ADK MOGUL is a production and publishing house located in Lake Placid, NY. We provide location and production management, crew, studio space, and craft services for films shooting in the Adirondack region. ADK MOGUL Press is a literary organization that assembles a yearly journal from contributors and student writers, and creates workshops with working writers and area high schools. Mogul’s mission is to help foster the growth of film and writing in the regional community, as well as to serve as a beacon for Upstate, New York, inviting filmmakers and writers to work here.
Call For Entries for the North Country Shorts Program for the 2013 Lake Placid Film Forum.
Attention! If you are a filmmaker who would like your short work exhibited at the 2013 Lake Placid Film Forum June 14-16, it’s time to submit!
Criteria: Films should be no longer than 15 minutes. Please: no gratuitous gore, eroticism, or violence.
Other Criteria: A “North Country” affiliation means a filmmaker from the region, a film shot in the region — or make a solid case why your film has a North Country essence!
You can mail the form and the entry fee along with your submission to North Country Shorts, PO BOX 489 Lake Placid, NY 12946. You may also chose to remit the entry fee by using PayPal from our Adirondack Film Society website.
Questions or concerns? Contact tjb@lakeplacidfilmforum.com
Happy Friday! We’re supposed to be getting more snow this week so here are some movies playing this weekend at our favorite local movie theatre:
The Croods (PG)
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
The world’s very first prehistoric family goes on a road trip to an uncharted and fantastical world. Starring the voice talents of Nicolas Cage, Ryan Reynolds, and Emma Stone. Directed by Kirk De Mico and Chris Sanders.Olympus Has Fallen (R)
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
Disgraced former Presidential guard Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers. Starring Gerard Butler, Morgan Freeman, and Aaron Eckhart. Directed by Antoine Fuqua (Training Day).
The Incredible Burt Wonderstone(PG-13)
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
When a street magician’s stunt begins to make their show look stale, superstar magicians Burt Wonderstone and Anton Marvelton look to salvage on their act - and their friendship - by staging their own daring stunt. Starring Steve Carrell, Steve Buscemi, Jim Carrey, and Olivia Wilde. Directed by Don Scardino.
Oz The Great and Powerful(PG)
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
A small-time magician arrives in an enchanted land and is forced to decide if he will be a good man or a great one. Starring James Franco, Michelle Williams, Rachel Weisz, and Mila Kunis. Directed by Sam Raimi.
Have a great weekend everyone! Stay warm.
How Kirk Sullivan Rose From An Assistant To Direct ‘Dead Men.
Congrats to Kirk on Dead Men! Check out his hilarious and awesome short film THE COME UP above.
Here is our first in-house film project, an effort to use local talent and resources to see a short film through from concept to exhibition. Production of THE DEAL is part of our experimentation with endogenous growth theory; that doing is learning, and benefits the community. The movie stars Michael Fisher, John Kiedaisch, and Jon Fremante. It was shot in the summer of 2012 with DSLR cameras, a skeleton crew, and a little less than 500 bucks.
THE DEAL is a 23 minute short film shot entirely on location in Lake Placid, NY, using regional talent and local resources. The motivation behind creating the film was to draw together people from the community to collaborate on a creative project. We are thrilled with the results, and think you will be, too! Plus, by purchasing your copy of THE DEAL, you’re contributing to small town economy, and helping emerging artists establish themselves in their creative fields.
SYNOPSIS: Jonathan Volcrum, a down-on-his-luck working man, has just lost everything. When a stranger arrives with a mysterious proposal, Jonathan must decide if the risks are worth getting the life he desperately desires.
PRODUCT FEATURES: Original front and back cover art on DVD sleeve. Black DVD case, custom disc image. DISC MATERIAL: The entire film, plus nine minutes of funny outtakes, deleted scenes, and still images.
Get all this for $15 with free shipping! It’s, y’know, a DEAL.
We’ve been in recovery mode since the Go Digital or Go Dark trailer shoot so we apologize for the Spring Break.
Anyway, here are the movies starting this Friday!
The Incredible Burt Wonderstone (PG-13)
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
When a street magician’s stunt begins to make their show look stale, superstar magicians Burt Wonderstone and Anton Marvelton look to salvage on their act - and their friendship - by staging their own daring stunt. Starring Steve Carrell, Steve Buscemi, Jim Carrey, and Olivia Wilde. Directed by Don Scardino.Oz The Great and Powerful (PG)
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
A small-time magician arrives in an enchanted land and is forced to decide if he will be a good man or a great one. Starring James Franco, Michelle Williams, Rachel Weisz, and Mila Kunis. Directed by Sam Raimi.
