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I think I created this post just to avoid letting a whole month go without updating this journal. Some subconscious sense of duty must have been triggered in the back of my mind a few hours before the month was over, and it was easy to find a topic when I discovered PictureXS just reached it’s picture number 20102. Something worth mentioning, I guess. Numerologists must acknowledge the significance of this number. Me, I’m just happy I can finally spell “acknowledge” without thinking about it.

I might close the site soon, and make it static. It has been fun, but I feel PictureXS has grown to be kind of dated, and there are a number of issues in relation to it that I would approach differently today. At the same time, I feel more inclined to start a new site rather than update it or fix it.

These are a few words that lead to some great picture collections: book, red, blue, pink, cat, snow, robot, face.

This fall I worked on a top secret CSAIL project, modeling toon characters with an experimental system that I can’t talk about until it goes public. This job has reminded me how much I love cartoons in general, and how I should be doing more of those, and less of other things.

Cartoons sit halfway between realism and typography, still kind of faithful to some aspects of realism, but conceding a lot to symbolic representation. It’s not that cartoons can’t represent things faithfully, cartoons choose not to do so in order to communicate things better.

Cartoon shapes and environments can’t be fully defined in terms of geometric systems and mathematical modeling, forcing the intervention of the human component that is the essence of many deep cognitive questions. Cartoons are Gestalt at its best, and they are also fun as hell.

Honey I shrunk the Red Hook on Radar

Internetnecesario.org es una plataforma que permite visualizar todos los mensajes en twitter con el hashtag #internetnecesario al cual ha contribuido toda la comunidad tuitera.

El objetivo principal es que cualquier usario de internet pueda seguir la discusión pública que se está dando en redes sociales entorno al impuesto especial del 3% a los servicios ofrecidos por las redes de telecomunicación en México.

La plataforma cuenta con otras dos funciones que permiten que las expresiones sobre el tema no sólo sean gritos al aire sino que se traduzcan en presión a los integrantes del Congreso de la Unión. La primera es que todos los días a las 12 de la noche, se enviarán a todos los correos de las y los Senadores y Diputados un archivo con todos los tuits que digan #internetnecesario. La segunda herramienta es una petición que, hemos retomado de otras páginas de Internet, que puede ser firmada por quienes coincidan con los argumentos de rechazo al impuesto de 3% a telecomunicaciones. Esta petición y las firmas también serán enviadas a los correos electrónicos de los integrantes del Congreso de la Unión.

I am working with Ana Domb on this website for the MIT Futures of Entertainment 4 conference.

Thank you Wordpress and Arras Theme for the engine and the template.

Yesterday my friend eomsco inaugurated his flickr account with a bunch of OpenStudio drawings that he saved when OpenStudio was still a functional web application. His drawings are some of the most brilliant cartoons I ever saw in OpenStudio, and it filled me with joy to see them around again. I have my own little collection of OpenStudio drawings in flickr, and I am positive that many others must have interesting similar backups forgotten in some corner of their file systems. For this reason alone it made sense to create an OpenStudio flickr group. Buza, roadrash and burnto have already added some content to the group, and Buza has just uploaded the first 200 in a collection of around 900 user profile pages that he crawled and rendered in early 2008. If you were ever an OpenStudio user, can you find yourself there? Please join the group and share your collections of OpenStudio art if you have them.

Featured illustration: Who’s there by eomsco.

When my friend Laura Arena recently opened her Lucky Gallery in the heart of Red Hook Brooklyn, I immediately asked her if she would like me to put together an art show there.

I had the intention to make a wallpaper based pop-art inspired installation at the time, but it soon came clear that things were going to be different.

First, Laura expressed that she wanted her gallery to focus on collaborative work, and second, she suggested me to work on collaboration with her friend Andy Cavatorta, which is now a student in the MIT Media Lab. I accepted, and soon Andy and I were having lunch from the chinese-vietnamese food trucks at MIT every day of the week [Goosebeary's for those in the know], talking about ideas, intentions, and art. I wanted to use the laser cutter, and we both agreed on having something related to photography, and of a public art nature, preferably participatory, and with no electronics in it.

