Dan Davies (23)

Online Journalist / Lecturer / Social Media

Profile

Web Editor, Trainer, Designer at Newsroom 360 at News International
Writing and Editing | London, United Kingdom, GB

Summary

My two main educational achievements bookend a range of vocational journalism experience largely focused around (but not limited to) arts, music and culture. High competition for these jobs has meant that I’ve had to prove my competence and find creative ways of deal with problems quickly. I’m trusted to affably but firmly manage teams as demonstrated by my rapid ascension from writer to editor at Whatsonuk, setting up my own magazine with Blowback and being appointed as Arts Editor for Metro Newspapers.

I’m passionate about my work and able to build temporary project from the commission for Saatchi to recent work on Mashed Festivals (www.mashedfestivals.com). In addition to a broad range of freelance writing, I’ve often offered management advice and consultation for clients as varied as Cancer Intelligence and 4Talent. Following my masters, I’ve been passing on advice to teenagers by guest lecturing to journalism students at Birmingham City University.

My MA not only re-skilled me in a range of digital media but also introduced me to new media skills such as data journalism and applied techniques for Social Media which led to paid work during my course. Although it is natural to want to compartmentalise, the same instinct for story telling is carried throughout all my work. This is best illustrated by the way some of my blogs on www.dandavies23.com have led to interviews with Radio 4 and a special on Inside Out, West Midlands.
Specialties: Photography and editing video for internet - please see YouTube and Flickr. I’m used to a variety of editorial systems including Atex. I’m familiar with design and layout Quark, InDesign, Photoshop, Flash, self hosted Wordpress, Typepad Social Media tools such as Tweetdeck, Hootsuite, Facebook Insights Editing software Audacity, Sony Vegas I’m really interested in new technologies such as the possibilities of geo-location and mapping.

