity, that are quickly carried away again in the creative stream.
This is the first release on the new Born Digital netlabel, which is part of the Born Digital electronic art assembly and production house based in Utrecht, The Netherlands.
Complete free download available from the Internet Archive under CC license.
Via Invisible Agent
Shuush is a web-based Twitter client that allows you to focus attention on the people that tweet less frequently.
Twitter users are assigned a frequency level of 1-11, calculated as a function of how many tweets per day each user has averaged since joining.
A simple on/off switch allows you to flip between normal and amplified views, the latter giving a visual boost in text size to those infrequent but valuable tweets that often get lost in the firehose. The updates of less active tweeters are scaled up whilst more active tweeters are scaled down, making it easy to retrospectively scan the tweetstream of people you are following for those rarer communications.
This is a really useful tool, for dialling down the level of frequent updates and surfacing the missed messages, to achieve the balance that Twitter currently lacks. It would be great to have a way of doing this with hashtags too.
Official video for the "The Architekt" by US band Arms and Sleepers. Directed by DJ and filmmaker Ben Andrews.
Max Lewis and Mirza Rami formed the band in 2006 and have gone on to create several albums/EPs of beautifully crafted ambient/trip-hop music.
The duo have started a new project called In The Empire Of Builders:
The sole purpose of this project/organization will be to raise money through various programs for groups and individuals in need of aid (financial or otherwise)... Our first fundraising campaign is called MUSIC AGAINST HUNGER, with the goal of raising $10,000 through various music events and projects.
For ways to participate and learn more please read.
http://wearearmsandsleepers.blogspot.com/
http://www.facebook.com/armsandsleepers
http://twitter.com/armsandsleepers
http://www.youtube.com/user/armsandsleepers
Arms and Sleepers on Spotify.
'Upular' - a new mashup track from Australian electronic music artist Pogo, composed using chords, bass notes and vocal samples from the Disney Pixar film 'Up'. More Pogo video tracks via http://www.youtube.com/user/Fagottron
Merry Christmas!
This 'Split LP' is a five track, instrumental post-rock release from Australian bands Sleepmakeswaves (Sydney) and Tangled Thoughts of Leaving (Perth).
'Keep Your Splendid Silent Sun' 06:19 - Sleepmakeswaves
'We Sing The Body Electric' 05:23 - Sleepmakeswaves
'This Is How We Remember (Secret Robot)' 06:49 - Sleepmakeswaves
'A Vexing Predicament' 03:22 - Tangled Thoughts of Leaving
'The World Is A Deaf Machine' 15:13 - Tangled Thoughts of Leaving
Although both bands are musically quite different the respective recordings are nicely balanced and complementary. Each offering anthemic and emotive excursions into experimental rock landscapes, with gutsy guitars churning out crunching metal mantras over driving drum and bass rhythms. Epic themes are entwined with more delicate piano and guitar melodies, ranging through ethereal ambient spaces, jazz inspired improvisations and dynamic freeform passages exploding with tribal energies. The track titles are interesting and evocative too.
Tweet Cloud is an online service that lets you generate a customizable word cloud from your tweet archive. Log in using your Twitter account to create and save multiple word clouds at an address like http://tweetcloud.icodeforlove.com/DavidHolmes - Clicking the image above will take you to the saved cloud page. Each page has a date stamp at the time of creation.
You can also view clouds by people you follow that also use Tweet Cloud, via the Friends link once logged in (top right). Recently created Tweet Clouds are shown on the homepage, which is useful for discovering people with similar interests.
Note that upon generation a tweet is automatically posted in your tweetstream along the lines of: " I just generated my #TweetCloud out of a year of my tweets - http://w33.us/1ta" or whatever the period it is you choose ie. a day, a week, a month, 3 months, 6 months, a year. You're also given a choice of small, medium, large or HUGE cloud sizes.
Coded by: Chad Scira aka tumblr.icodeforlove.com
The official video for "Wiinter Winds" the new single by London folk quartet Mumford & Sons, from their debut album "Sigh No More" released on 5th October 2009 (iTunes album downloads)
"Sycamore Cowboys" - a mashup by Colatron for the Mashed in Plastic project. Merging Little Jimmy Scott: "Sycamore Trees" (from the Twin Peaks: Fire Walk With Me soundtrack) and Portishead: "Cowboys"
Video by The Reborn Identity - more MiP videos available via the Vimeo Channel and YouTube Channel
Songs from the Bar of Lost Souls is a 5 track EP by independent UK band Hope and Social. The tracks were written, recorded and mixed in 5 days and created as part of the imitating the dog theatre piece Tales from the Bar of Lost Souls. Available as digital download for whatever you want to pay.
There's a raw and live sound to these tracks that makes you feel like you're in the same room as the band, sharing something honest and real. You can see how this fast recording method works via their YouTube Channel.
Band member Rich Huxley shares his insights on what true independence can do for a band's career in a recent post on the Creative Deconstruction website titled The Declarations of Independents. The article provides information about the social strategies, ideas and tools used by the band to connect with fans, both online and off.
Social Connections
http://band.to/hopeandsocial - Hope and Social Page address on Facebook
Tweets - Twitter search for all band member messages.
http://www.myspace.com/hopeandsocial
http://www.last.fm/music/Hope+and+Social
For more music and info check out the links at the top of this post.
FeedUps is an online feed aggregator for news about Web 2.0 tools and services. It provides a one-stop resource for quickly scanning 18 popular sites focusing on Web startups and applications.
Inspired by a photograph of birds perched on the wires of a street light, journalist and musician Jarbas Agnelli decided to write a song using the relative proximity of the birds as notes on a stave. "Birds on the Wires" is his musical interpretation of the picture. He says "Inspiration can come from anywhere, but we must be alert". You can follow Jarbas at http://twitter.com/jarbas_agnelli
The video has received widespread attention, appearing on popular websites like Laughing Squid, Wired, and Gizmodo. Jarbas's friend, Sean Crownover (Candlegravity) from Tokyo, has also posted a version on his FaceBook page (player bottom left).
Link to original newspaper article (Portuguese)
Musical Data
I'm reminded of David Cope's ideas on the concept of musical recombinancy. In his "Experiments in Musical Intelligence" he argues that:
"...recombinancy appears everywhere as a natural evolutionary and creative process. All the great books in the English language, for example, are constructed from recombinations of the twenty-six letters of the alphabet. Similarly, most of the great works of Western art music exist as recombinations of the twelve pitches of the equal-tempered scale and their octave equivalents. The secret lies not in the invention of new letters or notes but in the subtlety and elegance of their recombination."
These "hidden structures" are present all around us, at the very core of sound creation in the natural world. For more on exploring the hidden data in nature see Evan Grant: Making sound visible through cymatics (YouTube video)
An online CO2 converter built by David Kjelkerud, Henrik Berggren and Jorge Zapico at Ecomo09, an environmental hacking day in London. It is designed to help you more easily understand what a kilogram of CO2 really means.
You can convert CO2 amounts to other units such as bottles of beer or compare different emissions for instance how many apples are equivalent to a litre of milk. The data used is mostly localized to Sweden.
David and Henrick also built http://citysounds.fm/ the web app that lets you listen to the latest music from cities around the world.
Swedish folk/indie duo First Aid Kit release their new songs "Hard Believer" and "Waltz for Richard" on October 5th via http://www.wichita-recordings.com/ - If you like the song above you can vote for it to appear on the official BBC 6 Music Playlist through Steve Lamacq's Rebel Playlist, the vote closes at midnight on Sunday 6th.
Sisters Klara and Johanna Söderberg come from Enskede near Stockholm. They have a loyal following of fans built through their personalised and direct style of social media marketing. An example is their use of Twitter to invite cover song requests which they publish online as video performances (First Aid Kit Sessions). The request form is at http://thisisfirstaidkit.com/your-requests/ the tweetstream is http://twitter.com/faksessions and the videos are shared via http://www.youtube.com/jagadambarecords
In fact it was their video cover of the Fleet Foxes "Tiger Mountain Peasant Song" that attracted worldwide attention in 2008 (currently at 790,987 views).