Side Effects (R)
7:00 & 9:30
MATINEES SAT. & SUN. At 2:15
A young woman’s world unravels when a drug prescribed by her psychiatrist has unexpected side effects. Starring Rooney Mara, Jude Law, and Channing Tatum. Directed by Steven Soderbergh.Jack the Giant Slayer (PG-13)
7:00 & 9:30
MATINEES SAT. & SUN. @ 2:15
The ancient war between humans and a race of giants is reignited when Jack, a young farmhand fighting for a kingdom and the love of a princess, opens a gateway between the two worlds. Starring Nicholas Hoult, Ewan McGregor, and Stanley Tucci. Directed by Bryan Singer.
Here is the final poster for THE DEAL, designed by the great Amanda Coyle.
We’re happy to announce that the film has been released to friends and donors today! You should be getting it in your email this afternoon. Other donors will get their DVDs in the next 7-10 days.
DVDs will be available for sale through our site in March.
We made this movie for less than five hundred dollars with a crew of six. The final product shows what a small group of dedicated and talented individuals can put together with the support of our great community, as well as fellow Tumblr peeps Operationfailure, Abhay, and Whitney. Thank you all very much for participating.
We’re proud of the result. Some of the feedback we’ve received from our test audience (parents, friends, colleagues at Paul Smith’s College, sons, and nearly one year-old little girls), say the twenty-two minute film is captivating and left them wanting more.
We’re excited for the rest of you to see the film and would love to hear what you think about it so we can improve for our next film, which we’ll be shooting this summer. Thank you again for your support.
We’re exhausted from last weekend, and so is apparently the Palace Theatre, because it’s playing the same movies as last week. Click the title to get last week’s description.
Happy Oscar weekend!
Happy President’s weekend! We’re excited for this long weekend as we’ll be shooting a trailer at the Palace! Come see…another Die Hard movie? I didn’t know they did any of those anymore.
Escape From Planet Earth (PG)
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
Astronaut Scorch Supernova finds himself caught in a trap when he responds to an SOS from a notoriously dangerous alien planet. Featuring the voice talents of Brendan Fraser, Rob Corddry, and Ricky Gervais.
A Good Day to Die Hard (R)
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working to prevent a nuclear-weapons heist, causing the father and son to team up against underworld forces. Starring Bruce Willis and Jai Courtney.
Safe Haven (PG-13)
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
A young woman with a mysterious past lands in Southport, North Carolina where her bond with a widower forces her to confront the dark secret that haunts her. Starring Josh Duhamel, Julianne Hough in another Nicholas Sparks joint.
Identity Thief (R)
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
Mild-mannered businessman Sandy Patterson travels from Denver to Miami to confront the deceptively harmless-looking woman who has been living it up after stealing Sandy’s identity. Starring Jason Bateman and Melissa McCarthy. Directed by Seth Gordon.
Attention actors:
This Sunday we’d like to give you the opportunity to act in the trailer we’re putting together for the GO DIGITAL OR GO DARK campaign.
We’re looking for a couple and some teenagers to take part in the trailer highlighting the plight of thirteen Adirondack movie theaters as they try to raise money to convert their film projectors to digital.
We’re shooting Sunday and if you’re able to make it please email adkmogul@gmail.com with your resume, contact info, and headshot.
Thanks for your time!
[Poster by Aaron Hobson.]
John Kiedaisch has been a friend of the Adirondack Film Society for years and became a close friend during the student competition. We first came to know John through George Woodard’s The Summer of Walter Hacks. John’s pleasant demeanor and Clint Eastwood-like tone with his work on Peter Sumpter added a level of sincerity and innocence to a character that is pretty manipulative. Kiedaisch as Sumpter calls into question as to who is really the good guy in The Deal.
Kiedaisch will next be seen in Jay Kraven’s new film Northern Borders.