Experience

  • Feb 2012 - Present
    Web Editor, Trainer, Designer at Newsroom 360 / News International
    Developing, maintaining, curating and comissioning an internal Wordpress site which talks about the project and broader media developments and innovation. Giving social media, mobile and data journalism training to editorial staff. Developing and designing web instances for WYSIWYG, Content Management System.
  • Oct 2011 - Present
    Community Manager and Content Producer / Village Underground
    Devising and overseeing the venue's social media strategy. Creating original multimedia content and profiling current artistic community.
  • Jan 2011 - Present
    Visiting Lecturer / City University London
    Will be lecturing on and offering support and guidance to web editors of MA Magazine course, final production project. Areas covered: branding, positioning, editorial integration and process, Wordpress themes and CSS tweaks, essential plugins and widgets.
  • Oct 2010 - Present
    Visiting Lecturer / Birmingham City University
    Introducing undergraduates to the basics of Journalism. 1 day per week during term time.
  • Apr 2010 - Present
    Social Media Manager / Marketing Birmingham
    Managing Social Media and engaging with public about the City Of Culture bid. As well as keeping the public informed about the bid's progress, another element of this job is to discover, enthuse and embrace the myriad of cultural activities in the city in the lead up to the judging. I have also Microcast short audio clips and video snippets. The culmination will involve a live blog (using Cover It Live) which will take place on the day of judgement (16th June)
  • Apr 2011 - Present
    Deputy Editor: TheMediaBriefing / Briefing Media Ltd
    Checking and curating aggregated content, creating original material - including video interviews and features.
  • Apr 2010 - Present
    Social Media Surgeon / Podnosh
    Training voluntary and community groups how to make best use of social media.
  • Feb 2010 - Present
    Producer / Meshed Media
    Providing online content solutions for creative businesses also assistant manager of Created In Birmingham pop-up shop. Most recently wrote the Twitter script for International Dance Festival Birmingham.
  • Jan 2010 - Present
    Copy Writer / Capsule
    Commissioned by Capsule to write their We Are Eastside brochure. Project involved taking descriptions and press releases from arts organisations in Digbeth area and rewriting them in a compelling and inclusive way.
  • Jun 2007 - Present
    Metro Life Editor - East Midlands / Associated Newspapers
    Responsible for the daily arts section of the newspaper ensuring the pages covered the best and most suitable artists and events happening in Derby, Nottingham and Leicester. Responsible for commissioning copy, proofing the spread and listings section and ensuring it complied with the house style. I also wrote for both the East and West Midlands editions, including the daily Birmingham blog and articles for the national edition of the newspaper.
  • Oct 2006 - Present
    Copywriter and Project Consultant / Cancer Intelligence
    I was consulted for the organisation and launch of the first only online journal for cancer, commissioned to provide an analysis and consultation of the publishers website, suggesting areas of improvement, including: a feasibility study of media enrichment software, the importance of blogging, integrating databases and effect bulk e-mailing and increasing measurability. I was also commissioned to ghost write an article for Professor Gordon McVie published in Guardian Society online http://tinyurl.com/mcviesociety.
  • Mar 2006 - Present
    Brand Development / Ten4 Magazine, Ideas Factory, Channel 4
    Ten4 magazine was distributed across the West Midlands. The managing editor (Dan Jones) recruited me on a consultancy basis to expand and develop the brand. I negotiated national distribution and advised on repositioning the magazine to appeal to a national audience.
  • Feb 2006 - Present
    Creative Consultant / CLIC Sargent
    I was commissioned as the creative manager for a unique project – writing, designing and producing a mock 1950’s supplement for an original copy of The Times for Richard Branson’s birthday present, he subsequently chose to support the national charity for cancer and leukaemia in children.
  • May 2006 - Present
    Cult-Geister / Gum, Saatchi and Saatchi
    I was commissioned to produce an artistic presentation for Universal Home Video to provide a ‘handle’ on Birmingham. I wrote and produced a short film interviewing various creative lynchpins from Birmingham, including magazine editors, club promoters, DJs, graphic/ conceptual artists and comedians. I also compiled the soundtrack which acted as a musical history of the city.
  • Aug 2003 - Present
    Founder, Creative Director, Editor / Blow 23 Ltd
    I was behind the inception and creation of this unique, high quality, free magazine available in over 30 cities nationwide. My key responsibilities were to develop the product and maintain the high quality aesthetic we had achieved. I wrote the style-guide subbed and edited the entire publication, ensuring editorial styles and values remained consistent. I was responsible for the content, always with a key eye on high professional and artistic standards - open to all creative and artistic mediums. Blowback was a broad church, its one proviso was that any artist covered within the pages must be covered passionately. There was no space for cynicism. It particularly covered cross fertilised media. We were one of the first art magazines to consistently champion VJ culture and music promo directors. We also provided a platform for breaking writers and designers for across the UK and Europe. I managed the team of in-house designers, volunteers and writers, working closely to develop a distinctive aesthetic and artistic identity for the publication. As director I was consulted on financial decisions, brand development, exposure, event management and distribution.
  • Jul 2001 - Present
    Editor / Whatsonuk Magazine
    National student magazine with incidental paid for guides including Student and Festival. Key skills included: supervision, liaison and editorial development which I enhanced. I increased productivity from the single monthly tabloid and occasional A5 guide, to consistent tabloid and bi-monthly guides on diverse and disparate subjects maintaining an overall through-style and brand feel. I also managed a multi-cultural event for One Live in Birmingham (Radio 1) and produced an accompanying CD (compilation of the month DJ magazine, October 01). As editor I was also asked by UCE cinemas to host a series of Q&A sessions with prominent UK directors and actors including Mike Leigh.

