Last month, I worked on the design and implementation of a system to connect mobile phones with a custom version of theBlu client that ran on the NASDAQ screen in Times Square. This was part of a celebration put together on May 4th by Wemo Media to introduce theBlu to the world. If you’d like to see how it went, Wired has published a video covering the event.
After extensive research, I chose JQueryMobile to build the mobile web app. I had never used JQueryMobile before, and I was happy to find it accessible and robust. It’s a good mobile UI framework if you ever need one.
Also, I got my first iPhone to use for development purposes (yeah right). As an all time iPad user, I always thought I would never appreciate an iPhone fully, and for the longest time pretended to be happy with vintage cellphones where texting is a task only possible for people born after 1990, but after half a month of iPhone bliss, I find myself using the iPad a lot less and texting like a superhero, using Instagram like there is no tomorrow and finally having a reasonable replacement for my lost iPod. I’m not too happy with the camera though—I think it’s a bit dumb.
@Nachotl de PaseUsted me invitó a participar en la Gira TelmexHub UNAM, donde impartí una conferencia enfocada en el tema de La Experiencia Narrativa en La Era Digital. Básicamente propuse la misma linea argumental con que participé la vez pasada, explorando la intersección entre comunicación social, teoría de la información y cultura, pero más interesado en el espacio en que contamos y consumimos historias, en lugar del espacio del arte en general. Como era de esperarse, el resultado termina poniendo más atención a la industria del entretenimiento que al sistema del arte.
Me llenó de gusto tener la oportunidad de compartir mi trabajo y mis ideas con los estudiantes de la UNAM –mi alma mater– y haberme encontrado con una Cultura Digital vibrante, llena de propuestas y preguntas.
Al igual que cuando estuve en Puebla, la Gira TelmexHub demostró reunir una buena colección de talentos, entre quienes tuve oportunidad de conocer y convivir con el educador e inventor Raul Gutierrez, el cineasta experimental Jacob Krupnik y su productora Youngna Park, y el poderoso taquero electrónico Redmarker, a quien ya conocía por cierto.
The last month and a half I’ve been working with Wemo Media in TheBlu. TheBlu is an unusual mix of social media, peripheral entertainment, virtual marketplace, and crowd-sourced digital studio. It’s a new effort in the ongoing quest to find a functional combination between Hollywood and Silicon Valley. I was called at the end of January to provide Art Direction, and to work on User Interface and User Experience Design. This means I’ve mostly been using good old Illustrator/Photoshop/AfterEffects for mockups and asset deliverables, and Javascript/HTML/CSS for prototyping and implementation. I still have to get my hands on the actual 3D part of the whole thing. I hope it will not take too long.
I just finished a new video for MIT CTL with Max. It is basically a continuation of the video featured in my previous post.
My favorite part of the video narrates the story of the horse manure crisis of the 1890s, where a significant group of world class urban planners predicted that 20th century cities were going to be buried in horse shit by 1930 because of horse population growth, failing to acknowledge cars as a legitimate urban transportation alternative, even though cars had already began to be manufactured commercially. Classic.
Max and I recently finished this video for the MIT Center for Transportation and Logistics. The video illustrates Chris Caplice’s talk on Scenario Planning, a brainstorming technique that helps prepare for abrupt changes in the future.
We use Boxing and Judo to compare between different planning techniques. Boxing represents the traditional approach, based on precise predictions of specific events, and Judo represents Scenario Planning, where it is more important to outline a number of potential futures and prepare for them. This way, specific events become less relevant as the effects they might produce. It makes sense, because lots of different events may cause the same effect over a given system. Preparing for this effect is a lot better strategy than the nearly impossible task of trying to predict each one of these events.
), together with a couple of celebrities from pop culture, one science celebrity, and a monster made from body parts of several cadavers. This flickr link features the complete BobbleHead collection in the form of a wallpaper, including a famous superhero that didn’t make it to the website for obvious copyright reasons.
Gilbert Garcin, The Collector [Le Collectionneur], 2004