Here’s John on the reason why he got into acting:
In the late nineties, at the encouragement of a friend who was the chair of the theatre department at Mount Holyoke College, I began taking acting classes at the University of Vermont. I took all the acting classes, acted in several UVM and Mount Holyoke plays – WISH FULFILLMENT, THE CRUCIBLE, NIGHT OF THE IGUANA – and began volunteering with the Vermont Stage Company as their Technical Director. I was also practicing architecture at the same time. While acting in a Vermont Stage production I became friends with another actor who recommended me to the writer/director George Woodard for a major role in a film George was about to film. During the filming I met Michael Fisher who ask if I would work with him on some of his films and on films being done as final projects by his students in the Burlington College Film School. I have done six or so films with Michael and several more with his students. Through my work with George Woodard, Michael Fisher and Burlington College, I have met several other local film makers – Mike Turner, Jeff Wager, Jay Craven – and gotten acting roles in their recent films.
I saw Silver Linings Playbook last weekend and I have to say that is by far my favorite award-nominated film of the year. Not Zero Dark Thirty, or Lincoln, but Silver Linings Playbook. The good news? If you haven’t seen that movie yet, it’s here for another week! So don’t miss it.
In other news Jason Bateman continues to destroy the street cred he gained with Arrested Development and is in some movie with Melissa McCarthy:
Identity Thief (R)
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
Mild-mannered businessman Sandy Patterson travels from Denver to Miami to confront the deceptively harmless-looking woman who has been living it up after stealing Sandy’s identity. Starring Jason Bateman and Melissa McCarthy. Directed by Seth Gordon.Parker (R)
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew’s latest heist. Based on the classic Donald Westlake character Jason Statham has arrived to kicksplode a character Mel Gibson played well in Payback. Directed by Taylor Hackford.
Warm Bodies (PG-13)
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
After R (a highly unusual zombie) saves Julie from an attack, the two form a relationship that sets in motion a sequence of events that might transform the entire lifeless world. Starring Nicholas Hoult (X-Men: First Class), Teresa Palmer, and John Malcovich (Red).Silver Linings Playbook (R)
7:00 & 9:30
MATINEES SAT. & SUN.at 2:15
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own. Nominated for 8 Oscars, this movie stars Bradley Cooper, Jennifer Lawrence (winner of Best Actress in a Comedy at the Golden Globes), and Robert DeNiro. Written and directed by David O. Russell (The Fighter)
Nineteen Year Old Blake Cortright is making a documentary about the men and women called The 46ers. He’ll be following these adventurous hikers as they hike all 46 peaks of the Adirondack Mountains.
If you’re able, we highly encourage you to donate to his Kickstarter to make this film happen. Good luck, Blake!
Arche Productions Presents
A Blake Cortright Film
“The 46ers: Conquering The Adirondacks”Aerial Photography provided by Mountain Lake PBS
Music by Justin Michael BrittainNarrated by John Kearney
In which The Shared Experience director Nick Homler is interviewed in the Mahwah Patch about the documentary.
“They are facing a digital conversion,” Homler told Patch. “Basically, all of the big movie companies are switching from reels to digital films, and if theaters don’t pay to update their equipment, and learn how to use and fix the new digital projectors, they are going to be forced to go out of business.”
For small theaters across the country, Homler says the economic impact of switching systems is life-threatening. Converting to the new system – which has to happen by the end of the year – will cost local theater owners $70,000 to $100,000 per screen.
“I was surprised to learn about this, but I really feel that in a year it will be major news,” Homler said. The future of local theaters piqued his interest.
In the market for a capstone film project at Marist, the Radio, TV & Film and Interactive Media major gathered three of his friends, Rivas, Nick Davis, from Queens and Kevin Mahoney, from Rockland County, to help him make the movie. Together, the quartet traveled to several local theaters, interviewed owners, sought out industry experts and put together a 13-minute documentary for one of Homler’s classes last semester. Rather than satisfying the group’s interest in the topic, the short film only inspired them to find out more.
Here’s some of the music Brendan Coyle has done for The Deal called “The Devil Comes Knocking.”
Congratulations to the State Theater in Tupper Lake, NY for getting funding to convert to digital projection!
Sorry for the filthy SEO grabbing headline, but if you’re like us and not really into the skull crushing death sport known as American Football, there are plenty of movies to see at the Palace Theater, FOR LESS THAN A BUCK. Here are the movies coming tomorrow, Feb. 1:
Feb. 3RD, 2013
SUPER BOWL SUNDAY SPECIAL
ALL SHOWS 99¢Warm Bodies (PG-13)
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
After R (a highly unusual zombie) saves Julie from an attack, the two form a relationship that sets in motion a sequence of events that might transform the entire lifeless world. Starring Nicholas Hoult (X-Men: First Class), Teresa Palmer, and John Malcovich (Red).