The girls will be touring the UK with Fanfarlo during September/October. You can get tour details and purchase tickets via their website or Music Glue (includes exclusive free tracks). They have also announced tour dates for The United States of America in October, see their MySpace for further info.
Web Connections
http://www.facebook.com/firstaidkitofficial
Updates
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"Everything is a Remix" - the complete web video series 1-4 http://t.co/lJWD8xFz by @remixeverything6 days ago from web | Reply, Retweet, Favorite
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January 18 captured: A SOPA blackout gallery. 100+ screenshots of the largest online protest in history http://t.co/XcdjFE3P #SOPA #PIPA5 weeks ago from web | Reply, Retweet, Favorite
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Bandcamp Scrobbler is a music discovery tool built on Bandcamp & Last.fm http://t.co/WJoi7Jto via @programmableweb5 weeks ago from web | Reply, Retweet, Favorite
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The Internet Archive is going dark from 6:00 am – 6:00 pm PDT on Wednesday January 18 (14:00 – 02:00 GMT) http://t.co/FrK6t7FP #SOPAstrike5 weeks ago from web | Reply, Retweet, Favorite
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Join me & change your profile picture to protest SOPA: http://t.co/mXqURXFG #BlackoutSOPA
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Search Flickr, Jamendo, ccMixter, Youtube, Slideshare for CC-licensed images, sounds, videos, docs. Play/preview media http://t.co/D7f9saGO6 weeks ago from web | Reply, Retweet, Favorite
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My favourite band & album of 2011 ☞ Laki Mera 'The Proximity Effect'. Looking forward to the next one! @LakiMeraMusic http://t.co/oqI5oL8r7 weeks ago from web | Reply, Retweet, Favorite
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2 months ago from web | Reply, Retweet, Favorite
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The @timekiwi squeezer created a gorgeous timeline of my twitter and other services http://t.co/UnYeT0Lj
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Tumblr Music Player - Audio playlist tool for blogs. Enter URL for YouTube tracks, MP3, MP4, RSS / XSPF http://t.co/T47JdJQJ /via @Buzzsonic2 months ago from web | Reply, Retweet, Favorite
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SEQUENCE2 - 43 track music compilation http://t.co/aTETo6Yo follow-up to the acclaimed SEQUENCE1 http://t.co/0gpSxsBn from @futuresequence3 months ago from web | Reply, Retweet, Favorite
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Cull - New Music TV. Discover trending videos, curate & share music/channels using content on YouTube http://t.co/D96DiLFg via @evolverfm4 months ago from web | Reply, Retweet, Favorite
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Vimeo Music Store & @freemusicarchiv provide video producers with 11,000+ free CC-licensed soundtracks to sync http://t.co/chxLcdNq4 months ago from web | Reply, Retweet, Favorite
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Autumn Stories - a new track, each week from now to December 21st Track #1 from @f_paterlini http://t.co/yLCnbO3f
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'Lab Day LIVE' Report on the day's events with key points about music & brands http://t.co/GjPSEZD #labdaylive5 months ago from web | Reply, Retweet, Favorite
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Introducing Posterous Spaces - New profile pages, themes, reader, public/private sharing & following http://t.co/LRhzcab #android #iphone
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Ogilvy Hosts Music & Brands Event 'Lab Day LIVE' http://t.co/qdKQ8TK
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Yahoo! WebPlayer - Add rich media playlists to your site with one line of code http://t.co/Scok35u #audio #video #webapp5 months ago from web | Reply, Retweet, Favorite
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Jux is a blogging platform that offers content creators the tools to showcase their work in beautifully designed spaces http://t.co/WFZfklE6 months ago from web | Reply, Retweet, Favorite
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6 months ago from web | Reply, Retweet, Favorite
Posts
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Selections From The Visual Chinatown of Davidope - http://vimeo.com/22963857
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PressPausePlay - http://vimeo.com/34608191
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PressPausePlay (by House of Radon)
“A Film about Hope, Fear and Digital Culture - Does democratized culture mean better art or is true talent instead drowned out?” @presspauseplay
http://www.presspauseplay.com/
For behind the scenes info on the making of the film read: A Democratized Culture - http://mashedmusings.tumblr.com/post...
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Everything is a Remix Part 4 - http://vimeo.com/36881035
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Keinzweiter - Solarplexus - http://www.scoop.it/t...
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Carl Kleiner - Photography & Imagery - http://www.scoop.it/t...
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Skweee Shanties Vol.1 - 16 track album by Various Artists - http://www.scoop.it/t...
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Startling Photoshop Makeovers of Classic Nudes in Art « Flavorwire - http://www.scoop.it/t...
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'Collective Exchange' - A Collaborative Art Exhibition - http://davidholmes.net/visuali...
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'Collective Exchange' - A Collaborative Art Exhibition - http://davidholmes.net/collect...
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Are You Left or Right Brain? | Online College Tips - Online Colleges - http://www.onlinecollege.org/left-or...
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How Memory Works - Online Colleges - http://www.onlinecolleges.net/2012...
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How To Lead A Creative Life | Fast Company - http://infographics.fastcompany.com/magazin...
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Rendering Synthetic Objects into Legacy Photographs - http://vimeo.com/28962540
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Rendering Synthetic Objects into Legacy Photographs - http://www.scoop.it/t...
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How To Lead A Creative Life | Fast Company - http://www.fastcompany.com/magazin...
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The Creative Process | Visual.ly - http://visual.ly/creativ...
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Antonio - http://www.flickr.com/photos...
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Our Internet - YouTube - http://www.youtube.com/watch...!
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Make the Call | Stop the Wall - http://stopthewall.us/
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Phédia Mazuc - http://www.scoop.it/t...
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Net Coalition - http://www.netcoalition.com/
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Facebook Washington DC - Website - Anti-Piracy Bills | Facebook - https://www.facebook.com/Faceboo...
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MicROCKScopica – Rock Art by B. Cesare - http://www.scoop.it/t...
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Studio 360 Blog - Photographing the Microscopic World - http://www.scoop.it/t...
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Bandcamp Scrobbler - http://www.scoop.it/t...
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Fluid Radio - http://www.scoop.it/t...
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Fancy - http://www.scoop.it/t...
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DavidHolmes's Archive on #SOPA Containing 46,419 Tweets - http://archivist.visitmix.com/DavidHo...
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SOPA & PIPA Information Tools - Slidestaxx - http://www.slidestaxx.com/sopa-pi...
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Posts
Information about the Stop Online Piracy Act (SOPA) and the Protect IP Act (PIPA) in the US. Focusing on the current debate, opposing argument, security and technical concerns. Featuring content from prominent commentators, online awareness campaigns and a range of Internet protest tools. Links to both Acts are included.
International advertising and marketing agency Ogilvy Group UK are staging a one-day event called Lab Day LIVE designed to engage both the advertising and music communities. On the 9th September Ogilvy's offices in London's Canary Wharf will play host to a music industry conference and live music festival.
It promises to be an informative and entertaining occasion focusing on the latest digital media opportunities mutually available to brands and the music business. The morning conference panels and talks will feature key figures from Last.fm. Spotify, PRS and other leading music organizations (List of speakers). During the afternoon live music performances from name and up-coming acts will take place across three stages (see below).
Entitled: Making music matter as much to brands as it does to consumers
The event is part of Ogilvy’s on-going drive to help clients and their brands navigate the rapidly changing landscape of the music industry in the digital age.
In this video clip Lab Day organizer Tara Austin talks about her role in making music a more central part of the creative process at Ogilvy. To see what other members of the team are saying take a look at the Video Wall.
The Rules of Engagement
Ogilvy are looking to the music industry for innovative ideas on how brands can use music to to build engagement with their audience. Earlier in the year, at MIDEM 2011, they made a stirring appeal for music publishers to "‘look beyond the cheque' and contribute more than just a piece of audio to an advertising campaign" emphasising Ogilvy's vision to "create added value: value for our brands and, ultimately, value for the artist whose music our campaigns promote".
I'll be attending the event and listening closely to what's being said about sonic branding and new ideas for using music to create a 'brand sound'. I'm also looking forward to learning more about the power of sound and music when applied to areas such as 'retail soundscapes' and how we can be informed by hard data.