We decided to make a dollhouse version of the space around Lucky Gallery and call it “Honey I Shrunk the Red Hook”.

This is what I wrote for the opening event’s press release:
“Red Hook has an air of Mystery that I can’t find anywhere else in New York. It feels somewhat uncharted, perhaps separated as it is from the New York comprehensive subway network. When thinking about making art for Red Hook, I immediately felt like using this art as an excuse to get closer to the people in it, and learn about the place from them, hopefully helping them learn from each other in the process.”

And this is the project’s description from the same press release:
“Honey, I Shrunk the Red Hook” is a collaboration between Luis Blackaller and Andy Cavatorta who’s aim is to start a creative discussion about Red Hook. It will function as a public action, interactive installation and participatory performance. A diverse mix of members of the Red Hook community will be brought together to use art and the gallery space as communication devices. The artists will create a cardboard model of the streets around the gallery, and a collection of photographic dolls representing real Red Hook dwellers. Visitors to the Gallery will be encouraged to play with the dolls, having the option to have their own doll ready for the next weekend if they want. The familiar sights and people everybody knows will meet the ones in the imagination, giving visitors a chance to meet (or even be!) the familiar strangers all around them.

The show will open this weekend [August 8th], and will host different activities every weekend of August. If you’re in New York this month and would like to enjoy the warmth of Red Hook [probably Brooklyn's best hidden jewel], just take the free Ikea ferry [it's docked on Pier 11, downtown Manhattan] and check out this show. I will be putting pictures and related media here.

Thanks a lot to everyone that helped us with pictures for their dolls. Their virtual [yet physical] presence in Red hook is going to be awesome.

Why did it take me so long to start doing this? Only the Eschaton knows.



I hope it looks kind of like this when I finish painting it.

The reciprocal influence between politics and media during the performance of democratic elections is a spectacle that has always fascinated me. It is clear that Internet and social networking technologies like YouTube, Facebook and Twitter are becoming key protagonists in this performance, changing the rules of the game for good. The NYTimes has reported yesterday that the US State Department considers Twitter an important player during the current state of the Iranian electoral crisis. Could Twitter have prevented the destruction of Chilean democratically elected Popular Unity government in 1973, or the Mexican massacre of students in 1968? Probably not, but the combined communication resources provided by the web and mobile phones can help bring transparency and civic agency against the monolithic institutions of traditional media, hopefully contributing towards making a difference some day.

However, to make this kind of communication systems ever work at all without becoming new tools to manipulate public opinion like other media, something needs to be done about the digital divide, because today most people everywhere have no access or representation in the digital communication sphere.

So yeah, on one side, internet can help communities organize and express themselves against an imposed establishment. On the other side, it can facilitate new resources to interventionist strategies. This problem is of particular importance in a world where global notions of sovereignty are ill-defined and always biased.

Based on a Kenyan OpenSource mobile monitoring web engine called Ushahidi ["testimony" in Swahili], a group of friends from MIT and beyond [including me] has put together an application called cuidemos el voto to help report irregularities during the upcoming Mexican Federal Elections [July 5, 2009] using mobile phones and a web application.

I was in charge of creating a concept and designing the graphic image of the project. The biggest challenge was to find a fun way to represent the main idea without compromising the seriousness of the matter. “Cuidemos el voto” means “let’s protect the vote together”, and it occurred to me that there is no better symbol to protect the mexican vote than the anonymous masked mexican wrestler.

Mexico is a nation with a history of fraudulent elections. For many of us, it’s very hard to believe that voting can have a positive effect on how we live, or change anything at all. Experimentation with systems that help foster civic participation in a politically lethargic society sounds like a good idea. It even makes ME sound like less of a cynic ;P.

[Extracted from the Tiny Icon Factory. Colored using a Magic Wand Tool]