Hitchcock (PG-13)
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
A love story between influential filmmaker Alfred Hitchcock and wife Alma Reville during the filming of Psycho in 1959. Starring Anthony Hopkins and Helen Mirren.Silver Linings Playbook (R)
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own. Nominated for 8 Oscars, this movie stars Bradley Cooper, Jennifer Lawrence (winner of Best Actress in a Comedy at the Golden Globes), and Robert DeNiro. Written and directed by David O. Russell (The Fighter)Hansel & Gretel: Witch Hunters (R)
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
In this spin on the fairy tale, Hansel & Gretel are now bounty hunters who track and kill witches all over the world. As the fabled Blood Moon approaches, the siblings encounter a new form of evil that might hold a secret to their past. Starring Jeremy Renner (!), Gemma Arterton (?) and Famke Janssen (Jean Grey?!) directed by Tommy Wirkola.
This is not the first time we’ve worked with Michael Fisher. We met him at the Sleepless in Lake Placid film competition as an actor, and put his first short film Stations in the North Country Shorts Program. When we were decompressing after the film forum last summer, we decided that it was the perfect time to put together our first short film as a production house.
Michael was our first thought to play the lead in The Deal. His nervous mannerisms and intensity were perfect to play the desperate Jonathan Volcrum. An extremely accomplished cinematic performer, Michael’s directed two short films, the most recent you can see above.
We’re so happy that he was able to be a part of this production. His steadfast placement and consistency throughout his performance made it a joy to work with him and made the post-production of the film streamlined and easy.
For more on Michael visit his website at michaelfisherfilms.com.
The issue of digital projection conversion is very thoroughly covered throughout the North Country, but it’s happening in a quite few other small town.
This moving story talks about Michael Packett who bought the Retro Cinema 4 in Forest City, North Carolina in 2009 when it was at risk of shutting down and spent his life savings to keep the theater in business. Now he finds himself in a similar situation with digital projection and is running fundraisers and other events to keep the theater opened.
We wish the best to Mr. Packett and hope that he’s able to work through this as it’s an issue we care deeply about and is the focus of our documentary, The Shared Experience.
We had a great time talking to all kinds of creators at Sundance this year — filmmakers, musicians, animators, artists, fans, wandering prophets — and we’ve got a ton of featured interviews to post on Storyboard real soon. Until we get everything polished and ready, enjoy this little teaser of just a few of the fine folks we chatted with, and some of the fine things they had to say.
It would be wrong to say that Storyboard and Tumblr Editorial are not major influences behind our blogs and I am very excited to see their interviews from Sundance.
Here is the full trailer for the Go Digital or Go Dark campaign. After viewing, click here to help save your local theatre.
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CREDITS
Directors: T J Brearton, Aaron Woolf
Producers: Adk Mogul, Mosaic Films, Adirondack North Country Association, Adirondack Film Society
Cinematography: Derek Hallquist, Jordan Craig
Actors: Margarete Schulte, Charles Smith, Soozie Leubert, Noell Prellwitz, Jon Fremante, Kimberly Ratkos-Rath, Kelly Strack, Heather Clark, Natalie Orman, Sean Orman, Melissa Rath, Lindsey Rath, Jane Nobel Maxwell, Margo Fish, Whitney Ratliff, Tara Beaney Miller
Written by: T J Brearton, Aaron Woolf, Howard Fish
Editors: T J Brearton, Aaron Woolf
Production Coordinators: David Press, T J Brearton
Production Assistance: David Press
Composer: Brendan Coyle
Narrator: T J Brearton
Sound Mix / Color Correction: Glue, NYC
Film Transfer: Alpha Cine, Seattle
Graphic Logo: Aaron Hobson
Einstein said that if you want to understand something better, try and explain it to your grandmother. The more I find myself talking about the digital conversion issue which faces independently owned theatres, the more feel like I understand it. But, it’s challenging. The topic is complex, and not black and white. And the rabbit hole, it seems, gets deeper and deeper.
In 2012, the Lake Placid Film Forum hosted a Panel Discussion called “Do Movie Theatres Have a Future?” The answer, I have come to believe in the months since, is a resounding Yes. And the road to success is one that literally takes a village.
