ADK MOGUL is a production and publishing house located in Lake Placid, NY. We provide location and production management, crew, studio space, and craft services for films shooting in the Adirondack region. ADK MOGUL Press is a literary organization that assembles a yearly journal from contributors and student writers, and creates workshops with working writers and area high schools. Mogul’s mission is to help foster the growth of film and writing in the regional community, as well as to serve as a beacon for Upstate, New York, inviting filmmakers and writers to work here.
Some selected photos by Chris LaFountain, Rick Marshall, and Jordan Craig from Sleepless in Lake Placid showcase.
Congratulations to Team Marist for winning the Robin Pell award and RIT for winning Audience Choice. Also congrats to Jessica Marshall for winning Best Actress in Marist’s “Allure” and Chris LaFountain for winning Best Actor in the same movie.
Some photos by Jordan Craig from Day 1 of the Lake Placid Film Forum!
Today we have a full slate: starting with First Cousin Once Removed, Fairhaven with director Tom O’Brien, Syrup, Nathan Farb’s Home Movies, and concluding with the Sleepless in Lake Placid student competition!
Here’s today’s schedule and descriptions.
The Go Digital or Go Dark campaign stops at the Lake Placid Film Forum. From ANCA’s newsletter:
The 2013 Lake Placid Film Forum, June 13-16, will focus on the role of independent theaters in a world of Netflix and wireless devices.
The 13th annual Forum will host narrative and documentary features, special guests,“Coffee and Conversation,” the seventh Sleepless in Lake Placid film making competition, and the fifth North Country Shorts.
Download a copy of the schedule here and the program here
The forum kicks off Wednesday, June 12 at dusk, with a free screening of “The Mountains Will Wait for You,” the story of Grace Hudowalski, matriarch of the Adirondack 46ers club, at Mid’s Park off Main Street in Lake Placid. Director Fred Schwoebel will be there to share in his remarkable story.
One of the centerpieces of this year’s Forum, “Coffee and Conversation,” at 10 a.m. Saturday, June 15, features the topic of arthouse convergence and how North Country Theaters can continue to play a vital part of the shared experience in the digital age. Special guest Ira Deutchman, Columbia University professor and Managing Partner of Emerging Pictures, a New York-based digital exhibition company, will lead a discussion about movie theaters adapting to new models and fording the current digital sea change, which ties into the current “Go Digital” Campaign that the Adirondack Film Society helped spearhead a year ago.
News and updates can be found on the Film Forum blog — http://lpfilmforum.com/ — and on Facebook. Tickets are sold at each venue at the screening time. Passes for the entire event will be available online by visiting adkfilmsociety.com or calling 518-523-3456.
Listen to an interview at WFPK after Dark with A Band Called Death directors Jeff Howlett and Mark Covino, and come see the movie tonight at 6:30 at the Lake Placid Center for the Arts!
Kid, you’ll move mountains.
—Dr. Seuss. Here are the elements for the 2013 Sleepless in Lake Placid student competition.
Hi everyone. Well, here they are- this year’s elements. As always, we tried to tie these in with the Lake Placid region and with other aspects of the festival. Hope you find them interesting, and I hope they free up your creativity rather than the opposite! Keep in mind that the goal here is to integrate these elements in as organic a way as possible with the other elements of your story, and not as items on a treasure hunt checklist. We’ll talk a bit more about the difference between the two at the orientation.
A drum roll, please. This year’s three required elements are:
1. An opening quote about mountains, followed by an establishing shot of a mountainous, Adirondack skyline (see attached list of quotes).
2. A scene with one or more people watching something on a device, oblivious to the world around them.
3. A fishing lure.
Read the rest of Sleepless coordinator Barry Snyder’s requirements for the student competition.
An outdoor screening? Yes, please. (Hopefully this rain stops – if it doesn’t, the show will be at the High Peaks Resort in the Lakeside building.) And what better film for an outdoor show than Fred Schwoebel’s The Mountains Will Wait For You, an inspiring, family-friendly documentary about the legendary Adirondack 46er club and one of its most influential members, Grace Hudowalski.
