audio/visual agitator based in Baltimore, MD
Currently I'm exploring the sounds of techno
AMY SCHISSEL. CYBERFIELDS, 2 OF 9 PANELS, 2012, ACRYLIC, INK, CHARCOAL, MIXED MEDIA ON PAPER (with detail views)
http://makemistakes.us/2013/04/mixed-mistakes-attentat/
“Check the stylee of our man Attentat, as he weaves together a limited edition teaser mix of selection of tracks that will be available for purchase on Beatport on various other online stores. We are beyond words excited to see this come to fruition, it has been a long time in the works….Make Mistakes Digital.”
featuring my forthcoming track “Warming Trend”
Ben Britton, thing:78765, Sycamore Seed Model (2013)
Take a second and look at this.
This morning a man named Ben Britton in Wellington, New Zealand touched an idea of the future. This is, in part, what the future looks like.
You know what a Sycamore seed is. Ever since you were a kid you’ve seen them helicoptering down in your neighborhood. You’ve played with them and maybe learned a little bit about propellers from them. The seed is the fruit of the Sycamore tree.
This is a 3D printable model of a Sycamore seed. It has no purpose but as an analogous representation of a sycamore seed. It flies like one and is the same size. With appropriate painting and consideration one would not be able to tell the differences of the analog to it’s original.
There’s something fundamentally representative of the future in this. I can’t point it out exactly but I know it is there. What do you think?
Oh and someone notify Bruce Sterling of this.
yes.
Taoism and Zen informs a great deal of my work, this outlines some concepts I attempt to put into practice quite well..
1. Lomez - Patience of the Samurai
2. Lomez - Montebello
3. Lomez - Dead Language featuring A’phreaq
The latest offering from Better on Foot features Lomez, as he defects to a stripped down EP of deep minimal house. Patience of the Samurai begins things with a spacial groove, sultry sub bass, and vocoder overtones. Montebello picks up the pace quickly, adding a dirty, chugging synth line. Rounding out the 3-tracker is Dead Language, a strong collaboration between Lomez and new face A’phreaq. Taking things to a more peak moment with rolling tribal drums and catchy clave work, this cut rounds out a mature package for a special class of DJ.
Available on Beatport.com March 26th.
I’ve been fascinated and borderline obsessed with cymatics over the past few months. Which is the idea that certain frequencies can resonate and cause 3D forms and pattern symmetry. As my own personal first processing project from scratch I developed a sketch that simulated this idea. Controlled by iPad using OSC, minim library and the Lemur app.
Feeling pretty accomplished with the first draft.
Never stop studying. You’re not just an artist, you’re a craftsman.
Getulio AlvianiSuperficie a tessitura vibratile 16 quadrati O.V1962 (36 x 36cm)
Neil Jussila, Black Sound (2006), acrylic on canvas
Read this very closely.
Take interest in what you have interest in. Do not be a slave to general zeitgeist, memetic net culture OR fandom juggernauts. Take interest in only that which interests you. Fuck everything else and anyone that would deride you for your interest or call you pretentious for what you love. Take interest in that which is particular to you.
Go find the things you love. Find what it is about them you love, how they were made, who made them. Go to the places those things come from and trace them to where they end up. Even in those moments where you feel like it separates you from other people, keep going.
Eventually you will find what it is about you that causes you to like these things and at that point you will find the core operators of an idea called ‘self’. Once you have found that point you will have found those people to share that core with. Take part in that feedback loop.
Learn to, as NYT Op-Ed columnist David Brooks put’s it:
”…appreciate the tremendous power of particularity. If your identity is formed by hard boundaries, if your concerns are expressed through a specific paracosm, you are going to have more depth and definition than you are if you grew up in the far-flung networks of pluralism and eclecticism, surfing from one spot to the next, sampling one style then the next, your identity formed by soft boundaries, or none at all.”
It is good to be particular, for particularity is difficult; that something is difficult must be a reason the more for us to do it.
Tremendous bit of sudden perspective and clarity.