Not everyone agrees, however. Some extremists feel that public film exhibition is dying out, like print media or landline telephones. Many people I’ve talked to disagree that the issue ought to involve fundraising or community support – that theatres are a business which should take care of themselves.
This is where the complexity starts, in my experience. A movie theatre is a unique business. Most people would agree that going to the movies is not the same as buying something from a store. It’s more akin to an event, like a trip to a museum or a theme park. Often it is accompanied by one or more micro-events, such as going to dinner, doing a little shopping in the neighborhood district, or grabbing a coffee. Going to the movies often includes other businesses besides the theatre.
Another opinion I’ve heard advanced is that the theatres ought to have “seen this coming.” Meaning, as a responsible business, a theatre owner should have foreseen the conversion to digital and prepared to navigate that switch by budgeting for the new equipment. The theatres may not have seen this coming because there has never been any firm end date described; it’s been a vague threat on the horizon for a short while. And unless they had a few hundred thousand dollars lying around or were able to raise that money in that small amount of time, they’re in the lurch. Perhaps the theatres could have raised ticket prices or charged more for concessions?
Right now the average digital projector costs about $90,000. (That’s a lot of five-dollar popcorn.) This level of projection is required by the studios and distributors who hold the rights to the kinds of films small town theatres need to book in order to access a decent audience – especially in tourist-economy communities where out-of-towners expect the same fare they could see at home. Some theatres have two or more screens. They may also be required to retrofit for sound. They may need to make major renovations to remove the old platter system and install the new projector. And there are all sorts of add-ons and requirements the distributors attach to the projection process. But that’s only where the dominance of the distributor begins.
What I learned from getting more involved in this issue is that a movie theatre doesn’t work in remotely the same way as other businesses in terms of peddling its wares. A distributor of a Hollywood film typically gets 70% of the box office on an opening week, leaving the theatre owner with 30% of the money folks trade for tickets. Sometimes it’s the first two weeks. It’s only after two or more weeks that the inequitable percentage may drop a little. But by the time the contract allows the theatre to claim a majority of the grosses, the film may have been playing for four weeks or more, and by then, most everyone has seen it.
On the other hand, the money that the big studios are saving with the conversion – no longer having to process or ship prints – is astronomical. Even conservative estimates show a saving of billions of dollars just in the first years. Yet none of these savings have been paid forward to the independently owned theatres. There have been plans for a kind of high-conditionality loan, but it’s something that resembles indentured servitude more than a helpful leg up.
This is because it was the original intent of Hollywood studios to control everything from the acquisition to the exhibition of filmmaking. Film historians and long-time theatre owners tell us that film studios never intended for the “middle man” of privately owned movie theatres to exist in the first place. When they first began to spring up in the early 1900s, the studios conceded to work with the small theatres only because they thought they would serve to extend market reach to rural towns…and small towns. In time, the studios figured that they would spread their own theatres to these regions anyway. And that time has come. Industry insiders say that the big studios have known that this conversion would wipe out the majority of independent theatres, and that this was not only something they wouldn’t try to stop, but an added bonus.
The good news is, a digital conversion can serve a theatre which chooses to continue its relationship with its booker and distributor, or it can serve as a tool to liberate the theatres as well. For the audacious theatre owner, digital projection can allow for great latitude in programming, from live sports and artistic events, regional independent films, foreign films, cult favorites, classics, and throwbacks – auditoriums can also be rented for interactive conferences, festivals, parties, and more. The sky is the limit.
But the absence of small theatres in towns like Lake Placid, NY will likely yield the kind of Hoyts and Regal-Hyatt multiplexes in league with big-box stores like Wal-Mart and Target. Big-box business tend to set up camp on the edge of a town in anticipation of sprawl, and dredge the downtown district of that community, often leaving it derelict and devoid of character, devastating vital retail business, restaurants, or most anything else. And these multiplexes are likely to show only the “name” films which offer less and less variety as studios make fewer films per year, packing more money into one extravaganza franken-movie which runs for three hours and plays for eight weeks.
The digital conversion issue, I have come to learn, is a Davy and Goliath story. It is one more manifestation of the tendency towards homogenization of culture, the push towards corporate, global business, and the decay of character-driven, independently owned small business which enrich our communities. By working to help the regional theatres stay open, we help to preserve small business in the community, sustain a unique part of our culture, and ensure economic welfare for other businesses that benefit from having a destination for nightlife. I think grandma would understand that.