As a long-time advocate of Open Media licensing tools, when and where appropriate, I'll be hoping to see more open and collaborative business frameworks designed to minimize the friction permeating traditional licensing models. Many Internet audio and video platforms have already successfully integrated Creative Commons licensing making it easy for people to share, remix and reuse media legally, notably SoundCloud and YouTube (list of corporate support).
Creative Commons has always been about promoting creativity and the power of openness to build communities based on shared ideas. Unfortunately the established licensing system, especially with regards to CC licenses in Europe, makes widespread media sharing difficult, thereby blocking the most valuable thing which is attention. Hopefully the wider debate around open and closed systems will eventually lead to innovation that fosters audience attention, participation, and better user experiences in the digital music space.
Event Info & Live Stream
Website
Full details and live streaming of acts from the 3 music stages on the day can be found at http://www.labdaylive.co.uk/
You can follow updates using the hashtag #labdaylive plus there's further tweet analysis, tracking and visualization via my channel at The Archivist
Acts
| Alexis Ffrench | Aloe Blacc | Boy Mandeville |
| Charlie Simpson | Delays | Digitonal |
| Kidda | Kinura | Laki Mera |
| Newton Faulkner | Pete and The Pirates | Sophie Ellis-Bextor |
| To Kill a King | Tribes | Wolf Gang |
Media
Some of the performers appearing on the day
Digitonal
The Beating of Her Heart by digitonal
About Ogilvy
Wikipedia
Ogilvy & Mather are an International advertising, marketing and public relations agency founded in 1948.
YouTube
Visit the Ogilvy Museum on YouTube to watch some of their classic ads, dating back to the 1950s. For more recent developments there's the Ogilvyvids Channel
Ogilvy Group Comms @OgilvyLondon for news and observations from the comms team at Ogilvy Group UK.
OGILVY @OGILVY their global staff blog aggregator.
'Upular' - a new mashup track from Australian electronic music artist Pogo, composed using chords, bass notes and vocal samples from the Disney Pixar film 'Up'. More Pogo video tracks via http://www.youtube.com/user/Fagottron
Following the Sony copyright problems associated with his earlier track 'Bangarang' (see previous post), I notice Pogo has included Disney Pixar credits at the end of the video. Considering the Blogger platform now supports direct integration with Amazon Associates, mashups like this can be a powerful promotional tool for all content creators (see below).
Merry Christmas!
Australian electronic music artist Pogo has started a blog at http://pogotracks.blogspot.com/ currently featuring an FAQ and a list of interviews. His unique sound comes from the sampling, sequencing and reimagining of popular childhood movies. Tracks are constructed using sounds lifted from movie scenes (sometimes entirely), drums, bass and percussion.
Melodies are formed using cut-up dialogues in a non-lexical vocal style; "There are no definitive lyrics to my tracks because I have never intended to form sentences with the samples I use." The music is then synced to video cuts from the original movie to create a new mini-trailer.
Pogo has a growing fan-base on YouTube where fresh uploads and the viral potential of video widgets quickly attract thousands of visitors. Creations such as Expialidocious have now reached far in excess of half a million views. You can browse the growing collection of mashups at http://www.youtube.com/user/Fagottron
Below is the recent video for his track 'Bangarang' composed of sounds from the classic Spielberg film 'Hook'
Update 13th Sept '09
'Bangarang' removed from YouTube - Pogo Blog visit the link for full explanation.
Today, Sony Pictures Entertainment claimed that 'Bangarang' is an infringement of copyright, and the video has been removed from YouTube. I suppose this had to happen eventually given the kind of world we live in. (September 10th 2009).Unfortunately this is a common experience for remixers of controlled media, such are the constraints of heavily restricted copyrights. However you can still play and download the full track here (while it lasts!)
Related
A sonic guide to the history of cut-up music: DJ Food - Raiding the 20th Century - Words & Music Expansion
Mosaik is the electronic music project of Stockholm based musician Jakob Svanholm. The Apologies EP features 7 instrumental tracks that combine melodic bass and synth sequences with delicate percussive rhythms. The sonic spaces are subtle and calming, with centered tonal themes, repeating motifs and ambient textures that conjure the emotions and imagination.
Originally released on Kahvi Collective in 2007: http://www.kahvi.org/139.php
MP3 and Flac versions now available under Creative Commons license at: http://mosaik.bandcamp.com
You can listen to some of Jakob's recent works in progress at: http://soundcloud.com/mosaik
See his website for discography and social connections: http://www.mosaik.se/
Tracer is a free online tool that tracks where your website content is reused and inserts an attribution link back to the original published source. It also provides analytics to help you understand and measure user engagement. You simply add a line of java script to your blog or website and whenever someone pastes your work to another webpage, Tracer automatically generates a return link including Creative Commons license details if applicable (full instructions are given).
The following paragraph has been copied and pasted, showing the automatic attribution link at the bottom of the quote,
What does Tracer do?
Tracer tracks when users copy content from your web site and automatically adds a link back to the original page when your content is pasted. So, why do you need Tracer?
Tracer is a brand new way to:
Read more:http://tracer.tynt.com/features-and-benefits-of-tracer#ixzz0MPL1rqSN Under Creative Commons License:Attribution No Derivatives
- Generate more visits and page views.
- Get credit when content is copied from your site.
- Measure and understand user engagement.
- Improve your search engine ranking.
Tracer is easy to implement and offers a convenient way to track user interaction and generate site traffic. Supports Blogger/Blogspot, Ning, Register.com, Typepad, WebsiteWorks.com, WordPress.
The second full-length album from the Canadian folk duo, released under a Creative Commons-License. Album artwork by Norbert Reissig. Available in MP3, OGG and CD formats from http://aaahh-records.net/the-wind-whistles/
A useful collection of Inspiring Youtube videos to use in the classroom. Recommended by teachers from all over the world, the presentation features lots of engaging ideas to stimulate discussion, learning and self-improvement. Here's the full screen Google Docs page.
"Why let all of your ideas die with you? Current Copyright law prevents anyone from building upon your creativity for 70 years after your death. Live on in collaboration with others. Make an intellectual property donation. By donating your IP into the public domain you will "promote the progress of science and useful arts" (U.S. Constitution). Ensure that your creativity will live on after you are gone, make a donation today."
Further info at The Sound Copyright Blog
TARDIS - British Record Industry Loses Fight to Extend Copyright
The MatchACollege.com blog has two useful lists of open learning classes, courses, and lessons for music and writing:
Promiscuous Songs - American writer Jonathan Lethem, best known for his novels, short stories, and essays, freely gives his collection of song lyrics and lyrical fragments to songwriters, musicians, and bands for use in new creations. Selected sound files of completed songs are available for listening via the site with attribution to the writers and performers.
This is part of the The Promiscuous Materials Project where Jonathan also offers stories for filmmakers or dramatists to adapt, priced at a dollar apiece. The works are available non-exclusively, so other people can use the same material, for short films (30 mins) or one-act plays (45 mins) only. For the stories some rights are restricted and the materials may not be republished in text form on websites or books etc.
Released under a CC NonCommercial Sampling Plus 1.0 license
You can find high quality resolutions and formats at bigbrotherstate.com
Excerpts from openwaterproject.org
The OpenWater project was a group project for an Instructional Technology
class at Utah State University.About 75% of the material used in OpenWater is remixed or used from other
sources licensed under public domain or creative commons. The remaining 25% is
original footage that was shot by the OpenWater team.
The soundtrack is supplied by Magnatune artists and the video is licensed under Creative Commons.
Here's the trailer:
You can buy the ALTERNATIVE FREEDOM DVD/SOUNDTRACK COMBO (2 DISCS) for $12 knowing that $1 of your purchase goes to EFF, a donor-funded nonprofit organization that depends on your support to continue successfully defending your digital rights.
The Alternative Freedom soundtrack features over 52 minutes of full length songs from:
diabetic elf
foureveryoung
high karate
ithacamoon
loch lomond
ritchie young
Below we see the contrast in vocabulary between the lyrics of the John Lennon song "Imagine" and politically loaded phrases as used by Democrats and Republicans. See How to speak Republican or Democratic for background information and lists of phrases as compiled in a recent paper by Gentzkow and Shapiro from the 2005 Congressional Record: What Drive's Media Slant?