The movie will begin around dark. Prior to screening, the director (who made the film over 20 years) will speak about his incredible experience. Come down to Mid’s Park on Main Street in Lake Placid and pull up some lawn for this FREE event, a one-of-a-kind experience watching a movie under the stars, sharing a story about our own unique Adirondack Mountains.
Our opening night films will be shown in a basement.
That’s right. That’s how we roll.
A Band Called Death and The Summit will play at the Lake Placid Center for the Arts on Thursday, June 13th starting at 6:30 PM downstairs…
in the basement.
Well, it’s also referred to as the “addition studio,” but we like “basement.”
Both of these films will play again throughout the weekend in a more “normal” venue, but the downstairs screening (where fans got to watch the much-talked-about Joe Papp screening last year) is a unique experience.
Bring a flashlight, just in case.
P.S. Also screening in the underground lair will be American Masters: Mel Brooks – Make a Noise and Nathan Farb’s Home Movies.
Perfect.
Snowdysseus by Evan Curtis added to the North Country Shorts Program.
Snowdysseus is a stop motion animation that explores the vulnerability in Nostalgia for One’s Home. It is shot on location in the miniature snow-mountains of the Adirondacks.
Lake Placid Film Forum t-shirts! Prepared by the brilliant Chris Federico, who will have a bunch of these handsome suckers tomorrow at The Mountains Will Wait For You screening.
For more info on the festival go to adkfilmsociety.com.
Next week is the Lake Placid Film Forum!
We’re kicking off at Mid’s Park for a screening of The Mountains Will Wait For You. For trailers of the films, we’re screening click here; for a schedule, we’ve got you covered; and for all of our 2013 Lake Placid Film Forum related coverage, click here.
If you’re interested in the latest Hollywood offerings here is what will be playing at the Palace through next week.
The Fast and Furious 6
7:00 ONLY
Hobbs has Dom and Brian reassemble their crew in order to take down a mastermind who commands an organization of mercenary drivers across 12 countries. Payment? Full pardons for them all. Starring Vin Diesel, Paul Walker, Jordana Brewster, Tyrese Gibbons, Dwayne Johnson, and Michelle Rodriguez. Directed by Justin Lin.
The Internship (PG-13)
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
Two salesmen whose careers have been torpedoed by the digital age find their way into a coveted internship at Google, where they must compete with a group of young, tech-savvy geniuses for a shot at employment. Starring Vince Vaughn and Owen Wilson, directed by someone.
Epic (PG)
7:00 ONLY
MATINEES SAT. & SUN. at 2:15
A teenager finds herself transported to a deep forest setting where a battle between the forces of good and the forces of evil is taking place. She bands together with a rag-tag group characters in order to save their world — and ours.
Now You See Me
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
An FBI agent and an Interpol detective track a team of illusionists who pull off bank heists during their performances and reward their audiences with the money. Starring Jesse Eisenberg, Mark Ruffalo, and Woody Harrelson. Directed by Louis Letterier.
STARTS TUES. JUNE 11TH
This Is The End (R)
7:00 & 9:30
While attending a party at James Franco’s house, Seth Rogen, Jay Baruchel and many other celebrities are faced with the apocalypse.Starring Jonah Hill, James Franco, Seth Rogen, Jay Baruchel, Danny McBride. Directed by Evan Goldberg and Seth Rogen.
You’ve seen his photographs featured in calendars, posters, and galleries throughout the area, but Nathan Farb is finally releasing some of his personal home movies.
Three of them to be exact.
Read the rest over at FADE IN. The Lake Placid Film Forum’s blog.
Photo by Jack Skinner.
Sometimes making a film is by the numbers. Sometimes it is an odyssey – it may even span decades from concept to completion.