Education

  • 2009 - 2010
    Birmingham City University
    MA in Online Journalism
  • 1996 - 1999
    University of Leeds
    BA English and Media Arts Technology in Contemporary English Literature, Modernism, Post-Modernism, Photography, Video Production
    Activities: 'Other Drama and English' ODE, Student Rep, Forge FM

Additional Information

Interests:
Gigs, clubs, photography, Online Journalism, Social Media, Data Journalism

Uploads

Posts

May 20, 05:02 AM

These are my links from May 7th to May 20th:

May 17, 04:50 AM

Emily Cadman from Financial Times mentioned in her talk at News:Rewired Excel is a good “gateway drug to data”. This idea was also discussed extensively at the International Journalism Festival in Perugia. Dr Ken Blake from Middle Tennesse State University School of Journalism agrees and through his YouTube-based Data Journalism course, he takes you from ‘the basics’ to ‘maximizing’ Excel.

In practice

I downloaded Dr Blake’s datasets for Introducing Excel and Rates ranks and filters in Excel then I loaded the videos into VideoNot.es (reviewed here). You can take a look at the timecoded notes here for Introducing Excel and Rates, ranks and filters from here. I also let Dr Blake know I was going to do this and he plans to supply these notes for all of his videos in the next few weeks.

How it helps you

Dr Blake’s tutorials look at using Excel specifically for Data Journalism, and he uses examples of sources which you may use in a newsroom including crime figures and population statistics.

Drawbacks

These are drawbacks with Excel rather than the tutorials. Of course, being a Microsoft product the software is always updating and if they have a significant overhaul (as they did in 2010) then these videos will appear dated. Excel was never designed as a Data Journalism tool, rather as a small office spreadsheet system. It is worth keeping this in mind when working on more complex projects.

Summary

A set of good introductory videos to help you get around the concept of using Excel for as a way of training you for Data Journalism, something our own Times Online Data team are looking at.

Rating


May 16, 06:36 AM

VideoNotes (launched this month) is a simple online tool that allows you to write notes alongside videos from a variety of sources including Vimeo, YouTube and Coursera. It was developed by Unishared, a French education start-up but Journalism.co.uk pointed out how it would be useful for journalists.

In practice

I took a Data Journalism panel discussion video (below) from the International Journalism Festival #ijf13 and typed in notes as I watched.

One good thing about this application is that the notes are timecoded, so when you click through them it will take you to the right place in the video. This is particularly useful in conjunction with the YouTube’s own timecoded embeds. So, for example if the main focus of your article was the impact of Nate Silver on Data Journalism you could run the discussion from this point. The other great feature of this application is that it stores the information on Google Drive, so you can collaborate on note taking. I’ve shared these notes with News International so if you work there you can see them. For the rest of you I’ve written some notes alongside a few Data Journalism tutorials. I’ll post something on this soon.

How it helps you

Not only is this a good internal research application but it could potentially be expanded to encourage collaborative and open journalism. Notes could add further context and clarification to a video and allow your audience to understand a story.

Drawbacks

This video was created with my News International Google Drive, I think in future I will use my personal Google Drive as current business restrictions mean that I couldn’t allow public collaboration on this. Although the note making device is very simple to use, it would be good to see the time codes so that specific key quotes could be more precisely cited. At the moment any attempt to correct this deletes the time code completely.

Summary

A useful tool to help guide you through video with a real potential for collaborative journalism.

Rating


May 14, 02:54 AM

Many apps have been developed to enhance smartphones’ often impressive audio recording ability but FiRe was the first to really attempt to be a professional field recorder. Initially launched on the iPhone (at a pretty high price of £3.99) it did prove to be very reliable so much so that many commercial radio stations (including GMG) encouraged reporters to use it instead of a bulky Marantz. Last year Audiofile stopped supporting FiRe and instead offered FiRe 2 an upgrade of the recorder which required you (somewhat cheekily) to buy it for another £3.99.

How it helps you

Although there are plenty of apps on the market that are easier to use this one is not only professional but also extremely flexible. You can add your own metadata which prevents the audio getting lost and can help when adding further context to an online story. With FiRe 2 there is integration with Dropbox – blowing Dropvox out of the water by a considerable distance. A sub or producer could easier pick up a story and it is easier to configure than FTP. There are also some pretty nifty editing tools so you’re out in the field getting an interview anyway you can easily file the audio before the story. And there’s Soundcloud integration which in private could be a handy archive but in public could also mean that a story could be broken on the platform.