John Lennon was shot and killed this day December 8, 1980 by Mark Chapman.
John Lennonspeak
Democratspeak
Republicanspeak
Here's a hybrid cloud made from combining the two original political lists to create a Slantscape mashup. In all cases the clouds have been restricted to display a maximum of fifty keywords and the last cloud shows a frequency count for each word.
DemoRepspeak
As a tool for working with language the creative possibilities are fascinating. TagCrowd can be applied to a multitude of artistic and interperative situations including blogging, songwriting, sloganeering, poetry, hyper linking etc, and the range of input material is obviously limitless from recipes to religion. More language tools and toys can be found on the REPROMAN sidebar.
TagCrowd created by Daniel Steinbock
The generated code and its rendered image are released under a Creative Commons Attribution-Noncommercial 2.5 License.
Via Sean Kearney's /patternHunter [/ph] - thanks for mentioning Apophenia, the word really grabbed my attention and on further exploration proved to be very fruitful. In particular to this List of Cognitive Biases and my list of social applications at Web Buzz Explorer.
Language Visualization Resources
ThePowerOfWords - A text analysis of political discourse during times of crisis.
US Presidential Speeches Tag Cloud - Shows the popularity, frequency, and trends in the usages of words within speeches, official documents, declarations, and letters written by the Presidents of the US between 1776 - 2006 AD.
Timothy Leary massages his message on reprogramming the brain into your brain in this 29 minute video produced by Chris Graves.
Via Bruce Eisner's Vision Thing
Lasse also creates animations and a good introduction to his creative influences can be found in Jeg går en Tur - A self portrait that you can watch below: In animation, EVERYTHING is possible!
Check out Lasse's music page for some fine electronic tunes.
Via Kottke.org
Amateur - Lasse Gjertsen
Jeg går en Tur - A self portrait by Lasse Gjertsen
A mashup masterclass and classic example of creative cut-up techniques. Part of the fun is learning how it's done.
Team designer Marcos Alonso explains:
The reactable, is a multi-user electronic music instrument with a tabletopMore information is available via the Reactable Website which also has a good overview of related tangible musical interfaces. See also Wikipedia reacTable
tangible user interface. Several simultaneous performers share complete
control over the instrument by moving physical objects on a luminous table
surface. By moving and relating these objects, representing components of a
classic modular synthesizer, users can create complex and dynamic sonic
topologies, with generators, filters and modulators, in a kind of tangible
modular synthesizer or graspable flow-controlled programming language.
This instrument is being developed by a team of digital luthiers (Sergi
Jordà, Martin Kaltenbrunner, Günter Geiger and Marcos Alonso), at the Music
Technology Group within the Universitat Pompeu Fabra in Barcelona, Spain.
Here's an organic interface that takes a more fluid approach...
Toriton Plus: Water Surface as Music Controller II
All clips are made available in QuickTime’s native .mov format under Creative Commons license Attribution-Noncommercial-ShareAlike 2.5 .
These four time-lapse videos show human evolutionary processes and cosmetic transformations over varying periods of time. These type of clips became significantly popular via YouTube and other new media outlets during the latter part of 2006.
I have posted the clips here in order of appearance on YouTube, over the 3 months of August, September and October (dates may be innacurate). Each successive video was compiled over a longer period of time apart from the final clip which was shot relatively quickly and digitally manipulated later.
For the first two videos shown below, the viewing figures quickly reached into the millions each and the level of interest was high across many important forms of media dissemination including blogs, social networks and mass media news outlets.
The clips continue to capture the imaginations of millions and it seems fitting to profile the trend in a single post. There's obviously a powerful fascination with the aging process and the technique of projecting these visions of accumulative degenerative processes over time. The fourth clip, possibly influenced by the success of the earlier videos, shows the power of cosmetic / technological practices to promote an image of desirability, albeit dependent on particular cultural perspectives and identification. Click through to the YouTube sources to get further details and comments.
Me: Girl takes pic of herself every day for three years
Noah takes a photo of himself every day for 6 years
Living My Life Faster - 8 years of JK's Daily Photo Project
Dove - Evolution
More about this type of photography at Wikipedia Time-lapse
Students learn the art of Furby reprogramming in a circuit bending workshop with Ben Goldstone. Below, an adept demonstrates the fruits of circuit bending knowledge as applied to a Kawasaki toy guitar.
cicuit bent "Double Neck" kawasaki toy guitar
Kawasaki motorcycle company licensed DSI Toys to use their name on a line of musical products. Unfortunately it's difficult to find online info about these particular electronic toys. If your interested in circuit bending and modifications to electronic sound toys here are some links worth exploring:
Metalriffs.com Guitar Toy Museum - a small picture gallery of electronic guitar toys.
Miniorgan.com - a private collection of rare small music keyboards and vintage musical electronic toys.
WarrantyVoid - the electronic sound toy and keyboard modification site.
Wikipedia Circuit bending - provides info and links to other websites.
If you're looking for online virtual sound toys and interactive music guides see the Museum of Sound Toys.
SKDubs gold (double bass boombox fiddle)
36 x 50 1/2 x 17"
Medium-modified double bass fiddle, spraypaint, casters, oak, plywood, metal, iPod, two tube pre-amps, B and C mids and tweeters, Electro-voice woofers, JVC tweeters, Crown XLS 602 Poweramp, and Behringer equalizer - 2005.
Via Hulger.org where you can find lots more interesting and arty contemporary designs.
The Double Bass
Along with classical music, the double bass has found its place in genres such as the blues, bluegrass, jazz, rock and roll, rockabilly, psychobilly, drum and bass. It has been used widely in pop and rock music on recordings by artists like Kate Bush, Bob Dylan, Peter Gabriel and Frank Zappa. A well known example being the Lou Reed song "Walk on the Wild Side" where session musician Herbie Flowers created the distinctive sounding bass hook, by using a mix of old and new sounds. He recorded one part on acoustic upright and then overdubbed a crossing part a major tenth above on electric fretless bass. The song was later recycled by other artists including A Tribe Called Quest who used a sample of it in "Can I Kick it?" - You can just about hear it on the intro of the video remix below. For more examples of recordings using double bass, see this thread from the TalkBass forums discussing Examples of Upright in Pop Music.
Perceptions
David Ellis's work evokes some interesting perceptions through the marriage of old and new world technologies.
At first site the juxtaposition creates a slight element of cognitive dissonance, a clash between the older acoustic culture and the contemporary electronic culture. However, the sense of discomfort is lessened by the idea the two cultures are not completely contradictory. The fundamental function of sound reproduction, for the purpose of music and entertainment, remains intact. In fact the instrument has merely been rewired, the strings replaced by electric wires.
Originally the source of sound was generated by a human drive mechanism. The machinery of bow and fingers controlled the perceived pitch, loudness and tone production. These have been replaced by electronic counterparts. The output of the iPod is the sound source, the amplifier and equalizer control the loudness and tone respectively.
The acoustically resonating wooden body becomes the architecture for the electro-magnetic speakers and electronics which are embedded in the belly. The electronics span a progression of successive developments where each stage builds on the past, from mechanical, to electronic valve, transistor and finally digital micro-chip.
There's much to contemplate in this piece that embraces change and cultural heritage: the new functionality, shape, symmetry, the handle ontop, the missing head/neck, the fact that it's no longer 'upright'.
Detritus.net is a web site devoted to recycled culture. Budding detrivores wishing to make new creative works out of old ones will find it a good source of inspiration.
Resources
Wikipedia: Conceptual art
Posts
Information about the Stop Online Piracy Act (SOPA) and the Protect IP Act (PIPA) in the US. Focusing on the current debate, opposing argument, security and technical concerns. Featuring content from prominent commentators, online awareness campaigns and a range of Internet protest tools. Links to both Acts are included.
International advertising and marketing agency Ogilvy Group UK are staging a one-day event called Lab Day LIVE designed to engage both the advertising and music communities. On the 9th September Ogilvy's offices in London's Canary Wharf will play host to a music industry conference and live music festival.