That’s the case with The Mountains Will Wait For You, the story of Grace Hudowalski, matriarch of the Adirondack 46ers club – an organization whose members climb the 46 peaks in the Adirondack Park. Grace, the first woman to ascend all 46 peaks, was an avid proponent of members writing about their experiences, and corresponded with thousands of climbers – a feat in itself. Director Fred Schwoebel’s incredible journey making the film was not unlike climbing the rugged peaks. After many stops and starts and years of working on the film, as it turned out, the mountains had waited for him.
Come see the inspirational film which recently screened at the Conference Center in Lake Placid. The screening will take place at Mid’s Park off of Main Street in Lake Placid. Director Schwoebel describes this new venue as “nothing could be better than to watch the movie outdoors against a mountainous backdrop.”
The free screening will be on Wednesday, June 12 at dusk, and the director will be there to share in his remarkable story.
Here’s the poster for this year’s film forum! Also: here is a page o’trailers full of the movies we’re screening.
Here is the film that won the Cannes We Made It short film contest. Done by Burlington College students, “One Day” features a homeless man living his wish to be one of the wealthy for a day.
The Cannes competition gives students a week to make a film that runs less than five minutes. Not as hardcore as our Sleepless competition but “One Day” is pretty well-made.
It earned awards for Best Editing (Gretchen Schroeder), Best Script by DeWolfe Morrow and Joe Mulherin, and Best Actor (Kevin Marshall Pinkney).
We heard Michael Fisher (Jonathan Volcrum in THE DEAL, and Sleepless participating actor) advised the same group last year at the Sleepless in Burlington competition.
Congrats!
The schedule is being changed to make some repairs on the eighty-seven year old building so here we go:
The Fast and Furious 6
7:00 ONLY
Hobbs has Dom and Brian reassemble their crew in order to take down a mastermind who commands an organization of mercenary drivers across 12 countries. Payment? Full pardons for them all. Starring Vin Diesel, Paul Walker, Jordana Brewster, Tyrese Gibbons, Dwayne Johnson, and Michelle Rodriguez. Directed by Justin Lin.
The Hangover Part III (R)
9:30 ONLY
Apparently there was demand for a third one. “This time, there’s no wedding. No bachelor party. What could go wrong, right? But when the Wolfpack hits the road, all bets are off.” Starring Bradley Cooper, Ed Helms, and Zack Galifianakis. Directed by Todd Phillips.
Star Trek Into Darkness (PG-13)
9:30 ONLY
MATINEES SAT. & SUN. at 2:15
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one man weapon of mass destruction. Starring Chris Pine, Zachary Quinto, Zoe Saldana, Simon Pegg, and Benedict Cumberbatch. Directed by the non-philosophical J.J. Abrams.
Epic (PG)
7:00 ONLY
MATINEES SAT. & SUN. at 2:15
A teenager finds herself transported to a deep forest setting where a battle between the forces of good and the forces of evil is taking place. She bands together with a rag-tag group characters in order to save their world — and ours.
Now You See Me
7:00 & 9:30
MATINEES SAT. & SUN. at 2:15
An FBI agent and an Interpol detective track a team of illusionists who pull off bank heists during their performances and reward their audiences with the money. Starring Jesse Eisenberg, Mark Ruffalo, and Woody Harrelson. Directed by Louis Letterier.
More than a short film, really, “Monhegan Light” approaches the mid-length genre at almost thirty minutes running time. The film was produced by a team of Ohio University students, led by Associate Professor Frederick Lewis (who executive produced) and directed by Joe Battaglia, an OU student. Money was raised to produce the film ($18,000) which was shot on location in four days on Monhegan Island, Maine.
The story comes from Pulitzer Prize winner Richard Russo, and concerns a Hollywood cinematographer who receives a nude painting of his recently deceased wife in the mail. When he learns that the artist was his late wife’s lover for 10 summers, he journeys to Monhegan Island, where he is forced to see her through the eyes of another man.
The Lake Placid Film Forum will screen the film Saturday, June 15th during the North Country Shorts. The late Anthony Lucas, a board member of the Adirondack Film Society, initiated the North Country Shorts program in 2007 and championed Frederick Lewis and his Ohio students for many years. The screening of “Monhegan Light” honors Tony, his wife Ellena, and their invaluable contributions to our event.