In Practice

To test this app thoroughly, I recorded an interview using a the new app, we recorded it onto the camera microphone in an echoey dressing room whilst the interviewee ate a satsuma. The sound wave monitoring is very accurate which means you can avoid distortion. The noise quality has always been good but there’s a few more EQ settings (powered by Izotope) and extended metadata you can add before downloading. I did try editing the audio using the app but it was very fiddly, and then it crashed. I trimmed the audio (particularly the satusuma sucks) using Audacity on my computer and then uploaded to Audioboo, you get space for unlimited Boo’s on Audioboo whereas I’ve already filled my free Soundcloud account.

Drawbacks

You don’t need to have FiRe 1 installed to use FiRe 2 but, somewhat irritatingly it doesn’t incorporate the recordings you have already on the phone. There are a lot file format options on the new app but it does seem buggier than the first version.

Summary

An excellent field recorder – an average exporter – a pretty rough editor.

Rating

May 13, 10:47 AM

If This Then That (IFTTT) launched in September 2011 promising to be the “gaffer tape that holds the internet together”. This means various social media, cloud archives and even physical internet enabled products (a full list of channels here) can be connected together with simple instructions and without learning code.

In practice

Automated online activity which would require you to wrangle with the unwieldy Yahoo Pipes or the intimidating Mac Automator, is given a user-friendly interface. You can also share your favourite ‘recipes’ and allow people to use them. I use them a lot to allow for a more organic duplication of social media. For example, every image that I ‘favourite’ on Instagram automatically drops into Tumblr (under the Instagram tag) or when a new photo is uploaded by me to Flickr it also uploads them to a gallery on my Facebook page. Pictures are the currency of these social media channels and spreading them across platforms increases their exposure and engagement.

How it helps you

The reason I decided to post about this web application is because of the announcement last week Google is to discontinue its RSS Reader service after July 2013. Since I’ve been experimenting with Feedly as a replacement and implementing a process that doesn’t leave me relying too heavily on a single provider. News stories that I like are saved to Pocket from within Feedly and then from Pocket they’re piped with IFTTT to my Delicious and Pinboard bookmarks. This way I can organise my favourite stories and primary sources without depending on one web service. There are other recipes that could help your working life such as this which (once it allows for UK calls) would let you to effectively dial in a short story. If you were sending back photos or videos from a mobile phone you could speed publish across multiple platforms or notify a desk editor automatically. You can also sync certain documents with Google Drive or even use Google Drive to collect data on a single spreadsheet which might be useful for Data Journalism.

Drawbacks

Although there are 60 active channels on IFTTT with 433,065 tasks created by users in its first year it can be frustrating when you realise that your new app is not included. Particularly disappointing for me is Google Plus’s refusal to let people automate its updates (pages or personal) or Twitter’s restriction of their API. This platform really depends on an open internet.

Summary

A simple way of controlling your web and mobile activity.

Rating

May 10, 03:44 AM

History

Many of you who have worked with web content management systems or your own personal blog will have a basic understanding of HTML. Just by clicking on the HTML tab or by holding down CTRL+U you can get a grasp of what is going on behind any web page. But CSS can be a mystery as it is rarely placed within HTML (called inline). CSS stands for “Cascading Style Sheet” so instructions should be entered into a separate page within a website’s directory. As Online Journalist Mindy McAdams points out the excellent web-based coding guide Codeacademy often loses people at inline. This online tutorial takes about 20 minutes to run through and very simply explains the fundamentals of CSS.

In practice

I used what I’d learnt to completely change the overall look of a Tumblr website, also to stop to the Footer shooting up to the middle of the page when viewing this website in Internet Explorer.