It promises to be an informative and entertaining occasion focusing on the latest digital media opportunities mutually available to brands and the music business. The morning conference panels and talks will feature key figures from Last.fm. Spotify, PRS and other leading music organizations (List of speakers). During the afternoon live music performances from name and up-coming acts will take place across three stages (see below).
Entitled: Making music matter as much to brands as it does to consumers
The event is part of Ogilvy’s on-going drive to help clients and their brands navigate the rapidly changing landscape of the music industry in the digital age.
In this video clip Lab Day organizer Tara Austin talks about her role in making music a more central part of the creative process at Ogilvy. To see what other members of the team are saying take a look at the Video Wall.
The Rules of Engagement
Ogilvy are looking to the music industry for innovative ideas on how brands can use music to to build engagement with their audience. Earlier in the year, at MIDEM 2011, they made a stirring appeal for music publishers to "‘look beyond the cheque' and contribute more than just a piece of audio to an advertising campaign" emphasising Ogilvy's vision to "create added value: value for our brands and, ultimately, value for the artist whose music our campaigns promote".
I'll be attending the event and listening closely to what's being said about sonic branding and new ideas for using music to create a 'brand sound'. I'm also looking forward to learning more about the power of sound and music when applied to areas such as 'retail soundscapes' and how we can be informed by hard data.
As a long-time advocate of Open Media licensing tools, when and where appropriate, I'll be hoping to see more open and collaborative business frameworks designed to minimize the friction permeating traditional licensing models. Many Internet audio and video platforms have already successfully integrated Creative Commons licensing making it easy for people to share, remix and reuse media legally, notably SoundCloud and YouTube (list of corporate support).
Creative Commons has always been about promoting creativity and the power of openness to build communities based on shared ideas. Unfortunately the established licensing system, especially with regards to CC licenses in Europe, makes widespread media sharing difficult, thereby blocking the most valuable thing which is attention. Hopefully the wider debate around open and closed systems will eventually lead to innovation that fosters audience attention, participation, and better user experiences in the digital music space.
Event Info & Live Stream
Website
Full details and live streaming of acts from the 3 music stages on the day can be found at http://www.labdaylive.co.uk/
You can follow updates using the hashtag #labdaylive plus there's further tweet analysis, tracking and visualization via my channel at The Archivist
Acts
| Alexis Ffrench | Aloe Blacc | Boy Mandeville |
| Charlie Simpson | Delays | Digitonal |
| Kidda | Kinura | Laki Mera |
| Newton Faulkner | Pete and The Pirates | Sophie Ellis-Bextor |
| To Kill a King | Tribes | Wolf Gang |
Media
Some of the performers appearing on the day
Digitonal
The Beating of Her Heart by digitonal
About Ogilvy
Wikipedia
Ogilvy & Mather are an International advertising, marketing and public relations agency founded in 1948.
YouTube
Visit the Ogilvy Museum on YouTube to watch some of their classic ads, dating back to the 1950s. For more recent developments there's the Ogilvyvids Channel
Ogilvy Group Comms @OgilvyLondon for news and observations from the comms team at Ogilvy Group UK.
OGILVY @OGILVY their global staff blog aggregator.
Angel investor, Ali Partovi, is stimulating discussion in the area of "renewable" food technologies and has just launched FixFood, a forum for people to share ideas on how to fix America's broken food system. You can learn more about sustainable approaches to agriculture in his informative TechCrunch article - Food Is The New Frontier In Green Tech.
The rapidly growing world population is creating a shortage of natural resources and harming the environment.
These short videos raise awareness of the unsustainable levels of human consumption and the urgent need for renewable food production solutions.
Big Question: Feast or Famine?
Video from the University of Minnesota - Institute on the Environment
More videos available from the UMNIonE YouTube Channel
Population Growth
Population Growth - Infographic from Kristy Graybill on Vimeo.
Via Earth Protect
Related Resources
Infographics & Visualizations
8 Incredible Farm Infographics
Ecomagination Interactive Visualizations
Infographic: Ten Things You Should Know About Water
World Population Growth Infographic
Knowledge
Permaculture Knowledge Base
Wikipedia Agriculture
Video Production Tools
The software tools used in the production of these videos include Adobe Illustrator and After Effects.
This video was created by cultural anthropologist Michael Wesch in collaboration with 200 students at Kansas State University.
It provides insight and statistics on many important issues relevant to students and educators today, including cultural, social and technological concerns.
Music soundtrack by Try^d: Listen - Both the video and music are released under Creative Commons license.
You can learn more about the collaboration and data gathering at the Digital Ethnography blog
via Open Culture
Facts and stats focusing on the changing media landscape, including convergence and technology.
For further information and the story behind the making of "Did You Know 4.0" visit:
XPlane
The Economist
An online CO2 converter built by David Kjelkerud, Henrik Berggren and Jorge Zapico at Ecomo09, an environmental hacking day in London. It is designed to help you more easily understand what a kilogram of CO2 really means.
You can convert CO2 amounts to other units such as bottles of beer or compare different emissions for instance how many apples are equivalent to a litre of milk. The data used is mostly localized to Sweden.
David and Henrick also built http://citysounds.fm/ the web app that lets you listen to the latest music from cities around the world.
A story about childhood, parenthood, and adulthood. Animation and words by TheraminTrees. Piano score by QualiaSoup (YouTube channel links)
Gaia, a New World Order, is born today, the 14 August 2054.Via Bruce Eisner's Vision Thing
Racial conflicts, ideological conflicts, religious conflicts, territorial conflicts belong to the past.
Every man is a world citizen, subject to the same law.
The Internet has driven the change, spreading communication, knowledge and organization at a planetary level. Transcript
Umair Haque @ Daytona Sessions vol. 2 - Constructive Capitalism from Daytona Sessions on Vimeo. February 12, 2009, Stockholm.
The Crisis of Credit Visualized from Jonathan Jarvis on Vimeo.
The goal of giving form to a complex situation like the credit crisis is to quickly supply the essence of the situation to those unfamiliar and uninitiated.
Google Tip Jar - a collection of money saving tips submitted and ranked by the web community.
A radical new project designed to punish and reform illegal downloaders of copyrighted music could prove to be a huge money spinner for tech savvy investors. The Pirates Prisons Project aims to capitalize on the current copyright crunch by building 100s of 1000s of new prisons to house the unlimited supply of illegal internet users. If proposed legislation to criminalise billions of music fans goes ahead, the high probability of re-offending represents a once-in-a-lifetime investment opportunity to secure real financial gains for PPP shareholders.
The ingenious shares scheme relies on the music industry's desire for economic dominance. However critics of doom and bust policies believe the music industry's strategy of using a failed business model is enevitably doomed to failure (See links below). Only (prison) time will tell.
Prison/Copyright Reform Related
Two articles I wrote in 2006 warning of the impending copyright crunch:
What if The Beatles had used Creative Commons Licenses?
British Record Industry Loses Fight to Extend Copyright
Do you feel more of a connection when you see a face on someone's avatar or don't you care what their avatar is? You can see what other people think and cast you own vote at this ask500people poll.
Perspctv is a dashboard for comparing and monitoring search queries in real-time. The service also provides data comparison widgets of your search results to put on your webpages. The widget shown here compares today's Google search volume, news and blog mentions for the keywords Google, Microsoft, Yahoo.
A futuristic talking dashboard and web mashup for what's happening in the world right now. Full of real-time widgets providing facts and measurements on a range of data. This is a fun promotion for Sprint's mobile Internet service. To see the full interface visit Sprint: Plug into Now
The trailer for an upcoming documentary about the 2008 presidential campaign. More political video mashups available at ThePartyParty.com and here's the YouTube Channel.
Animation created by Seth Brau. Produced by Amy Poncher. Music by Rumspringa courtesy Cantora Records. www.humanrightsactioncenter.org
The 10 most overrated products and their comparative underrated alternatives as noted by Darren Gladstone for PC World.
It's a small but interesting sample bearing in mind the consequences of this election will affect the rest of the world. Consider the first Betavote poll in 2004 which finished Kerry 421,770 (88%), Bush 55,242 (11%).