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It’s true. The turtles have been sighted in the Adirondack Mountains, doing some cowabunga-ish stunts over at Big Tupper.
Here’s the scoop: Tupper is not the site for all of TMNT’s principal photography, but for some key action scenes that will be part of the climax of the film.
We know because we helped to scout the Adirondacks last December when a Location Manager of the “Snow Unit” was poking around. After working on the scout, we agreed to keep things quiet.
What we can say now is that the producers of the film were drawn to the region because they had spent time in Vancouver for the Winter Olympics. When the big snowy action sequence was dreamed up, they thought that a region with facilities equipped to accommodate big action like the Olympics would be able to handle the big stunts for a Blockbuster film. So they started investigating Lake Placid, and other North Country venues, including places in Vermont.
We ran around and snapped pictures of various places in Lake Placid and along the outskirts. We checked out Mt Pisgah in Saranac Lake, and then we also recommended looking into Big Tupper.
The rest is history. …Or, will be, shortly.
The TMNT film is a reboot, as envisioned by Michael Bay, he of the “Transformers” legacy (some would say debacle). Whether or not the film is up to the fan’s standards is probably a non-issue, as the Transformers films still raked in the dough, as did the oft-derided prequel Star Wars films. It could be said that what sells tickets is the chance for people to jury a film. Especially in today’s ultra-connected world when social networking word of mouth rivals the summations of professional movie critics. We’re not guaranteed that a film will live up to our expectations, but we’re given the chance to make that call, and then shout our feelings from the rooftop.
However TMNT turns out, ADK MOGUL is glad to have been a small part (we like to think we helped get the ball rolling) and we’re grateful to see our vision coming true – a resurgence of filmmaking, both big and small, in the Adirondacks, bringing money and jobs… and the chance to see mutant turtles sliding down a ski slope on their shells. What more could one ask for.
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Kirk Sullivan, a native of Saranac Lake, NY, “comes up” from assisting megawatt producer Joel Silver and proves he’s got what it takes to get behind the helm himself with his meta, movie-about-a-guy-who-works-on-movies-while-trying-to-get-his-own-movie-made. It’s mind-melding yet refreshingly simple, brandishing real film stock (not ones and zeroes) with the kind of floating camerawork and poppy, actioner soundtrack that reminisces movies from…well, Joel Silver.
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Check out “The Come Up,” the short flick that landed Kirk his chance to debut as a feature film director.
Good luck, Kirk! You totally deserve it.
The Come Up from kirk sullivan on Vimeo.
How Kirk raised money for The Come Up
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(post by T J Brearton)
Here is our first in-house project, an effort to use local talent and resources to see a short film through from concept to exhibition. Production of The Deal is part of our experimentation with endogenous growth theory; that doing is learning, and benefits the community. The movie stars Michael Fisher, John Kiedaisch, and Jon Fremante. It was shot in the summer of 2012 with DSLR cameras, a skeleton crew, and a little less than 500 bucks.
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Click HERE for a DVD copy
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Check out this short film, wonderfully realized by writer-director-cinematographer-editor Noah Petrie, with standout performances from stars Michael Fisher (of our own short, The Deal), Jordan Gullikson, and Emily Wood.
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In the Summer of 2011, the feature film starring Ryan Gosling The Place Beyond The Pines was filming in Schenectady, NY. When the director (Derek Cianfrance, Blue Valentine) and producers were looking for a place to film their ending, they looked to the Adirondacks.
While the Schenectady locations served the production for the bulk of the film, the ending required a different setting. A lonesome road, and a stunning vista of the mountains in the distance. Where better than the ‘Dacks?
After an intensive location scout, a process assisted by ADK MOGUL’s co-founder T J Brearton, the place to shoot the ending was decided on: The production of The Pines would do a small company move out to Norman’s Ridge, a secluded location located between Bloomingdale and Vermontville.
Brearton subsequently wrote articles about the location scouting, and discussed the film with director Cianfrance.
Those articles are here:
Mean Streets: The Toughness Behind The Place Beyond The Pines
Recently, following a screening at the Toronto International Film Festival, the film’s distribution rights were picked up by Focus Features.
So when is the film coming out? While imdb lists a 2012 release date, The Pines won’t hit theaters until 2013. No specific date has been listed. Mogul will keep you posted as we learn more about this exciting feature shot right in our back yard. For now, enjoy this official clip of the film, procured by HitFix.