Here is the complete schedule of events for the 2013 Lake Placid Film Forum.
We’re hoping it doesn’t change because it is only the two of us here and we’re not sure how we feel about cloning.
Whitewash, starring Thomas Haden Church will be the closing night film for the Lake Placid Film Forum, Saturday, June 15 at 9:30pm in the newly converted digital theater at the Palace.
It was a colossal hit at the Tribeca Film Festival and here is Holly Voges describing it:
The brutality of winter and the power of the mind are aptly portrayed in this dark comedy starring Thomas Haden Church. Bruce is lost. His wife has died and he lost his job. He is merely trying to survive a harsh Canadian winter when he meets Paul and only too late realizes the newcomer is more than he appears. When conflict leads to a death, Bruce finds himself even more isolated in the forests of Quebec, grappling with guilt and creating a prison from which he cannot escape.
Director Emanuel Hoss-Desmarais co-wrote Whitewash with Marc Tulin, creating an intense and entertaining one-man show centered on the landscape of a guilty mind. Against the harsh terrain, Thomas Haden Church delivers a wry, captivating performance, illustrating that where the mind goes, the body follows. When Bruce begins to comprehend the possible consequences of his actions, he flees. However, much to his chagrin, and as Whitewash cleverly reveals, the worst possible punishment is often the one we construct for ourselves.
Here is the full trailer for the Go Digital or Go Dark campaign. After viewing, click here to help save your local theatre.
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CREDITS
Directors: T J Brearton, Aaron Woolf
Producers: Adk Mogul, Mosaic Films, Adirondack North Country Association, Adirondack Film Society
Cinematography: Derek Hallquist, Jordan Craig
Actors: Margarete Schulte, Charles Smith, Soozie Leubert, Noell Prellwitz, Jon Fremante, Kimberly Ratkos-Rath, Kelly Strack, Heather Clark, Natalie Orman, Sean Orman, Melissa Rath, Lindsey Rath, Jane Nobel Maxwell, Margo Fish, Whitney Ratliff, Tara Beaney Miller
Written by: T J Brearton, Aaron Woolf, Howard Fish
Editors: T J Brearton, Aaron Woolf
Production Coordinators: David Press, T J Brearton
Production Assistance: David Press
Composer: Brendan Coyle
Narrator: T J Brearton
Sound Mix / Color Correction: Glue, NYC
Film Transfer: Alpha Cine, Seattle
Graphic Logo: Aaron Hobson
Einstein said that if you want to understand something better, try and explain it to your grandmother. The more I find myself talking about the digital conversion issue which faces independently owned theatres, the more feel like I understand it. But, it’s challenging. The topic is complex, and not black and white. And the rabbit hole, it seems, gets deeper and deeper.
In 2012, the Lake Placid Film Forum hosted a Panel Discussion called “Do Movie Theatres Have a Future?” The answer, I have come to believe in the months since, is a resounding Yes. And the road to success is one that literally takes a village.
Not everyone agrees, however. Some extremists feel that public film exhibition is dying out, like print media or landline telephones. Many people I’ve talked to disagree that the issue ought to involve fundraising or community support – that theatres are a business which should take care of themselves.
This is where the complexity starts, in my experience. A movie theatre is a unique business. Most people would agree that going to the movies is not the same as buying something from a store. It’s more akin to an event, like a trip to a museum or a theme park. Often it is accompanied by one or more micro-events, such as going to dinner, doing a little shopping in the neighborhood district, or grabbing a coffee. Going to the movies often includes other businesses besides the theatre.
Another opinion I’ve heard advanced is that the theatres ought to have “seen this coming.” Meaning, as a responsible business, a theatre owner should have foreseen the conversion to digital and prepared to navigate that switch by budgeting for the new equipment. The theatres may not have seen this coming because there has never been any firm end date described; it’s been a vague threat on the horizon for a short while. And unless they had a few hundred thousand dollars lying around or were able to raise that money in that small amount of time, they’re in the lurch. Perhaps the theatres could have raised ticket prices or charged more for concessions?