My SpyPoint lens currently features some real-time tracking tools for the 2008 presidential election. You can also share and view sites with auto-updating crowdstreams for other types of social data.
PRINT THE TRUTH is a blog offering poster designs about the 2008 US presidential election. The satirical designs have a pro Democrat Party spin designed to make you think about the election candidates, their opinions, facts and follies.
PRINT THE TRUTH is the first distributed political poster system in history. Every day until the election, we give you a free poster. Print as many as you can, paste em up. Put them on the office fridge, the cars in the lot, on your vacuum cleaner, wherever you can."
With 100,000 people printing 10 posters a day, we can hang 60 million important messages between now and election day. Power to the printer, power to the people.
You can track election developments and other real-time crowdstreaming data at SpyPoint
Wikipedia: Political parties in the United States
Muxtape Motivational Poster
DISS001
Modification of webpage for Muxtape.com relating to the notice of shutdown that appeared on August 18th, 2008.
Update: The official Muxtape story and reasons for the shutdown has been posted on the Muxtape homepage at http://muxtape.com/
Techmeme tracking of Muxtape story
Via ResearchBuzz
Technorati Tags:
comparison, database, wiki
Every year hundreds of "top lists" representing the opinions and recommendations of music enthusiasts worldwide are published online. Here are a couple of resources that make it easier to find and explore these lists, ultimately speeding your journey to discovering good music. Many of the lists also provide album reviews and information for buying the music online.
In Depth
DJ Martian: More Best of 2005 Music Links a central resource for 2005 music lists and information. Hundreds of lists are archived at del.icio.us/djmartian/b2005. Great for exploring specialist music resources and expert opinions.
At a Glance
Metacritic.com: best Albums of 2005 provides a table displaying the highest-scoring albums for the year in Metacritic's database with a minimum of 7 reviews. Also listed at the bottom of the page are year-end top ten lists provided by various critics and publications. Use this list for a quick overview and comparison of albums from popular music resources and publications.
If you're interested in creating your own list of things you'd like to share check out 7 Ways to Get to the Top of the del.icio.us Popular Page for some useful tips on presentation.
More interesting things from 2005 at http://del.icio.us/tag/2005
Technorati Tags:
2005, albums, CD, lists, music, mp3
When news broke about the potential security threat to computers caused by millions of Sony BMG's music CDs, most people had never heard of a Rootkit. Hopefully the blissful tide of ignorance is changing as wave upon wave of outraged opinion floods online communities. Or is it?
In a recorded interview for NPR, Thomas Hesser president of Sony BMG's Global Digital Business opined:
"Most people, I think, don't even know what a rootkit is, so why should they care about it?"
To many, his low opinion of Sony customers appears to be out of kilter with the main-stream of America and elsewhere. A Sophos survey of 1,501 respondents reveals 98% of business PC users think Sony DRM copy protection is a security threat. Since Mr Hesser's notorious rootkit sound-bite, the "Sony Sitcom" has taken a route all of its own. Every episode in the sorry saga has presented new and ironic twists in the unfolding story.
Consider the precarious road ahead.
- EFF Files Class Action Lawsuit Against Sony BMG
- Texas sues Sony BMG over alleged spyware
- Spyware Sony seems to breach copyright
In another ironic twist to the tale CNet's John Borland reports Sony BMG has so far sailed through the rootkit CD backwash apparently unharmed. Data from market analysts Nielsen SoundScan and Gracenote shows no appreciable change in sales or trends for the titles in question. The Register follows up with further insight as to why this may be.
The crash course in DRM technologies offered by the tech savvy bloggers may have hit a brick wall. The vast majority of the CD buying public actually don't care, partly because they don't need to play CDs on computers anyway and partly because they are not very security conscious. The alarmed minority keen to alert consumers to unethical practices represents a blip in the blogosphere rather than a storm in the media. With the support of RIAA members, Sony will no doubt make all the right noises, sit it out and continue with the anti-piracy wars. (See Music biz to 'hijack' Europe's data retention laws - From terrorism to filesharing)
Did I mention piracy wars? The Wikipedia entry for a pirate is:
- Pirate may refer to someone who robs other ships at sea, or sometimes the shore, without a commission from a sovereign nation.
- Someone who commits copyright infringement, including pirate decryption, computer piracy and in particular, software piracy.
- Pirate radio, the practice of making unauthorized radio broadcasts.
- Unlike the stereotypical pirate with cutlass and masted sailing ship, today most pirates get about in speedboats wearing balaclavas instead of bandannas, using AK-47s rather than cutlasses. Fragment
Both Sony BMG and EMI "hope to reach a deal with Apple, which will allow users to move songs onto iPods. But by launching the copy-protected CDs without iPod compatibility, the labels are raising the stakes in an ongoing conflict between Apple and the rest of the music business, which wants the tech company to open its proprietary iPod and let others sell antipiracy-protected songs that work on the device" Forbes.com
Instrumental in this "Treasure Island" the big labels are dreaming of is a variable pricing system where they can dictate what songs are worth. Variable prices means the labels can send signals to consumers that some products are better than others. This can be used as leverage against artists to manipulate deals in favour of the labels. Apple on the other hand (hook) uses a fixed price system. The conflict is about who gets to manipulate what music we buy. Joel on Software provides a good explanation in Price as Signal.
Looking more like the Battle of Trafalgar and the spoils of war, this is a struggle where the artists and consumers are the collateral damage.
With millions of infected CDs still in circulation and the prospect of similar DRM technologies to come, the emphasis is now on security software companies to protect us, but that's another story.
Beware the citizen who dares to rip, mix and burn. The blazing path to DRM glory rumbles with the sound of gladiators in their chariots of fire. This is no route 15, this is the hallowed ground of Hollywood and the only burning here will be heretics at the stake. This is the long and winding road to nowhere that angels fear to tread... a lost highway. Stand and deliver.
Repeat after me, the minority reporter's rootkit mantra...
"Most people, I think, would like to know what a rootkit is, and care very much about it."
Swingometer: Currently in Sony BMG's favour due to no obvious signs of a drop in sales to infected CD titles. However, the rootkit revelations are less than a month old and serious litigation combined with bad public relations could prove costly for the media giants in the long run. It remains unknown to what extent artists will suffer losses due to issues of trust. Consumers are the main losers having paid for products that degrade the performance of computers, open new security vulnerabilities, and install updates through an Internet connection to Sony BMG's servers.
Company Profile for Sony Corporation (Reuters)
Sony BMG Music Entertainment Company Profile (Yahoo! Finance)
Technorati Tags:
audio, CD, copy-protection, DRM, music, RIAA, rootkit, security, Sony
Posts
SEQUENCE1 is a 42 track album of outstanding ambient and experimental music from various artists, compiled and released by electronica magazine Futuresequence.com. Conceived as an anniversary release, marking a year since Futuresequence's launch, this epic production contains exclusive tracks and new works exploring the global frontiers of the electronic music scene.
Fetal Pulse is the name of an experimental electronic music project by Canadian musician Pedro Costa. ‘Aurora’ was the first video for Fetal Pulse’s debut album Cityscapes, a 10 track album released on the 8th March 2011.
Cityscapes is an instrumental album with a lot of charm and character. Mainly down-tempo, part ambient, mostly melodic, the tracks sit perfectly side by side to create a beautifully balanced whole. Pedro puts his musicality to good use conjuring up themes and dynamic changes that always flow and sustain interest. The sounds are colourful and the cleverly designed musical arrangements offer the right sonic combinations at the right times. This is an album that always feels comfortable and welcoming, like an old friend whose company you appreciate, time and again.
Film by: Richard-François Léonard, Stéphane Drouot and Zakaria Mofril, licensed under Creative Commons.
Photography by: Craig Cloutier, licensed under Creative Commons.