How it helps you

If you use any website to collect together your stories, build feature ideas or grow an online audience, then knowing the fundamentals of CSS  means you can customise your site to appear more professional. A basic understanding of HTML and CSS is needed if you want to scrape any kind of website, as Classes are often used to mark-up useful information and (as explained in The Data Journalism Handbook) can help convert a web page into a usable spreadsheet format.

Drawbacks

I would have liked more opportunity to try out the code. When you try and apply the CSS there is a missing link which has to be pieced together by reading this tutorial. I realised I needed to select the class by writing and using the correct “selector”. As with many of these tutorials, it’s going to slip straight out of your head if you don’t apply it a few times.

Summary

An easy to follow tutorial, which needs further joining up for application.

Rating

May 09, 03:58 AM

History

Tweetbot took advantage of Twitter’s relatively open API to develop an iPhone native app which easily outshone their basic mobile offering. Although Twitter significantly upped its game with a redesign last year (following the acquisition of Tweetie and its coder), Tweetbot broke free from some of Twitter’s more idealistic attributes – including the patronising and advertising heavy #discover option.

In practice

You can very easily flick between multiple accounts, lists and searches. Particularly useful is Tweetbot’s “gestures” – a simple swipe and you can view replies or conversations on any tweet. Tap once to view a link, hold down to use the link or save to any number of apps, or configure triple tap options for yourself.

How it helps you

For feeding back tweets and multimedia on the move it is very good, especially with the facility to upload in the background. Also, not only can you flick between multiple Twitter personalities (for example public and private you) but you can keep track of Twitter lists. You can even turn a Twitter list into your timeline of contacts’ tweets or monitor keep on top of a story by monitoring a hashtag.

Drawbacks

Although it can be always on you have to drag down to refresh your timeline. If you want to keep abreast of several areas you have to swipe around. Tweetbot only has column based filtering and searching in the iPad app. Both iOS apps come with a £1.99 price tag. And beware, if you like it and want to start using it on your Mac then it’ll cost you £13.99 – apparently raised by Tweetbot to discourage too many users after Twitter restricted its API.  Perhaps because of this, we’re unlikely to see anything developed for Android or PC anytime soon.

Summary

A neat, fast and easy way to keep on top of Twitter on your iPhone.

Rating

May 06, 03:43 AM

History

Cowbird launched on December 8, 2011 and immediately became a place for people from the Occupy Wall Street movement to share their stories. Last year National Geographic used the website to help residents from Pine Ridge Indian Reservation to tell their stories. It’s easy to see why it would appeal to National Geographic as it allows you to tell stories with strong images. A few weeks ago it was announced there is now an embed option, allowing you to place your stories on most websites.

In practice

I uploaded a photo and told a small story. Cowbird has a freemium model so one image is the maximum you can upload without paying $60 to become a “citizen”. Other advantages of being a citizen is the ability to link stories and further customise your stories such as adding your own handwriting, adding hyperlinks, changing the colour palate and further interacting with the community. But there’s nothing to stop you putting different stories in parallel in one post, but if you wanted to use the platform to collect other people’s stories around a subject then you’d have to pay. Although the embed (below) is nice,  on Cowbird the story fills the screen and has a stronger impact.

The share (or “retelling”) facilities are pretty easy for Facebook, Pinterest and Tumblr. Although, as with many inbuilt autopost functions they don’t embed natively to their platform or tag properly. I found it nicer to just use the embed function on my Tumblr page for example.

How it helps you

The stories that you can create are best accompanied by strong photo stories. You can also embed audio so there’s nothing to stop you from telling media rich stories. If you do decide to opt for citizenship then this could all be built into the platform and the multipage option would allow you to tell longer stories, even comic strips or data stories.

Drawbacks

All the best functions come at a price. The embed function is good but the mobile interface is less appealing. Although this is probably not the central aim of this site, it would be difficult to collate a breaking news story, as this requires citizenship.

Summary

A intriguing way to tell multimedia stories without learning any HTML.

Rating

May 03, 03:32 AM

History

Soo Meta is a browser based editing tool which according to the website blurb allows you to create multimedia stories in minutes.