Right now the average digital projector costs about $90,000. (That’s a lot of five-dollar popcorn.) This level of projection is required by the studios and distributors who hold the rights to the kinds of films small town theatres need to book in order to access a decent audience – especially in tourist-economy communities where out-of-towners expect the same fare they could see at home. Some theatres have two or more screens. They may also be required to retrofit for sound. They may need to make major renovations to remove the old platter system and install the new projector. And there are all sorts of add-ons and requirements the distributors attach to the projection process. But that’s only where the dominance of the distributor begins.
What I learned from getting more involved in this issue is that a movie theatre doesn’t work in remotely the same way as other businesses in terms of peddling its wares. A distributor of a Hollywood film typically gets 70% of the box office on an opening week, leaving the theatre owner with 30% of the money folks trade for tickets. Sometimes it’s the first two weeks. It’s only after two or more weeks that the inequitable percentage may drop a little. But by the time the contract allows the theatre to claim a majority of the grosses, the film may have been playing for four weeks or more, and by then, most everyone has seen it.
On the other hand, the money that the big studios are saving with the conversion – no longer having to process or ship prints – is astronomical. Even conservative estimates show a saving of billions of dollars just in the first years. Yet none of these savings have been paid forward to the independently owned theatres. There have been plans for a kind of high-conditionality loan, but it’s something that resembles indentured servitude more than a helpful leg up.
This is because it was the original intent of Hollywood studios to control everything from the acquisition to the exhibition of filmmaking. Film historians and long-time theatre owners tell us that film studios never intended for the “middle man” of privately owned movie theatres to exist in the first place. When they first began to spring up in the early 1900s, the studios conceded to work with the small theatres only because they thought they would serve to extend market reach to rural towns…and small towns. In time, the studios figured that they would spread their own theatres to these regions anyway. And that time has come. Industry insiders say that the big studios have known that this conversion would wipe out the majority of independent theatres, and that this was not only something they wouldn’t try to stop, but an added bonus.
The good news is, a digital conversion can serve a theatre which chooses to continue its relationship with its booker and distributor, or it can serve as a tool to liberate the theatres as well. For the audacious theatre owner, digital projection can allow for great latitude in programming, from live sports and artistic events, regional independent films, foreign films, cult favorites, classics, and throwbacks – auditoriums can also be rented for interactive conferences, festivals, parties, and more. The sky is the limit.
But the absence of small theatres in towns like Lake Placid, NY will likely yield the kind of Hoyts and Regal-Hyatt multiplexes in league with big-box stores like Wal-Mart and Target. Big-box business tend to set up camp on the edge of a town in anticipation of sprawl, and dredge the downtown district of that community, often leaving it derelict and devoid of character, devastating vital retail business, restaurants, or most anything else. And these multiplexes are likely to show only the “name” films which offer less and less variety as studios make fewer films per year, packing more money into one extravaganza franken-movie which runs for three hours and plays for eight weeks.
The digital conversion issue, I have come to learn, is a Davy and Goliath story. It is one more manifestation of the tendency towards homogenization of culture, the push towards corporate, global business, and the decay of character-driven, independently owned small business which enrich our communities. By working to help the regional theatres stay open, we help to preserve small business in the community, sustain a unique part of our culture, and ensure economic welfare for other businesses that benefit from having a destination for nightlife. I think grandma would understand that.
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It’s true. The turtles have been sighted in the Adirondack Mountains, doing some cowabunga-ish stunts over at Big Tupper.
Here’s the scoop: Tupper is not the site for all of TMNT’s principal photography, but for some key action scenes that will be part of the climax of the film.
We know because we helped to scout the Adirondacks last December when a Location Manager of the “Snow Unit” was poking around. After working on the scout, we agreed to keep things quiet.