Also available via http://soundcloud.com/fetalpulse and http://www.facebook.com/FetalPulse
A haunting composition played to perfection by Italian artist Sergio Altamura, guitar and loop machine. From his first solo album “Blu” produced by William Ackerman in 2004, available at http://www.candyrat.com
More info can be found via his website: http://www.sergioaltamura.com/ and his Facebook community page at http://www.facebook.com/pages/Sergio-Altamura/47899619071
Fans of solo guitar music can listen to more gems like this via the CandyRat YouTube Channel and there’s a selection of favourite Solo Acoustic Instrumental Videos on this PLAYLIST
This post marks the migration of “Dave’s Imaginary Sound Space” previously found at http://soundblog.spaces.live.com/ to it’s new WordPress home, here at http://imaginarysoundspace.wordpress.com/
All blog posts from the original Windows Live Space are now archived here, however the extensive link-lists are not supported by the automated migration process and are only accessible via the original link. Eventually all of DISS will vanish by March of 2011 when Microsoft will disable access to the Live Spaces blogging platform completely.
Original announcements regarding the new Live Spaces/Wordpress partnership and related details can be found via: The Windows Blog and WordPress Blog
Microsoft have released a new version of Windows Live Writer, the desktop application that makes it easy to publish rich content to your blog. Having created this post immediately after a smooth upgrade installation, first impressions are good.
Some of the new authoring features include:
- Comprehensive table creation and editing tools
- Auto spell checking as you write
- Improved hyperlinking and image insertion
- Full synchronization between online and offline applications
- Paste Special - Plain Text or HTML (Embed Tags, YouTube etc)
- Support for categories, Blogger labels and back-dated posting
- Excerpts and extended entries
Writer can now publish to Windows Live Spaces, Sharepoint, WordPress, Blogger, LiveJournal, TypePad, Moveable Type, Community Server, and other weblog services.
Customization
With just a mouse click the feel and look of the application can be changed instantly to any color you like using the new colorize button on the menu bar.
New image editing options allow rotation and contrast adjustment and it’s now possible to automatically link to a previous post via the insert hyperlink menu.
Other useful Writer capabilities include back-dated posting – you select any date for the post to appear, easy insertion of maps from Virtual Earth, and rich media plug-ins like audio and video tools available from Windows Live Gallery and reviewed at Windows Live Writer Plugins. Just Select Add a Plugin from the app sidebar to launch the Live Gallery site.
Good Things Coming…
Having been nine months in the making, this is a worthwhile update for existing users with a range of very usable improvements. The open plug-in platform and API-driven building tools make further customization ongoing and easy to implement. Judging by developments at Popfly the future looks very promising indeed, watch the video below.
The above video was inserted using Paste Special.
If you’re upgrading from a previous installation remember to update your account settings to ensure you’re getting all the latest features (Tools/Accounts). As usual with beta software releases, reporting and solving application problems is part of the process so don’t expect perfection.
Further details of this release and developer information can be found at the Windows Live Writer team blog – Writer Zone. For more Live news, free applications and Vista resources see Windows Live Tools.
Technorati tags: blogging, live spaces, web publishing, tools, windows live writer
Andy McKee – "Gates to Gnomeria"
Don Alder – "Sayonara Calm"
Michael Hedges – "Because It’s There"
More Recordings
Albums on Amazon
Reference
Tags: acoustic guitar, Andy McKee, Don Alder, harp guitar, guitar, guitarists, Michael Hedges, music, videos, YouTube
xkcd is a webcomic created by former NASA roboticist Randall Munroe. His drawings are published under a Creative Commons license and you need no permission to reuse them for non-commercial purposes, just provide attribution to xkcd.com. New comics are published on the site at midnight every Monday, Wednesday and Friday. Here are some samples from the collection archives, click on the images to visit the source.
Digital Rights Management
"If you think the purveyors of DRM simply want to protect artists, check out chapters 13 and 14 in Free Culture, by Lawrence Lessig. Their goal is the elimination of all culture they don’t control."
Content Protection
"How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity" Lessig.
XKCD Linkage
There’s more info about the characters, themes and content style (Nerd/Romance Humor) at Wikipedia xkcd
You can also find lots of interesting things to see and do in the Forums including other artists sharing works under Creative Commons.
Here’s the Comic Feed: http://xkcd.com/rss.xml
Here’s the Blag Blog and check out the Store for things that you can wear or put on your wall, like this Map of Online Communities –>
"I’m waiting for the day when, if you tell someone ‘I’m from the internet’, instead of laughing they just ask ‘oh, what part?"
Resources for Drawing, Cartoons, and Webcomics
- Comixpedia: the Webcomics Encyclopedia
- Drawn! The Illustration and Cartooning Blog
- Wikipedia Category: Webcomics
Ourmedia has relaunched with a minimalist look and new focus on media channels. There is now more emphasis on the social interaction around media and ways to draw attention to the good stuff. Here are some of the features available.
Channels @ channels.ourmedia.org
Channels are media streams categorized by subject or interest that include content such as music, podcasts and video. People can highlight media hosted anywhere on the Web and group media together into themes. Ourmedia members can now easily create their own social broadcast networks and post items to their channels using the special browser tools mentioned below. Each item is a bundled document of media data; on posting you simply enter the relevant details into the template fields and click submit. The fields include:
- Media URL
- Media Page URL (source)
- Thumbnail URL
- Screen Shot URL
- Artist Name
- Artist Homepage URL
- Comments URL
- License (option menu)
- Player (type)
Here’s an example that took just a few minutes to create: Chill Channel
RSS Feeds
Available feeds are split across two domains with the new user-created channels residing at channels.ourmedia.org.
Ourmedia.org
Has four main channels that are currently enabled for media streaming:
Channels.ourmedia.org
All user-created channels have RSS feeds although at the time of writing these were not media-enabled for streaming files via widgets. Hopefully this will change as the new features are rolled out.
You can also view related news feeds using the aggregated News Reader.
Browser Tools
Toolbar Buttons – Let you post and view channels from within your browser.
Two bookmarklets can be dragged to your browser bookmarks toolbar:
- Post to Ourmedia Channels – This button allows you to post your current page to your Ourmedia channels.
- My Ourmedia Channels – This button allows you to quickly view your Ourmedia channels.
These provide a useful way to populate your Channels with media just discovered or when revisiting favorite sites.
Open Media Search
Located at the top left-hand corner of all ourmedia.org pages is the new Google powered search engine. This makes it easy to search for ‘open’ media by source, media type and license. Searchable domains include:
Creative Support
The Learning Center provides help with key aspects of media creation and distribution through a series of how-to guides and tutorials. Everything is published under Creative Commons.
The Open Media Directory is a list of free and legal media hubs, highlighting cool sources of audio, music and video that’s safe to share or remix. The list may be republished under the CC license terms, an example being the recent Creative Commons UK Mix and Mash Film Competition which used it to provide support for Video Resources.
Putting Ourmedia to Work
Along with the social functionality of Ourmedia, the features I’ve outlined above make it easy for people to create and share legal media in an open environment.
The Search Engine and Open Media Directory both help you locate free and legal media which in turn can be posted directly to your Channels using the browser buttons. Overall a clean and tidy package without all the clutter and commercialization of other media sharing destinations.
Related DISS Media
Free Sounds – Legal Audio Samples, Loops, Software, Music and Video Downloads.
OpenSonics – Open Music Community News and Copyleft Media Resources.
Open Music Search – A Google Custom Search Engine for exploring the Open Music Ecosystem. Grab the widget and spread free music!
Blog Signature Generator allows you to create a dynamically updating news banner (signature) that links to the original feed source. It also generates a Gravatar connected to your email address - "an 80×80 pixel avatar image that follows you from weblog to weblog appearing beside your name when you comment on gravatar enabled sites."
RSSConverters.com has an online wizard that converts RSS news feeds and podcasts into Javascript or PHP code. The wizard can batch convert multiple feeds and apply blanket customization features for display options and style.
Mash and Grab RSS Feeds
You can find a good selection of RSS feeds via the Mediaspheres Grazr - Right click on any list title to grab the feed (copy shortcut).
You can also grab a selection of pre-mashed RSS feeds via Dave’s FeedRaider. Each single-page aggregator has RSS, OPML and Embed options at the bottom of the page.
The FeedRaider RSS feeds can be pasted into the Grazr address field (open View on menu, choose Address Bar), then select the refresh icon on the right of the browser to view the combined feed mashup.