How it helps you

As well as marketers and educators, this tool was created with journalists in mind “Viewers expect more and more visual content. It’s time to deliver short movies, rich-media stories in your posts! Your audience will love it!” Like with Popcorn Maker the idea is that you enrich your original media by adding more multimedia frills. The video demonstrates how to use the Google bookmarklet to collect words, video and images from around the web, this has the added advantage of allowing you to cite your sources.

In practice

It took longer than “a few minutes” to get to grips with this tool. This is because the demonstration video only shows how to grab material via the bookmarklet, yet it doesn’t show you how to install the bookmarklet. Once I’d worked that out I was well into my story. When I attempt to install in Chrome it crashed, I finally installed it in Firefox but was unable to view the video in this browser. I had to complete the edit in Chrome then add the images again (so it carried across the metadata) in Firefox. More than once whilst hopping about I crashed my browser and had to step back. Finally, here’s what I created:

Drawbacks

Aside from the browser malfunctions, there’s very little support for this tool and you are pretty much on your own when it comes to working out what’s wrong. Even more unhelpfully if you do try and Google “Soo cut” (the name of the bookmarklet) you get a load of “soo cute” images and chintzy Google aps.

Summary

A great idea which appears simple but can be frustratingly tricky in practice.

Rating


May 02, 09:20 AM

Originally posted on the Newsroom 360 website, I’ve decided to post the series on my blog starting with the most recent first.

History

The fact that this app’s name is pronounced I-pay-dio gives some clue to its origins. Long before the iPad was even a glint in Steve Jobs’ retina this tool was originally created to host IP Radio, making it easy for people to broadcast from their mobile phone. Instead of just being designed for the slick multimedia prowess of the iPhone, ipadio was way more utilitarian, enabling people to be able to broadcast on many mobile phones with a reception of 2G or less, and even from satellite phones. At news:rewired they announced the launch of an iOS app which like its Android equivalent also has the ability to livecast across a broad spectrum of social media channels.

How it helps you

According to ipadio’s CEO Dr Mark K Smith there are over 200 uses for ipadio but there are plenty of features useful for journalists. It’s particularly good for live news stories because of its efficiency in low bandwidth areas. The fact that you’re able to phone in your report also means it can get past internet restricted events, which is why it was used during the Egyptian revolution and is currently being used by someone climbing Everest. It also has a mapping function which makes it perfect for travel journalism or filing back reports from a march. Journalism.co.uk have also shown how this phone call function can be used as a conference call to record an interview – which is partially transcribed via Spinvox.

In practice

I installed the new iPhone app onto my phone and did a quick quiet test. The system is straightforward to use and you can attach up to four pictures before uploading.

I also uploaded an old John Paul Jones interview with pictures or “Phlog” to the site. This offered more customisation including the ability to add tags and alter the location.

After I’d done this Dr Smith (CEO) got in touch with me in person and said he liked the John Paul Jones interview and allowed me to video stream on my phone. I tested out this function with a video that was broadcast and also uploaded to YouTube almost instantly.

Although this ipadio video Flash embed (which is still in Beta) disturbs my the HTML on this page.

Finally, I tested the audio from both the iPhone recording function:

And by phoning my broadcast in:

As expected, the phone-in audio was more condensed than iPhone but both uploaded very quickly, with the latter actually beating the former despite having to run through Spinvox’s transcription.

Further conversations with the very helpful Dr Smith led me to the discover the Beta Admin function which allows you to fully customise the privacy settings of each broadcast. This means you can keep your phone interviews private but can still report “as live” if need be. I was very impressed by the support community around this app including the blog and training videos.

Drawbacks

Only a few minor gripes, I’d say that the audio quality is not as good as Audioboo and that the video doesn’t allow you to add metadata on-the-hoof like Bambuser does.

Summary

A great tool for filing multimedia stories from the field no matter what device you’re on.

Rating

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