What we can say now is that the producers of the film were drawn to the region because they had spent time in Vancouver for the Winter Olympics. When the big snowy action sequence was dreamed up, they thought that a region with facilities equipped to accommodate big action like the Olympics would be able to handle the big stunts for a Blockbuster film. So they started investigating Lake Placid, and other North Country venues, including places in Vermont.
We ran around and snapped pictures of various places in Lake Placid and along the outskirts. We checked out Mt Pisgah in Saranac Lake, and then we also recommended looking into Big Tupper.
The rest is history. …Or, will be, shortly.
The TMNT film is a reboot, as envisioned by Michael Bay, he of the “Transformers” legacy (some would say debacle). Whether or not the film is up to the fan’s standards is probably a non-issue, as the Transformers films still raked in the dough, as did the oft-derided prequel Star Wars films. It could be said that what sells tickets is the chance for people to jury a film. Especially in today’s ultra-connected world when social networking word of mouth rivals the summations of professional movie critics. We’re not guaranteed that a film will live up to our expectations, but we’re given the chance to make that call, and then shout our feelings from the rooftop.
However TMNT turns out, ADK MOGUL is glad to have been a small part (we like to think we helped get the ball rolling) and we’re grateful to see our vision coming true – a resurgence of filmmaking, both big and small, in the Adirondacks, bringing money and jobs… and the chance to see mutant turtles sliding down a ski slope on their shells. What more could one ask for.
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Kirk Sullivan, a native of Saranac Lake, NY, “comes up” from assisting megawatt producer Joel Silver and proves he’s got what it takes to get behind the helm himself with his meta, movie-about-a-guy-who-works-on-movies-while-trying-to-get-his-own-movie-made. It’s mind-melding yet refreshingly simple, brandishing real film stock (not ones and zeroes) with the kind of floating camerawork and poppy, actioner soundtrack that reminisces movies from…well, Joel Silver.
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Check out “The Come Up,” the short flick that landed Kirk his chance to debut as a feature film director.
Good luck, Kirk! You totally deserve it.
The Come Up from kirk sullivan on Vimeo.
How Kirk raised money for The Come Up
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(post by T J Brearton)
Here is our first in-house project, an effort to use local talent and resources to see a short film through from concept to exhibition. Production of The Deal is part of our experimentation with endogenous growth theory; that doing is learning, and benefits the community. The movie stars Michael Fisher, John Kiedaisch, and Jon Fremante. It was shot in the summer of 2012 with DSLR cameras, a skeleton crew, and a little less than 500 bucks.
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Click HERE for a DVD copy
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Check out this short film, wonderfully realized by writer-director-cinematographer-editor Noah Petrie, with standout performances from stars Michael Fisher (of our own short, The Deal), Jordan Gullikson, and Emily Wood.
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In the Summer of 2011, the feature film starring Ryan Gosling The Place Beyond The Pines was filming in Schenectady, NY. When the director (Derek Cianfrance, Blue Valentine) and producers were looking for a place to film their ending, they looked to the Adirondacks.
While the Schenectady locations served the production for the bulk of the film, the ending required a different setting. A lonesome road, and a stunning vista of the mountains in the distance. Where better than the ‘Dacks?
After an intensive location scout, a process assisted by ADK MOGUL’s co-founder T J Brearton, the place to shoot the ending was decided on: The production of The Pines would do a small company move out to Norman’s Ridge, a secluded location located between Bloomingdale and Vermontville.
Brearton subsequently wrote articles about the location scouting, and discussed the film with director Cianfrance.
Those articles are here:
Mean Streets: The Toughness Behind The Place Beyond The Pines
Recently, following a screening at the Toronto International Film Festival, the film’s distribution rights were picked up by Focus Features.
So when is the film coming out? While imdb lists a 2012 release date, The Pines won’t hit theaters until 2013. No specific date has been listed. Mogul will keep you posted as we learn more about this exciting feature shot right in our back yard. For now, enjoy this official clip of the film, procured by HitFix.