For more RSS resources and web widgets see Feed Pitstop and Widget Finder.
The state of online music remixing and Open Music distribution took a significant step forward recently with the release of ccMixter’s new audio Playlist feature at ccMixter.org. A community-driven playlist tool for sharing Creative Commons sound samples and music.
About
The application combines several key areas for creators that make it easy to find, share and promote legal audio and music works:
Collaboration – It’s about connectivity, creativity, distribution and interaction. Social media at the heart of Web 2.0 – Web4
Creative Commons Licenses – Open, flexible, copyright options designed to foster freedom of ideas. Ranging from some rights reserved to public domain.
RSS Feeds and Social Syndication – Preview and create dynamic audio playlists – grab RSS feeds for your web-mashups, podcasts and social networking websites.
Killer Features
There are currently four tabbed views for managing Playlists:
Hot Playlists – Create – Popular Remixes – New
Multiple playlists can be opened simultaneously in the ‘Hot’ and ‘New’ browse modes.
In the ‘Create’ view you can quickly make customized, automatically updating playlists using the simple online interface. There’s a choice of parameters to choose from that allow you to locate and filter media files for fine-tuning the list.
These include: Playlist Types, Artists (users), Tags, License Type, Ratings, Time Period and more.
Free Registration
Registered users can save and share their playlists including individual list items such as songs and samples. Full integration between community lists make it a breeze to add media items from one list to another with a single mouse click.
New playlists can be created on the fly instantaneously, for example when browsing and listening to audio, in a seamless listening environment. Each list you create is automatically added to your community profile area.
RSS feeds are generated for all your playlists. You can also edit important elements in your list such as dynamic parameters, the order of list items, tags, playlist title and description.
Simple html formatting is allowed in the description so you can include links to websites, contact information or the location of a web page widget that uses the playlist feed.
The ability to dynamically create playlists/podcast feeds by licence type, combined tags and other key factors makes it easy to create hybrid audio channels including sound sample based feeds as well as music playlists.
For example here’s a dynamic RSS feed for a capella melodies based on user ratings:
http://ccmixter.org/media/api/query?tags=melody&reqtags=acappella&type=all&limit=50&f=rss
Click on this icon to view and listen to the feed in a Grazr widget
There are also filtering options for Popular Remixes, which shows the audio media most frequently included in playlists.
Further details and upcoming features can be found at How to use PLAYLISTS
CC Music 2.0 Fueling Web 2.0
Make no mistake, ccMixter is the complete package. No other remix site commands the same level of respect amongst musicians, producers and content creators.
The tight social networking fabric combined with a philosophy of open media creation provides a truly creative environment for users of all levels and musical styles. In this community everyone works together; sharing, rating, reviewing, mixing, promoting, distributing, learning – Forums
ccMixter playlists utilize the power of citizen DJ distribution, contributing to the growing culture of shared media networks and social tribes.
Artists, bloggers, filmmakers, listeners, and podcasters can all interact to create collaborative resources and original compositions. Anyone can use these compositions to build new, derivative works, be they music, video or other media forms like web-mashups, in accordance with the licensing terms.
Widgets, Pipes and Tubes are the plumbing through which these rich media creations can flow using URLs and RSS feeds.
These intelligent crowdsourcing activities are becoming increasingly prevalent as the need for media filtering and recommendation prevails. Musically and culturally speaking, DJs have always provided the editorial factor so important to informing the wider music community. Todays web DJs are restricted only by the technologies they use and their knowledge of Social Media. To learn more about this topic read the online ebook What is Social Media?
Given the emergence of social mediaspheres and widgetized connective tools, now anyone can be part Data Jockey – Data Carrier.
Widget Action: Take a look at some of the ways ccMixter and CC music are connecting in the Web 2.0 world.
http://www.metacafe.com/fplayer/412641/royalty_free_music_downloads_attention_all_metacafe_producers.swf
ROYALTY FREE MUSIC DOWNLOADS: ATTENTION ALL METACAFE PRODUCERS – video powered by Metacafe
How to create personalized ringtones using ccMixter
http://flash.revver.com/player/1.0/player.swf
Web 2.0 in Five Minutes
Related Sites
Audio 2.0 – List of music, p2p, podcast, sound, and radio sites.
Opensonics – Open Music Community News and Resources.
Swik Playlists – Open source projects wiki.
Recent tracks
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The Decisive Moment by Scanner and The Post Modern Jazz Quartet13 months ago
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i never want to love you in a by Huang Chung13 months ago
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Seems (If Ever) by Arms And Sleepers13 months ago
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Porto Largo by Alexandre Bateiras2 years ago
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We own this thing by Henrik José2 years ago
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Quicksilver Dream by Eivind Aarset2 years ago
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Augen Returns by Tom Fahy2 years ago
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Rabbit's Theme by Tom Fahy2 years ago
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Tiny Fragments Part Three by Tangled Thoughts of Leaving2 years ago
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Tiny Fragments Part Three by Tangled Thoughts of Leaving2 years ago
Top tracks
Profile
Summary
A former freelance audio engineer and recording studio owner, with experience of independent music management and publishing partnerships in the UK music industry.
David is a long-term advocate of Free Culture, Open Media, Creative Commons and the Open Source movement, participating as an independent commentator and web-resource creator.
He blogs about online music, Internet tools, web trends and innovations. Specialising in areas such as copyleft content, digital audio and video, free and open source software, Internet startups and applications, media distibution, music production, podcasting, real-time web and social media.
His original soundblog, "Dave's Imaginary Sound Space", a micro-portal for audio and music related information, was twice listed on Microsoft's Best of Windows Live Spaces website. The blog was migrated to Wordpress in the fall of 2010 where it rermains.
David was a founding curator and editor of the "Open Media Directory" at Ourmedia.org. The first comprehensive clearinghouse for sources of legal, podsafe audio and video. Focusing on Creative Commons licensed works and related media distribution platforms.
He currently curates "Open Music Search", a Google custom search engine indexing thousands of copyleft music resources. Designed for finding reusable media, collaborative projects and free music tools.
David has worked on a diverse range of recording and live projects for music industry artists including:
Colin Blunstone
DJ Chris Paul
Furniture
Gonzalez
Gwen Guthrie
Jeffrey Daniel (Shalamar)
Jon King (Gang of Four)
Kiss AMC
Love and Rockets
Misty in Roots
Paul Young (Q-Tips)
Pete Shelley (Buzzcocks)
Ruthless Rap Assassins
Shades of Rhythm
Sir John Gielgud (Actor)
Steve Marriott (Small Faces)
Tom Robinson
The Pale Fountains
Wang Chung
For further info see the various web links on this page.
Experience
- Mar 2011 - PresentCommunications Advisor / Hestia Housing and SupportVoluntary position for ASK, the mental health service user involvement project in Newham, London. Admin/developer of ASK websites and online presence, digital content, and social media strategies. Lead on IT/Internet workshops for ASK members at the University of East London. Photographic documentation. http://www.ask-newham.org/
- Jan 2011 - PresentSocial Media Specialist / Social EnterprisesDeveloping digital media projects for social enterprises and charity organizations, including social media strategies, digital asset management, content curation, web resource creation, photographic documentation, peer support workshops and training.
- Aug 2010 - Feb 2011Voluntary Roles / Bromley by Bow CenterIndependent research into service user experience and voluntary work in a social enterprise/community setting (Artychoke). Involving therapeutic horticulture, art, digital media and photography.
- 1986 - 1992Freelance Sound Engineer / UK Recording StudiosStudio and live sound engineering, record production and project development.
- 1977 - 1985Sound Engineer, Company Director & Shareholder / Village Way Sounds LTDLead role and management of successful independent recording studio in Harrow, London. Providing professional services to major record labels, publishing companies and the independent music sector. Also company director and shareholder of Watergate Records/Publishing and DSO Records (Independent music labels)
Education
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2010 - 2011Ruskin College OxfordPhotography
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1996 - 1998Newham College LondonMusic Technology
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1976 - 1977Wandsworth CollegeElectrical Engineering
- Crisis Skylight LondonVocational StudiesActivities: Members Forum.
