I just watched “The Hurt Locker,” and while I liked it, I felt it seemed like a pretty ridiculous portrayal of the Iraq War, especially compared to HBO’s “Generation Kill.”
This NY Times essay, by photographer Michael Kamber, who spent years in Iraq, points out how fanciful and unrealistic “The Hurt Locker” is.
If there is one rule with the military, it is that there is strength in numbers. No one soldier, no one vehicle, goes out alone. Ever. Four vehicles and a 20-man squad is the minimum that I have worked with in Iraq. A lone Humvee would not be allowed to clear the gate at any base in Iraq.
As Mark Boal, the screenwriter, well knows, many I.E.D.’s in Iraq are remotely detonated. Mr. Boal actually embedded with an E.O.D. team in Iraq, so he knows the chances of recklessly approaching even a single command-detonated bomb and surviving are quite small.
E.O.D. teams are highly specialized. They do not fire sniper rifles, clear buildings full of insurgents, single-handedly engage a squad of enemy combatants or drive the streets of Iraq alone. What they do in reality is amazing enough: one of the most nerve-wracking and dangerous jobs on earth. It is done a disservice by this degree of dramatization.
When a filmmaker gets that many details wrong, it’s hard to believe she got the war right. “The Hurt Locker” is not a drama about a make-believe event. This is a movie about an ongoing war that has affected millions, in which 100,000 Americans are still serving. It deserves a minimal degree of historical accuracy and attention to detail.
via The NY Times